WE SHOT THE MOON - the piano-heavy indie rock four-piece - will release their sophomore LP A SILVER LINING October 27 on Minneapolis-based label Afternoon Records. In September, the group will offer early listens of the infectious A SILVER LINING to fans via the Absolute Punk.net website www.absolutepunk.net. The site will stream the captivating first single "Red Night" Wednesday, September 2, followed by a full album stream September 15 in advance of the digital release on September 29. The group, who logged more than 300 live dates in 2008, will launch "The Silver Lining" headlining U.S. tour September 3 with support from Mansions and The Record Life on the West Coast and Lights Resolve and Destry on the East Coast.

WE SHOT THE MOON is led by former Waking Ashland frontman JONATHAN JONES and rounded out by TREVOR FARIS (drums), ADAM LOVELL (bass) and JASON DE LA TORRE (guitar). According to JONES, the band specializes in "quirky rock" that's layered, thick, and replete with ambient noise, and it's for that reason "we fall through the cracks, which I think, ultimately, is a good thing. We don't fit in to the super-indie hipster crowd. We're not gimmicky - we're real."

A SILVER LINING - the follow-up to 2008's Fear and Love - was produced by Mike Green (Paramore, Waking Ashland, The Matches). The album's first single, "Red Night," is something of a departure for the band, as it's admittedly the edgiest song on the record. "The guitars get right down to business," JONES enthuses. "It's very overdriven, and that's new for us. It's a complete rock song, with more guitar riffs. In the past, the riff stuff was done more on piano, so, it's us branching out, and going in a slightly different direction. I think it may hint at the future sound of this band...depending on what the response is." A SILVER LINING contains 11 tracks, and the standouts include the aforementioned "Red Night," "Should Have Been" and "Woke Her Up," which JONES says most people will relate to since it tackles those moments in life when maybe we've second-guessed our decision or direction. "It's one of my favorite songs on the record," JONES explains. "I've never been so honest in my writing, and I hope, through the honesty, our audience is really able to connect."

While it's common practice in rock bios to liken an act to something familiar, it's hard to do that with San Diego's WE SHOT THE MOON. That's because it's virtually impossible to compare them to any other band out there...not for more than a track or two, at least. But if you require a description of the band before reading more about WE SHOT THE MOON, let’s just say that A SILVER LINING possesses shades of Jack's Mannequin, Coldplay, Switchfoot, Muse, and Weezer.

Born not long after the death of JONES' previous band, Waking Ashland, which dissolved amid internal strife and struggle, WE SHOT THE MOON ended what was four months of musical limbo for Jones. "I was working this terrible pizza delivery job, and I was literally washing dishes when I got this call from my friend [Sherwood's] Dan [Koch], and he asked me what I was doing, so I told him...'Well, I'm washing dishes, Dan,'" recalls JONES. But Koch told him he shouldn't be driving large pies all around town, because he wasn't done playing music.

"Dan really inspired me to start writing songs again, and that's basically how the band was formed," JONES says. He added various players to the band's ranks, including drummer TREVOR FARIS, with whom he'd had plans to start a band before Waking Ashland took shape, and, just to make sure he didn't back out, bought a 15-passenger van. "I knew if I bought a van, I would have to do it," he says. "So I did and I haven't looked back since."

Last year, WE SHOT THE MOON played more than 300 live dates, and JONES says they'll play 365 this year if they must, because A SILVER LINING is an album they're just itching to rip through onstage. This fall, they'll be headlining a run of shows with support from Mansions and The Record Life on the West Coast and Lights Resolve and Destry on the East Coast.

1) Miracle

2) Woke Her Up

3) Should Have Been

4) The Bright Side

5) Come Back

6) Red Night

7) In Good Time

8) A Silver Lining

9) Amarillo

10) Amy

11) Candles