|
Outstanding Production
|
The Awful Truth (Columbia) |
|
|
Captains Courageous (MGM) |
|
|
Dead End (Goldwyn; United Artists) |
|
|
The Good Earth (MGM) |
|
|
In Old Chicago (Twentieth Century-Fox) |
|
|
The Life of Emile Zola
(Warner Bros.)
|
|
|
Lost Horizon (Columbia) |
|
|
One Hundred Men and a Girl (Universal) |
|
|
Stage Door (RKO Radio) |
|
|
A Star Is Born (Selznick International Pictures;
United Artists) |
|
Best Actor
|
Charles Boyer, Conquest
|
|
|
Fredric March, A Star Is Born
|
|
|
Robert Montgomery, Night Must Fall
|
|
|
Paul Muni, The Life of Emile Zola
|
|
|
Spencer Tracy, Captains
Courageous
|
|
Best Actress
|
Irene Dunne, The Awful Truth
|
|
|
Greta Garbo, Camille
|
|
|
Janet Gaynor, A Star Is Born
|
|
|
Luise Rainer, The Good Earth
|
|
|
Barbara Stanwyck, Stella Dallas
|
|
Actor in a Supporting Role
|
Ralph Bellamy, The Awful Truth
|
|
|
Thomas Mitchell, The Hurricane
|
|
|
Joseph Schildkraut, The
Life of Emile Zola
|
|
|
H. B. Warner, Lost Horizon
|
|
|
Roland Young, Topper
|
|
Actress in a Supporting Role
|
Alice Brady, In Old Chicago
|
|
|
Andrea Leeds, Stage Door
|
|
|
Anne Shirley, Stella Dallas
|
|
|
Claire Trevor, Dead End
|
|
|
Dame May Whitty, Night Must Fall
|
|
Directing
|
William Dieterle, The Life of Emile Zola
|
|
|
Sidney Franklin, The Good Earth
|
|
|
Gregory La Cava, Stage Door
|
|
|
Leo McCarey, The Awful Truth
|
|
|
William Wellman, A Star Is Born
|
|
Writing
|
|
Original Story
|
Niven Busch, In Old Chicago
|
|
|
Heinz Herald and Geza Herczeg, The Life of
Emile Zola
|
|
|
Hans Kraly, One Hundred Men and a Girl
|
|
|
Robert Lord, Black Legion
|
|
|
William A. Wellman and
Robert Carson, A Star Is Born
|
|
Screenplay
|
Alan Campbell, Robert Carson and Dorothy Parker,
A Star Is Born
|
|
|
Vina Delmar, The Awful Truth
|
|
|
John Lee Mahin, Marc Connolly and Dale Van Every,
Captains Courageous
|
|
|
Morris Ryskind and Anthony
Veiller, Stage Door
|
|
|
Cinematography
|
Karl Freund, The Good Earth
|
|
|
Gregg Toland, Dead End
|
|
|
Joseph Valentine, Wings Over Honolulu
|
|
Art Direction
|
Carroll Clark, A Damsel in Distress
|
|
|
William S. Darling and David Hall, Wee Willie Winkie
|
|
|
Richard Day, Dead End
|
|
|
Hans Dreier and Roland Anderson, Souls at Sea
|
|
|
Cedric Gibbons and William Horning, Conquest
|
|
|
Stephen Goosson, Lost Horizon
|
|
|
Anton Grot, The Life of Emile Zola
|
|
|
Wiard Ihnen, Every Day's a Holiday
|
|
|
John Victor Mackay, Manhattan Merry-Go-Round
|
|
|
Jack Otterson, You're a Sweetheart
|
|
|
Alexander Toluboff, Walter Wanger's Vogues of 1938
|
|
|
Lyle Wheeler, The Prisoner of Zenda
|
|
Sound Recording
|
Columbia Studio Sound Dept., Lost Horizon
|
|
|
Grand National Studio Sound Dept., The Girl Said
No
|
|
|
Hal Roach Studio Sound Dept., Topper
|
|
|
MGM Studio Sound Dept., Maytime
|
|
|
Paramount Studio Sound Dept., Wells Fargo
|
|
|
RKO Radio Studio Sound Dept., Hitting a New High
|
|
|
Twentieth Century-Fox Studio Sound Dept., In Old
Chicago
|
|
|
United Artists Studio Sound
Dept., The Hurricane
|
|
|
Universal Studio Sound Dept., One Hundred Men and
a Girl
|
|
|
Warner Bros. Studio Sound Dept., The Life of Emile
Zola
|
|
Assistant Director
|
C. C. Coleman, Jr., Lost Horizon
|
|
|
Russ Saunders, The Life of Emile Zola
|
|
|
Eric Stacey, A Star Is Born
|
|
|
Hal Walker, Souls at Sea
|
|
|
Robert Webb, In Old Chicago
|
|
Music
|
|
Song
|
“Remember Me,” Mr. Dodd Takes the Air,
Harry Warren, music; Al Dubin, lyrics |
|
|
“Sweet Leilani,” Waikiki
Wedding, Harry Owens, music and lyrics
|
|
|
“That Old Feeling,” Walter Wanger's Vogues
of 1938, Sammy Fain, music; Lew Brown, lyrics |
|
|
“They Can't Take That Away From Me,” Shall
We Dance, George Gershwin, music; Ira Gershwin,
lyrics |
|
|
“Whispers in the Dark,” Artists and Models,
Frederick Hollander, music; Leo Robin, lyrics |
|
Score
|
Columbia Studio Music Dept., Lost Horizon
|
|
|
Goldwyn Studio Music Dept., The Hurricane
|
|
|
Grand National Studio Music Dept., Something
to Sing About
|
|
|
Hal Roach Studio Music Dept., Way Out West
|
|
|
MGM Studio Music Dept., Maytime
|
|
|
Paramount Studio Music Dept., Souls at Sea
|
|
|
Principal Productions, Make a Wish
|
|
|
Republic Studio Music Dept., Portia on Trial
|
|
|
RKO Radio Studio Music Dept., Quality Street
|
|
|
Selznick International Pictures Music Dept., The
Prisoner of Zenda
|
|
|
Twentieth Century-Fox Studio Music Dept., In
Old Chicago
|
|
|
Universal Studio Music
Dept., One Hundred Men and a Girl
|
|
|
Walt Disney Studio Music Dept., Snow White
and the Seven Dwarfs
|
|
|
Warner Bros. Studio Music Dept., The Life of
Emile Zola
|
|
|
Film Editing
|
Bernard W. Burton, One Hundred Men and a Girl
|
|
|
Al Clark, The Awful Truth
|
|
|
Gene Havlick and Gene Milford,
Lost Horizon
|
|
|
Elmo Vernon, Captains Courageous
|
|
|
Basil Wrangell, The Good Earth
|
|
Dance Direction
|
Busby Berkeley, “The Finale,” Varsity Show
|
|
|
Bobby Connolly, “Too Marvelous for Words,” Ready,
Willing and Able
|
|
|
Dave Gould, “All God's Children Got Rhythm,” A Day
at the Races
|
|
|
Sammy Lee, “Swing Is Here to Stay,” Ali Baba Goes
to Town
|
|
|
Hermes Pan, “Fun House,” A
Damsel in Distress
|
|
|
LeRoy Prinz, “Luau,” Waikiki Wedding
|
|
Short Subjects
|
|
Cartoon
|
Educated Fish (Color Classics Series)
(Paramount) |
|
|
The Little Match Girl (Charles Mintz, producer;
Columbia) |
|
|
The Old Mill (Walt
Disney Productions; RKO Radio)
|
|
One-Reel
|
A Night at the Movies (Robert Benchley
Series) (MGM) |
|
|
The Private Life of
the Gannetts (Skibo Productions; Educational)
|
|
|
Romance of Radium (Pete Smith Specialties
Series) (Pete Smith, producer; MGM) |
|
Two-Reel
|
Deep South (Radio Musical Comedies Series)
(RKO Radio) |
|
|
Should Wives Work? (Leon Errol Comedies
Series) (RKO Radio) |
|
|
Torture Money
(Crime Doesn't Pay Series) (MGM)
|
|
Color
|
The Man Without a Country (Broadway
Brevities Series) (Warner Bros.) |
|
|
Penny Wisdom (Pete
Smith Specialties Series) (Pete Smith, producer;
MGM)
|
|
|
Popular Science J-7-1 (Popular Science
Series) (Paramount) |
|
|
Irving G. Thalberg Memorial
Award
|
(Not necessarily given each
year )
|
|
|
Darryl F. Zanuck
|
|
Special Awards
|
To
Mack Sennett
for his lasting contribution to the comedy technique of
the screen |
|
|
To
Edgar Bergen
for his outstanding comedy creation, Charlie McCarthy |
|
|
To the
Museum of Modern Art
Film Library
for its significant work in collecting
films dating from 1895 to the present, and for the first
time making available to the public the means of studying
the historical and aesthetic development of the motion
picture as one of the major arts |
|
|
To
W. Howard Greene
for the color photography of A Star Is Born
|
