|
Best Motion Picture
|
The Bishop's Wife (Goldwyn; RKO Radio) |
|
|
Crossfire (RKO Radio) |
|
|
Gentleman's Agreement
(Twentieth Century-Fox)
|
|
|
Great Expectations (J. Arthur Rank-Cineguild;
Universal-International) |
|
|
Miracle on 34th Street (Twentieth Century-Fox) |
|
Best Actor
|
Ronald Colman, A Double
Life
|
|
|
John Garfield, Body and Soul
|
|
|
Gregory Peck, Gentleman's Agreement
|
|
|
William Powell, Life With Father
|
|
|
Michael Redgrave, Mourning Becomes Electra
|
|
Best Actress
|
Joan Crawford, Possessed
|
|
|
Susan Hayward, Smash Up—The Story of a Woman
|
|
|
Dorothy McGuire, Gentleman's Agreement
|
|
|
Rosalind Russell, Mourning Becomes Electra
|
|
|
Loretta Young, The Farmer's
Daughter
|
|
Actor in a Supporting Role
|
Charles Bickford, The Farmer's Daughter
|
|
|
Thomas Gomez, Ride the Pink Horse
|
|
|
Edmund Gwenn, Miracle on
34th Street
|
|
|
Robert Ryan, Crossfire
|
|
|
Richard Widmark, Kiss of Death
|
|
Actress in a Supporting Role
|
Ethel Barrymore, The Paradine Case
|
|
|
Gloria Grahame, Crossfire
|
|
|
Celeste Holm, Gentleman's
Agreement
|
|
|
Marjorie Main, The Egg and I
|
|
|
Anne Revere, Gentleman's Agreement
|
|
Directing
|
George Cukor, A Double Life
|
|
|
Edward Dmytryk, Crossfire
|
|
|
Elia Kazan, Gentleman's
Agreement
|
|
|
Henry Koster, The Bishop's Wife
|
|
|
David Lean, Great Expectations
|
|
Writing
|
|
Original Motion Picture
Story
|
Georges Chaperot and Rene Wheeler, A Cage of
Nightingales
|
|
|
Herbert Clyde Lewis and Frederick Stephani, It
Happened on Fifth Avenue
|
|
|
Valentine Davies, Miracle
on 34th Street
|
|
|
Eleazar Lipsky, Kiss of Death
|
|
|
Dorothy Parker and Frank Cavett, Smash Up—The
Story of a Woman
|
|
Original Screenplay
|
Sergio Amidei, Adolfo Franci, C. G. Viola and
Cesare Zavattini, Shoeshine
|
|
|
Charles Chaplin, Monsieur Verdoux
|
|
|
Ruth Gordon and Garson Kanin, A Double Life
|
|
|
Abraham Polonsky, Body and Soul
|
|
|
Sidney Sheldon, The
Bachelor and the Bobby-Soxer
|
|
Screenplay
|
Moss Hart, Gentleman's Agreement
|
|
|
David Lean, Ronald Neame and Anthony Havelock-Allan,
Great Expectations
|
|
|
Richard Murphy, Boomerang!
|
|
|
John Paxton, Crossfire
|
|
|
George Seaton, Miracle
on 34th Street
|
|
|
Cinematography
|
|
Black-and-White
|
George Folsey, Green Dolphin Street
|
|
|
Guy Green, Great Expectations
|
|
|
Charles Lang, Jr., The Ghost and Mrs. Muir
|
|
Color
|
Jack Cardiff, Black
Narcissus
|
|
|
Harry Jackson, Mother Wore Tights
|
|
|
Peverell Marley and William V. Skall, Life
With Father
|
|
|
Art Direction
|
|
Black-and-White
|
John Bryan, art direction;
Wilfred Shingleton, set decoration, Great Expectations
|
|
|
Lyle Wheeler and Maurice Ransford, art direction;
Thomas Little and Paul S. Fox, set decoration, The
Foxes of Harrow
|
|
Color
|
Robert M. Haas, art direction; George James Hopkins,
set decoration, Life With Father
|
|
|
Alfred Junge, art direction
and set decoration, Black Narcissus
|
|
|
Sound Recording
|
Samuel Goldwyn Studio Sound
Department, The Bishop's Wife
|
|
|
MGM Studio Sound Department, Green Dolphin Street
|
|
|
Sound Service, Inc., T-Men
|
|
Music
|
|
Song
|
“A Gal in Calico,” The Time, the Place and
the Girl, Arthur Schwartz, music; Leo Robin,
lyrics |
|
|
“I Wish I Didn't Love You So,” The Perils of
Pauline, Frank Loesser, music and lyrics |
|
|
“Pass That Peace Pipe,” Good News, Ralph
Blane, Hugh Martin and Roger Edens, music and lyrics |
|
|
“You Do,” Mother Wore Tights, Josef Myrow,
music; Mack Gordon, lyrics |
|
|
“Zip-a-Dee-Doo-Dah,”
Song of the South, Allie Wrubel, music; Ray
Gilbert, lyrics
|
|
Scoring of a Dramatic
or Comedy Picture
|
Hugo Friedhofer, The Bishop's Wife
|
|
|
Alfred Newman, Captain From Castile
|
|
|
David Raksin, Forever Amber
|
|
|
Miklos Rozsa, A Double
Life
|
|
|
Max Steiner, Life With Father
|
|
Scoring of a Musical
Picture
|
Daniele Amfitheatrof, Paul J. Smith and Charles
Wolcott, Song of the South
|
|
|
Robert Emmett Dolan, Road to Rio
|
|
|
Johnny Green, Fiesta
|
|
|
Ray Heindorf and Max Steiner, My Wild Irish
Rose
|
|
|
Alfred Newman, Mother
Wore Tights
|
|
|
Film Editing
|
Monica Collingwood, The Bishop's Wife
|
|
|
Harmon Jones, Gentleman's Agreement
|
|
|
Francis Lyon and Robert Parrish,
Body and Soul
|
|
|
Fergus McDonnell, Odd Man Out
|
|
|
George White, Green Dolphin Street
|
|
Special Effects
|
Farciot Edouart, Devereux Jennings, Gordon Jennings,
Wallace Kelley and Paul Lerpae, visual; George Dutton,
audible, Unconquered
|
|
|
A. Arnold Gillespie and Warren
Newcombe, visual; Douglas Shearer and Michael Steinore,
audible, Green Dolphin Street
|
|
Short Subjects
|
|
Cartoon
|
Chip an' Dale (Donald Duck Series) (Walt
Disney Productions; RKO Radio) |
|
|
Dr. Jekyll and Mr. Mouse (Tom and Jerry
Series) (Frederick Quimby, producer; MGM) |
|
|
Pluto's Blue Note (Pluto Series) (Walt
Disney Productions; RKO Radio) |
|
|
Tubby the Tuba (George Pal Puppetoon Series)
(George Pal, producer; Paramount) |
|
|
Tweetie Pie (Merrie
Melodies Series) (Edward Selzer, producer; Warner
Bros.)
|
|
One-Reel
|
Brooklyn, U.S.A. (Variety View Series)
(Thomas Mead, producer; Universal-International) |
|
|
Goodbye Miss Turlock
(John Nesbitt Passing Parade Series) (Herbert
Moulton, producer; MGM)
|
|
|
Moon Rockets (Popular Science Series) (Jerry
Fairbanks, producer; Paramount) |
|
|
Now You See It (Pete Smith Specialty Series)
(Pete Smith, producer; MGM) |
|
|
So You Want to Be in Pictures (Joe McDoakes
Series) (Gordon Hollingshead, producer; Warner
Bros.) |
|
Two-Reel
|
Champagne for Two (Musical Parade Featurette
Series) (Harry Grey, producer; Paramount) |
|
|
Climbing the Matterhorn
(Color Series) (Irving Allen, producer; Monogram)
|
|
|
Fight of the Wild Stallions (Featurette Series)
(Thomas Mead, producer; Universal-International) |
|
|
Give Us the Earth (Herbert Morgan, producer;
MGM) |
|
|
A Voice Is Born: The Story of Niklos Gafni
(Musical Featurette Series) (Ben Blake, producer;
Columbia) |
|
|
Documentary
|
|
Short Subject
|
First Steps (United
Nations Division of Films and Visual Education)
|
|
|
Passport to Nowhere (This Is America Series)
(Frederic Ullman, Jr., producer; RKO Pathé) |
|
|
School in the Mailbox (Australian News
and Information Bureau) |
|
Feature
|
Design for Death
(Theron Warth and Richard O. Fleischer, producers;
RKO Radio)
|
|
|
Journey Into Medicine (U.S. State Department
Office of Information and Educational Exchange) |
|
|
The World Is Rich (Paul Rotha, producer;
British Information Services) |
|
|
Special Awards
|
To
James Baskett
for his able and heartwarming characterization of Uncle
Remus, friend and storyteller to the children of the world
in Walt Disney's Song of the South
|
|
|
To
Bill and Coo,
in which artistry and patience blended in a novel and
entertaining use of the medium of motion pictures |
|
|
To
Shoeshine,
the high quality of this motion picture, brought to eloquent
life in a country scarred by war, is proof to the world
that the creative spirit can triumph over adversity. |
|
|
To
Colonel William N. Selig,
Albert E. Smith, Thomas Armat
and
George
K. Spoor,
the small group of pioneers whose
belief in a new medium and whose contributions to its
development blazed the trail along which the motion picture
has progressed, in their lifetime, from obscurity to worldwide
acclaim |
