|
Best Motion Picture
|
An American in Paris,
Arthur Freed, producer (MGM)
|
|
|
Decision Before Dawn, Anatole Litvak and Frank
McCarthy, producers (Twentieth Century-Fox) |
|
|
A Place in the Sun, George Stevens, producer
(Paramount) |
|
|
Quo Vadis, Sam Zimbalist, producer (MGM) |
|
|
A Streetcar Named Desire, Charles K. Feldman,
producer (Warner Bros.) |
|
Best Actor
|
Humphrey Bogart, The African
Queen
|
|
|
Marlon Brando, A Streetcar Named Desire
|
|
|
Montgomery Clift, A Place in the Sun
|
|
|
Arthur Kennedy, Bright Victory
|
|
|
Fredric March, Death of a Salesman
|
|
Best Actress
|
Katharine Hepburn, The African Queen
|
|
|
Vivien Leigh, A Streetcar
Named Desire
|
|
|
Eleanor Parker, Detective Story
|
|
|
Shelley Winters, A Place in the Sun
|
|
|
Jane Wyman, The Blue Veil
|
|
Actor in a Supporting Role
|
Leo Genn, Quo Vadis
|
|
|
Karl Malden, A Streetcar
Named Desire
|
|
|
Kevin McCarthy, Death of a Salesman
|
|
|
Peter Ustinov, Quo Vadis
|
|
|
Gig Young, Come Fill the Cup
|
|
Actress in a Supporting Role
|
Joan (Generic Funny Minority) ll, The Blue Veil
|
|
|
Mildred Dunnock, Death of a Salesman
|
|
|
Lee Grant, Detective Story
|
|
|
Kim Hunter, A Streetcar
Named Desire
|
|
|
Thelma Ritter, The Mating Season
|
|
Directing
|
John Huston, The African Queen
|
|
|
Elia Kazan, A Streetcar Named Desire
|
|
|
Vincente Minnelli, An American in Paris
|
|
|
George Stevens, A Place
in the Sun
|
|
|
William Wyler, Detective Story
|
|
Writing
|
|
Motion Picture Story
|
Budd Boetticher and Ray Nazarro, Bullfighter
and the Lady
|
|
|
Paul Dehn and James Bernard,
Seven Days to Noon
|
|
|
Alfred Hayes and Stewart Stern, Teresa
|
|
|
Oscar Millard, The Frogmen
|
|
|
Robert Riskin and Liam O'Brian, Here Comes
the Groom
|
|
Screenplay
|
James Agee and John Huston, The African Queen
|
|
|
Jacques Natanson and Max Ophuls, La Ronde
|
|
|
Tennessee Williams, A Streetcar Named Desire
|
|
|
Michael Wilson and Harry
Brown, A Place in the Sun
|
|
|
Philip Yordan and Robert Wyler, Detective Story
|
|
Story and Screenplay
|
Philip Dunne, David and Bathsheba
|
|
|
Clarence Greene and Russell Rouse, The Well
|
|
|
Alan Jay Lerner, An
American in Paris
|
|
|
Robert Pirosh, Go for Broke!
|
|
|
Billy Wilder, Lesser Samuels and Walter Newman,
The Big Carnival
|
|
|
Cinematography
|
|
Black-and-White
|
Norbert Brodine, The Frogmen
|
|
|
Robert Burks, Strangers on a Train
|
|
|
William C. Mellor, A
Place in the Sun
|
|
|
Frank Planer, Death of a Salesman
|
|
|
Harry Stradling, A Streetcar Named Desire
|
|
Color
|
Alfred Gilks and John
Alton, An American in Paris
|
|
|
Charles Rosher, Show Boat
|
|
|
John F. Seitz and W. Howard Greene, When Worlds
Collide
|
|
|
Leon Shamroy, David and Bathsheba
|
|
|
Robert Surtees and William V. Skall, Quo Vadis
|
|
|
Art Direction
|
|
Black-and-White
|
Richard Day, art direction;
George James Hopkins, set decoration, A Streetcar
Named Desire
|
|
|
D'Eaubonne, art direction and set decoration,
La Ronde
|
|
|
Cedric Gibbons and Paul Groesse, art direction;
Edwin B. Willis and Jack D. Moore, set decoration,
Too Young to Kiss
|
|
|
Lyle Wheeler and John DeCuir, art direction; Thomas
Little and Paul S. Fox, set decoration, House
on Telegraph Hill
|
|
|
Lyle Wheeler and Leland Fuller, art direction;
Thomas Little and Fred J. Rode, set decoration,
Fourteen Hours
|
|
Color
|
Cedric Gibbons and Preston
Ames, art direction; Edwin B. Willis and Keogh Gleason,
set decoration, An American in Paris
|
|
|
Hein Heckroth, art direction and set decoration,
Tales of Hoffmann
|
|
|
William A. Horning, Cedric Gibbons and Edward
Carfagno, art direction; Hugh Hunt, set decoration,
Quo Vadis
|
|
|
Lyle Wheeler and George Davis, art direction;
Thomas Little and Paul S. Fox, set decoration, David
and Bathsheba
|
|
|
Lyle Wheeler and Leland Fuller, art direction;
Joseph C. Wright, musical settings; Thomas Little
and Walter M. Scott, set decoration, On the Riviera
|
|
|
Sound Recording
|
MGM Studio Sound Dept., The
Great Caruso
|
|
|
RKO Radio Studio Sound Dept., Two Tickets to Broadway
|
|
|
Samuel Goldwyn Studio Sound Dept., I Want You
|
|
|
Universal-International Studio Sound Dept., Bright
Victory
|
|
|
Warner Bros. Studio Sound Dept., A Streetcar Named
Desire
|
|
Music
|
|
Song
|
“In the Cool, Cool, Cool
of the Evening,” Here Comes the Groom, Hoagy
Carmichael, music; Johnny Mercer, lyrics
|
|
|
“A Kiss to Build a Dream On,” The Strip,
Bert Kalmar, Harry Ruby and Oscar Hammerstein II,
music and lyrics |
|
|
“Never,” Golden Girl, Lionel Newman, music;
Eliot Daniel, lyrics |
|
|
“Too Late Now,” Royal Wedding, Burton Lane,
music; Alan Jay Lerner, lyrics |
|
|
“Wonder Why,” Rich, Young and Pretty, Nicholas
Brodszky, music; Sammy Cahn, lyrics |
|
Scoring of a Dramatic
or Comedy Picture
|
Alfred Newman, David and Bathsheba
|
|
|
Alex North, Death of a Salesman
|
|
|
Alex North, A Streetcar Named Desire
|
|
|
Miklos Rozsa, Quo Vadis
|
|
|
Franz Waxman, A Place
in the Sun
|
|
Scoring of a Musical
Picture
|
Peter Herman Adler and Johnny Green, The Great
Caruso
|
|
|
Adolph Deutsch and Conrad Salinger, Show Boat
|
|
|
Johnny Green and Saul
Chaplin, An American in Paris
|
|
|
Alfred Newman, On the Riviera
|
|
|
Oliver Wallace, Alice in Wonderland
|
|
|
Film Editing
|
Adrienne Fazan, An American in Paris
|
|
|
William Hornbeck, A Place
in the Sun
|
|
|
Chester Schaeffer, The Well
|
|
|
Dorothy Spencer, Decision Before Dawn
|
|
|
Ralph E. Winters, Quo Vadis
|
|
Costume Design
|
|
Black-and-White
|
Lucinda Ballard, A Streetcar Named Desire
|
|
|
Edith Head, A Place
in the Sun
|
|
|
Charles LeMaire and Renie, The Model and the
Marriage Broker
|
|
|
Walter Plunkett and Gile Steele, Kind Lady
|
|
|
Edward Stevenson and Margaret Furse, The Mudlark
|
|
Color
|
Hein Heckroth, Tales of Hoffmann
|
|
|
Charles LeMaire and Edward Stevenson, David
and Bathsheba
|
|
|
Herschel McCoy, Quo Vadis
|
|
|
Orry-Kelly, Walter Plunkett
and Irene Sharaff, An American in Paris
|
|
|
Helen Rose and Gile Steele, The Great Caruso
|
|
|
Special Effects
|
When Worlds Collide
(Paramount)
|
|
Short Subjects
|
|
Cartoon
|
Lambert, the Sheepish Lion (Walt Disney
Productions; RKO Radio) |
|
|
Rooty Toot Toot (Jolly Frolics Series)
(United Productions of America; Columbia) |
|
|
Two Mouseketeers
(Tom and Jerry Series) (Frederick Quimby,
producer; MGM)
|
|
One-Reel
|
Ridin' the Rails (Grantland Rice Spotlight
Series) (Jack Eaton, producer; Paramount) |
|
|
The Story of Time (Signal Films Production;
Cornell Film Company) |
|
|
World of Kids
(Vitaphone Novelties Series) (Robert Youngson,
producer; Warner Bros.)
|
|
Two-Reel
|
Balzac (Les Films du Compass; A.F. Films,
Inc.) |
|
|
Danger Under the Sea (Tom Mead, producer;
Universal-International) |
|
|
Nature's Half Acre
(True-Life Adventure Series) (Walt Disney
Productions; RKO Radio)
|
|
|
Documentary
|
|
Short Subject
|
Benjy (Fred Zinnemann,
producer; Paramount)
|
|
|
One Who Came Back (U.S. Department of Defense;
Association of Motion Picture Producers) |
|
|
The Seeing Eye (Gordon Hollingshead, producer;
Warner Bros.) |
|
Feature
|
I Was a Communist for the F.B.I. (Bryan
Foy, producer; Warner Bros.) |
|
|
Kon-Tiki (Artfilm
Production; RKO Radio)
|
|
|
Irving G. Thalberg Memorial
Award
|
Arthur Freed
|
|
Honorary Awards
|
To
Gene Kelly
in
appreciation of his versatility as an actor, singer, director
and dancer, and specifically for his brilliant achievements
in the art of choreography on film |
|
|
To
Rashomon
(Japan) voted by the Board of Governors as the most outstanding
foreign language film released in the United States during
1951 |
