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Best Motion Picture
|
The Caine Mutiny, Stanley Kramer, producer (Columbia) |
|
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The Country Girl, William Perlberg, producer
(Paramount) |
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On the Waterfront, Sam
Spiegel, producer (Columbia)
|
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Seven Brides for Seven Brothers, Jack Cummings,
producer (MGM) |
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Three Coins in the Fountain, Sol C. Siegel, producer
(Twentieth Century-Fox) |
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Best Actor
|
Humphrey Bogart, The Caine Mutiny
|
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Marlon Brando, On the Waterfront
|
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Bing Crosby, The Country Girl
|
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James Mason, A Star Is Born
|
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Dan O'Herlihy, Adventures of Robinson Crusoe
|
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Best Actress
|
Dorothy Dandridge, Carmen Jones
|
|
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Judy Garland, A Star Is Born
|
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Audrey Hepburn, Sabrina
|
|
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Grace Kelly, The Country
Girl
|
|
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Jane Wyman, Magnificent Obsession
|
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Actor in a Supporting Role
|
Lee J. Cobb, On the Waterfront
|
|
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Karl Malden, On the Waterfront
|
|
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Edmond O'Brien, The Barefoot
Contessa
|
|
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Rod Steiger, On the Waterfront
|
|
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Tom Tully, The Caine Mutiny
|
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Actress in a Supporting Role
|
Nina Foch, Executive Suite
|
|
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Katy Jurado, Broken Lance
|
|
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Eva Maria Saint, On the
Waterfront
|
|
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Jan Sterling, The High and the Mighty
|
|
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Claire Trevor, The High and the Mighty
|
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Directing
|
Alfred Hitchcock, Rear Window
|
|
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Elia Kazan, On the Waterfront
|
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George Seaton, The Country Girl
|
|
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William Wellman, The High and the Mighty
|
|
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Billy Wilder, Sabrina
|
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Writing
|
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Motion Picture Story
|
François Boyer, Forbidden Games
|
|
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Jed Harris and Tom Reed, Night People
|
|
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Ettore Margadonna, Bread, Love and Dreams
|
|
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Lamar Trotti, There's No Business Like Show
Business
|
|
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Philip Yordan, Broken
Lance
|
|
Screenplay
|
Albert Hackett, Frances Goodrich and Dorothy Kingsley,
Seven Brides for Seven Brothers
|
|
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John Michael Hayes, Rear Window
|
|
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Stanley Roberts, The Caine Mutiny
|
|
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George Seaton, The
Country Girl
|
|
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Billy Wilder, Samuel Taylor and Ernest Lehman,
Sabrina
|
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Story and Screenplay
|
Valentine Davies and Oscar Brodney, The Glenn
Miller Story
|
|
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Joseph L. Mankiewicz, The Barefoot Contessa
|
|
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Norman Panama and Melvin Frank, Knock on Wood
|
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William Rose, Genevieve
|
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Budd Schulberg, On
the Waterfront
|
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Cinematography
|
|
Black-and-White
|
George Folsey, Executive Suite
|
|
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Boris Kaufman, On
the Waterfront
|
|
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Charles Lang, Jr., Sabrina
|
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John Seitz, Rogue Cop
|
|
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John F. Warren, The Country Girl
|
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Color
|
Robert Burks, Rear Window
|
|
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George Folsey, Seven Brides for Seven Brothers
|
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Milton Krasner, Three
Coins in the Fountain
|
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Leon Shamroy, The Egyptian
|
|
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William V. Skall, The Silver Chalice
|
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Art Direction
|
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Black-and-White
|
Richard Day, art direction
and set decoration, On the Waterfront
|
|
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Cedric Gibbons and Edward Carfagno, art direction;
Edwin B. Willis and Emile Kuri, set decoration,
Executive Suite
|
|
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Max Ophuls, art direction and set decoration,
Le Plaisir
|
|
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Hal Pereira and Roland Anderson, art direction;
Sam Comer and Grace Gregory, set decoration, The
Country Girl
|
|
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Hal Pereira and Walter Tyler, art direction; Sam
Comer and Ray Moyer, set decoration, Sabrina
|
|
Color
|
Malcolm Bert, Gene Allen and Irene Sharaff, art
direction; George James Hopkins, set decoration,
A Star Is Born
|
|
|
Cedric Gibbons and Preston Ames, art direction;
Edwin B. Willis and Keogh Gleason, set decoration,
Brigadoon
|
|
|
John Meehan, art direction;
Emile Kuri, set decoration, 20,000 Leagues Under
the Sea
|
|
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Hal Pereira and Roland Anderson, art direction;
Sam Comer and Ray Moyer, set decoration, Red
Garters
|
|
|
Lyle Wheeler and Leland Fuller, art direction;
Walter M. Scott and Paul S. Fox, set decoration,
Desirée
|
|
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Sound Recording
|
Columbia Studio Sound Dept., The Caine Mutiny
|
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MGM Studio Sound Dept., Brigadoon
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Paramount Studio Sound Dept., Rear Window
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RKO Radio Studio Sound Dept., Susan Slept Here
|
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Universal-International Studio
Sound Dept., The Glenn Miller Story
|
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Music
|
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Song
|
“Count Your Blessings Instead of Sheep,” White
Christmas, Irving Berlin, music and lyrics |
|
|
“The High and the Mighty,” The High and the
Mighty, Dimitri Tiomkin, music; Ned Washington,
lyrics |
|
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“Hold My Hand,” Susan Slept Here, Jack
Lawrence and Richard Myers, music and lyrics |
|
|
“The Man That Got Away,” A Star Is Born,
Harold Arlen, music; Ira Gershwin, lyrics |
|
|
“Three Coins in the Fountain,”
Three Coins in the Fountain, Jule Styne,
music; Sammy Cahn, lyrics
|
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Scoring of a Dramatic
or Comedy Picture
|
Larry Adler, Genevieve
|
|
|
Leonard Bernstein, On the Waterfront
|
|
|
Max Steiner, The Caine Mutiny
|
|
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Dimitri Tiomkin, The
High and the Mighty
|
|
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Franz Waxman, The Silver Chalice
|
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Scoring of a Musical
Picture
|
Adolph Deutsch and Saul
Chaplin, Seven Brides for Seven Brothers
|
|
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Joseph Gershenson and Henry Mancini, The Glenn
Miller Story
|
|
|
Herschel Burke Gilbert, Carmen Jones
|
|
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Ray Heindorf, A Star Is Born
|
|
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Alfred Newman and Lionel Newman, There's No
Business Like Show Business
|
|
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Film Editing
|
Ralph Dawson, The High and the Mighty
|
|
|
William A. Lyon and Henry Batista, The Caine Mutiny
|
|
|
Gene Milford, On the Waterfront
|
|
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Elmo Williams, 20,000 Leagues Under the Sea
|
|
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Ralph E. Winters, Seven Brides for Seven Brothers
|
|
Costume Design
|
|
Black-and-White
|
Georges Annenkov and Rosine Delamare, The Earrings
of Madame De . . .
|
|
|
Christian Dior, Indiscretion of an American
Wife
|
|
|
Edith Head, Sabrina
|
|
|
Jean Louis, It Should Happen to You
|
|
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Helen Rose, Executive Suite
|
|
Color
|
Charles LeMaire and Rene Hubert, Desirée
|
|
|
Charles LeMaire, Travilla and Miles White, There's
No Business Like Show Business
|
|
|
Jean Louis, Mary Ann Nyberg and Irene Sharaff,
A Star Is Born
|
|
|
Irene Sharaff, Brigadoon
|
|
|
Sanzo Wada, Gate of
Hell
|
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Special Effects
|
Hell and High Water (Twentieth Century-Fox) |
|
|
Them! (Warner Bros.) |
|
|
20,000 Leagues Under the
Sea (Walt Disney Productions; Buena Vista)
|
|
Short Subjects
|
|
Cartoon
|
Crazy Mixed Up Pup (Walter Lantz Productions;
Universal-International) |
|
|
Pigs Is Pigs (Walt Disney Productions;
RKO Radio) |
|
|
Sandy Claws (Looney Tunes Series) (Warner
Bros. Cartoons, Inc.; Warner Bros.) |
|
|
Touché, Pussy Cat (Tom and Jerry Series)
(Frederick Quimby, producer; MGM) |
|
|
When Magoo Flew (Mr.
Magoo Series) (United Productions of America;
Columbia)
|
|
One-Reel
|
The First Piano Quartette (Music Series)
(Otto Lang, producer; Twentieth Century-Fox) |
|
|
The Strauss Fantasy (Musical Gems Series)
(Johnny Green, producer; MGM) |
|
|
This Mechanical Age
(Warner Variety Series) (Robert Youngson, producer;
Warner Bros.)
|
|
Two-Reel
|
Beauty and the Bull (Technicolor Specials Series)
(Cedric Francis, producer; Warner Bros.) |
|
|
Jet Carrier (Otto Lang, producer; Twentieth
Century-Fox) |
|
|
Siam (People and Places Series) (Walt Disney
Productions; Buena Vista) |
|
|
A Time Out of War
(Denis Sanders and Terry Sanders, producers; Carnival
Productions)
|
|
|
Documentary
|
|
Short Subject
|
Jet Carrier (Otto Lang, producer; Twentieth
Century-Fox) |
|
|
Rembrandt: A Self-Portrait (Morrie Roizman
Production; Distributors Corporation of America) |
|
|
Thursday's Children
(World Wide Pictures and Morse Films; British Information
Services)
|
|
Feature
|
The Stratford Adventure (National Film
Board of Canada; Continental Distributing, Inc.) |
|
|
The Vanishing Prairie
(True-Life Adventure Series) (Walt Disney Productions;
Buena Vista)
|
|
|
Honorary Awards
|
To
Bausch and Lomb Optical
Company
for their contributions to the advancement
of the motion picture industry |
|
|
To
Kemp R. Niver
for the development of the Renovare Process, which has
made possible the restoration of the Library of Congress
Paper Film Collection |
|
|
To
Greta Garbo
for
her unforgettable screen performances |
|
|
To
Danny Kaye
for
his unique talents and his service to the Academy, the
motion picture industry and the American people |
|
|
To
Jon Whiteley
for his outstanding juvenile performance in The Little
Kidnappers
|
|
|
To
Vincent Winter
for his outstanding performance in The Little Kidnappers
|
|
|
To
Gate of Hell
(Japan) best foreign language film first released in the
United States during 1954 |
