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Best Motion Picture
|
Around the World in 80 Days,
Michael Todd, producer (United Artists)
|
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Friendly Persuasion, William Wyler, producer
(Allied Artists) |
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Giant, George Stevens and Henry Ginsberg, producers
(Warner Bros.) |
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The King and I, Charles Brackett, producer (Twentieth
Century-Fox) |
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The Ten Commandments, Cecil B. DeMille, producer
(Paramount) |
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Best Actor
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Yul Brynner, The King and
I
|
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James Dean, Giant
|
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Kirk Douglas, Lust for Life
|
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Rock Hudson, Giant
|
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Sir Laurence Olivier, Richard III
|
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Best Actress
|
Carroll Baker, Baby Doll
|
|
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Ingrid Bergman, Anastasia
|
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Katharine Hepburn, The Rainmaker
|
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Nancy Kelly, The Bad Seed
|
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Deborah Kerr, The King and I
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Actor in a Supporting Role
|
Don Murray, Bus Stop
|
|
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Anthony Perkins, Friendly Persuasion
|
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Anthony Quinn, Lust for
Life
|
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Mickey Rooney, The Bold and the Brave
|
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Robert Stack, Written on the Wind
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Actress in a Supporting Role
|
Mildred Dunnock, Baby Doll
|
|
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Eileen Heckart, The Bad Seed
|
|
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Mercedes McCambridge, Giant
|
|
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Patty McCormack, The Bad Seed
|
|
|
Dorothy Malone, Written
on the Wind
|
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Directing
|
Michael Anderson, Around the World in 80 Days
|
|
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Walter Lang, The King and I
|
|
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George Stevens, Giant
|
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King Vidor, War and Peace
|
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William Wyler, Friendly Persuasion
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Writing
|
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Motion Picture Story
|
Leo Katcher, The Eddy Duchin Story
|
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Jean Paul Sartre, The Proud and the Beautiful
|
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Dalton Trumbo, The
Brave One
|
|
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Cesare Zavattini, Umberto D.
|
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Screenplay, Adapted
|
Norman Corwin, Lust for Life
|
|
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Fred Guiol and Ivan Moffat, Giant
|
|
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James Poe, John Farrow
and S.J. Perelman, Around the World in 80 Days
|
|
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Tennessee Williams, Baby Doll
|
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Screenplay, Original
|
Federico Fellini and Tullio Pinelli, La Strada
|
|
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Albert Lamorisse, The
Red Balloon
|
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Robert Lewin, The Bold and the Brave
|
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William Rose, The Lady Killers
|
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Andrew L. Stone, Julie
|
|
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Cinematography
|
|
Black-and-White
|
Burnett Guffey, The Harder They Fall
|
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Boris Kaufman, Baby Doll
|
|
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Hal Rosson, The Bad Seed
|
|
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Joseph Ruttenberg, Somebody
Up There Likes Me
|
|
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Walter Strenge, Stagecoach to Fury
|
|
Color
|
Jack Cardiff, War and Peace
|
|
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Loyal Griggs, The Ten Commandments
|
|
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Lionel Lindon, Around
the World in 80 Days
|
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Leon Shamroy, The King and I
|
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Harry Stradling, The Eddy Duchin Story
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Art Direction
|
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Black-and-White
|
Ross Bellah, art direction; William R. Kiernan
and Louis Diage, set decoration, The Solid Gold
Cadillac
|
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Cedric Gibbons and Malcolm
F. Brown, art direction; Edwin B. Willis and F.
Keogh Gleason, set decoration, Somebody Up There
Likes Me
|
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Takashi Matsuyama, art direction and set decoration,
The Magnificent Seven
|
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Hal Pereira and A. Earl Hedrick, art direction;
Samuel M. Comer and Frank R. McKelvy, set decoration,
The Proud and the Profane
|
|
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Lyle R. Wheeler and Jack Martin Smith, art direction;
Walter M. Scott and Stuart A. Reiss, set decoration,
Teenage Rebel
|
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Color
|
Cedric Gibbons, Hans Peters and Preston Ames,
art direction; Edwin B. Willis and F. Keogh Gleason,
set decoration, Lust for Life
|
|
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Boris Leven, art direction; Ralph S. Hurst, set
decoration, Giant
|
|
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Hal Pereira, Walter H. Tyler and Albert Nozaki,
art direction; Sam M. Comer and Ray Moyer, set decoration,
The Ten Commandments
|
|
|
James W. Sullivan and Ken Adam, art direction;
Ross J. Dowd, set decoration, Around the World
in 80 Days
|
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Lyle R. Wheeler and John
DeCuir, art direction; Walter M. Scott and Paul
S. Fox, set decoration, The King and I
|
|
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Sound Recording
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Columbia Studio Sound Dept., The Eddy Duchin Story
|
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Paramount Studio Sound Dept., The Ten Commandments
|
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RKO Radio Studio Sound Dept., The Brave One
|
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Twentieth Century-Fox Studio
Sound Dept., The King and I
|
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Westrex Sound Services, Inc. and Samuel Goldwyn Studio
Sound Dept., Friendly Persuasion
|
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Music
|
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Song
|
“Friendly Persuasion” (Thee I Love), Friendly
Persuasion, Dimitri Tiomkin, music; Paul Francis
Webster, lyrics |
|
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“Julie,” Julie, Leith Stevens, music; Tom
Adair, lyrics |
|
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“True Love,” High Society; Cole Porter,
music and lyrics |
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“Whatever Will Be, Will
Be” (Que Será, Será), The Man Who Knew Too Much,
Jay Livingston and Ray Evans, music and lyrics
|
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“Written on the Wind,” Written on the Wind,
Victor Young, music; Sammy Cahn, lyrics |
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Scoring of a Dramatic
or Comedy Picture
|
Hugo Friedhofer, Between Heaven and Hell
|
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Alfred Newman, Anastasia
|
|
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Alex North, The Rainmaker
|
|
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Dimitri Tiomkin, Giant
|
|
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Victor Young, Around
the World in 80 Days
|
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Scoring of a Musical
Picture
|
Johnny Green and Saul Chaplin, High Society
|
|
|
Alfred Newman and Ken
Darby, The King and I
|
|
|
Lionel Newman, The Best Things in Life Are
Free
|
|
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George Stoll and Johnny Green, Meet Me in Las
Vegas
|
|
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Morris Stoloff and George Duning, The Eddy
Duchin Story
|
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Film Editing
|
Albert Akst, Somebody Up There Likes Me
|
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Anne Bauchens, The Ten Commandments
|
|
|
William Hornbeck, Philip W. Anderson and Fred Bohanan,
Giant
|
|
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Gene Ruggiero and Paul Weatherwax,
Around the World in 80 Days
|
|
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Merrill G. White, The Brave One
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Costume Design
|
|
Black-and-White
|
Kohei Ezaki, The Magnificent Seven
|
|
|
Edith Head, The Proud and the Profane
|
|
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Charles LeMaire and Mary Wills, Teenage Rebel
|
|
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Jean Louis, The Solid
Gold Cadillac
|
|
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Helen Rose, The Power and the Prize
|
|
Color
|
Marie De Matteis, War and Peace
|
|
|
Edith Head, Ralph Jester, John Jensen, Dorothy
Jeakins and Arnold Friberg, The Ten Commandments
|
|
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Moss Mabry and Marjorie Best, Giant
|
|
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Irene Sharaff, The
King and I
|
|
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Miles White, Around the World in 80 Days
|
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Special Effects
|
John Fulton, The Ten Commandments
|
|
|
A. Arnold Gillespie, Irving Ries and Wesley C. Miller,
Forbidden Planet
|
|
Short Subjects
|
|
Cartoon
|
Gerald McBoing-Boing on Planet Moo (Jolly Frolics
Series) (United Productions of America; Columbia) |
|
|
The Jay Walker (UPA Special Series) (United
Productions of America; Columbia) |
|
|
Mister Magoo's Puddle
Jumper (Mr. Magoo Series) (United Productions
of America; Columbia)
|
|
One-Reel
|
Crashing the Water
Barrier (The Sports Parade Series) (Konstantin
Kalser, producer; Warner Bros.)
|
|
|
I Never Forget a Face (Warner Specials Series)
(Robert Youngson, producer; Warner Bros.) |
|
|
Time Stood Still (Scope Gems Series) (Cedric
Francis, producer; Warner Bros.) |
|
Two-Reel
|
The Bespoke Overcoat
(Go Pictures, Inc.; Romulus Films)
|
|
|
Cow Dog (Walt Disney Productions; Buena
Vista) |
|
|
The Dark Wave (John Healy, producer; Twentieth
Century-Fox) |
|
|
Samoa (People and Places Series) (Walt
Disney Productions; Buena Vista) |
|
|
Documentary
|
|
Short Subject
|
A City Decides (Charles Guggenheim and
Associates, Inc.) |
|
|
The Dark Wave (John Healy, producer; Twentieth
Century-Fox) |
|
|
The House Without a Name (Valentine Davies,
producer; Universal-International) |
|
|
Man in Space (Walt Disney Productions;
Buena Vista) |
|
|
The True Story of
the Civil War (Louis Clyde Stoumen, producer;
Camera Eye Pictures, Inc.)
|
|
Feature
|
The Naked Eye (Camera Eye Pictures, Inc.;
Film Representatives, Inc.) |
|
|
The Silent World
(Filmad-F.S.J.Y.C. Production; Columbia)
|
|
|
Where Mountains Float (Arno/Studios, Copenhagen;
Brandon Films, Inc.) |
|
|
Foreign Language Film
|
The Captain of Kopenick, Federal Republic of
Germany—West |
|
|
Gervaise, France |
|
|
Harp of Burma, Japan |
|
|
Qivitoq, Denmark |
|
|
La Strada, Italy
|
|
Irving G. Thalberg Memorial
Award
|
Buddy Adler
|
|
Jean Hersholt Humanitarian
Award (Not necessarily given each year )
|
Y. Frank Freeman
|
|
Honorary Award
|
To
Eddie Cantor
for distinguished service to the film industry |
