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Best Motion Picture
|
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The Alamo, John Wayne, producer (United Artists) |
|
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The Apartment, Billy
Wilder, producer (United Artists)
|
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Elmer Gantry, Bernard Smith, producer (United
Artists) |
|
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Sons and Lovers, Jerry Wald, producer (Twentieth
Century-Fox) |
|
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The Sundowners, Fred Zinnemann, producer (Warner
Bros.) |
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Best Actor
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Trevor Howard, Sons and Lovers
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Burt Lancaster, Elmer Gantry
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Jack Lemmon, The Apartment
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Laurence Olivier, The Entertainer
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Spencer Tracy, Inherit the Wind
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Best Actress
|
Greer Garson, Sunrise at Campobello
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|
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Deborah Kerr, The Sundowners
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|
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Shirley MacLaine, The Apartment
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|
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Melina Mercouri, Never on Sunday
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|
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Elizabeth Taylor, Butterfield
8
|
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Actor in a Supporting Role
|
Peter Falk, Murder, Inc.
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|
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Jack Kruschen, The Apartment
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|
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Sal Mineo, Exodus
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Peter Ustinov, Spartacus
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|
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Chill Wills, The Alamo
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Actress in a Supporting Role
|
Glynis Johns, The Sundowners
|
|
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Shirley Jones, Elmer Gantry
|
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Shirley Knight, The Dark at the Top of the Stairs
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|
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Janet Leigh, Psycho
|
|
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Mary Ure, Sons and Lovers
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Directing
|
Jack Cardiff, Sons and Lovers
|
|
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Jules Dassin, Never on Sunday
|
|
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Alfred Hitchcock, Psycho
|
|
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Billy Wilder, The Apartment
|
|
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Fred Zinnemann, The Sundowners
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Writing
|
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Screenplay Based on Material
From Another Medium
|
Richard Brooks, Elmer
Gantry
|
|
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James Kennaway, Tunes of Glory
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|
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Gavin Lambert and T. E. B. Clarke, Sons and
Lovers
|
|
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Isobel Lennart, The Sundowners
|
|
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Nedrick Young and Harold Jacob Smith, Inherit
the Wind
|
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Story and Screenplay
Written Directly for the Screen
|
Jules Dassin, Never on Sunday
|
|
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Marguérite Duras, Hiroshima, Mon Amour
|
|
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Richard Gregson and Michael Craig, story; Bryan
Forbes, screenplay, The Angry Silence
|
|
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Norman Panama and Melvin Frank, The Facts of
Life
|
|
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Billy Wilder and I. A.
L. Diamond, The Apartment
|
|
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Cinematography
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|
Black-and-White
|
Freddie Francis, Sons
and Lovers
|
|
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Charles B. Lang, Jr., The Facts of Life
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|
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Joseph LaShelle, The Apartment
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|
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Ernest Laszlo, Inherit the Wind
|
|
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John L. Russell, Psycho
|
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Color
|
William H. Clothier, The Alamo
|
|
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Sam Leavitt, Exodus
|
|
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Joe MacDonald, Pepe
|
|
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Russell Metty, Spartacus
|
|
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Joseph Ruttenberg and Charles Harten, Butterfield
8
|
|
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Art Direction
|
|
Black-and-White
|
Joseph Hurley and Robert Clatworthy, art direction;
George Milo, set decoration, Psycho
|
|
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Joseph McMillan Johnson and Kenneth A. Reid, art
direction; Ross Dowd, set decoration, The Facts
of Life
|
|
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Tom Morahan, art direction; Lionel Couch, set
decoration, Sons and Lovers
|
|
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Hal Pereira and Walter Tyler, art direction; Sam
Comer and Arthur Krams, set decoration, Visit
to a Small Planet
|
|
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Alexander Trauner, art
direction; Edward G. Boyle, set decoration, The
Apartment
|
|
Color
|
Edward Carrere, art direction; George James Hopkins,
set decoration, Sunrise at Campobello
|
|
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George W. Davis and Addison Hehr, art direction;
Henry Grace, Hugh Hunt and Otto Siegel, set decoration,
Cimarron
|
|
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Alexander Golitzen and
Eric Orbom, art direction; Russell A. Gausman and
Julia Heron, set decoration, Spartacus
|
|
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Ted Haworth, art direction; William Kiernan, set
decoration, Pepe
|
|
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Hal Pereira and Roland Anderson, art direction;
Sam Comer and Arrigo Breschi, set decoration, It
Started in Naples
|
|
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Sound
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Columbia Studio Sound Dept., Pepe
|
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MGM Studio Sound Dept., Cimarron
|
|
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Samuel Goldwyn Studio Sound
Dept. and Todd-AO Sound Dept., The Alamo
|
|
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Samuel Goldwyn Studio Sound Dept., The Apartment
|
|
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Warner Bros. Studio Sound Dept., Sunrise at Campobello
|
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Music
|
|
Song
|
“The Facts of Life,” The Facts of Life,
Johnny Mercer, music and lyrics |
|
|
“Faraway Part of Town,” Pepe, André Previn,
music; Dory Langdon, lyrics |
|
|
“The Green Leaves of Summer,” The Alamo,
Dimitri Tiomkin, music; Paul Francis Webster, lyrics |
|
|
“Never on Sunday,” Never
on Sunday, Manos Hadjidakis, music and lyrics
|
|
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“The Second Time Around,” High Time, James
Van Heusen, music; Sammy Cahn, lyrics |
|
Scoring of a Dramatic
or Comedy Picture
|
Elmer Bernstein, The Magnificent Seven
|
|
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Ernest Gold, Exodus
|
|
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Alex North, Spartacus
|
|
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André Previn, Elmer Gantry
|
|
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Dimitri Tiomkin, The Alamo
|
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Scoring of a Musical
Picture
|
Johnny Green, Pepe
|
|
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Lionel Newman and Earle H. Hagen, Let's Make
Love
|
|
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André Previn, Bells Are Ringing
|
|
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Nelson Riddle, Can-Can
|
|
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Morris Stoloff and Harry
Sukman, Song Without End
|
|
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Film Editing
|
Stuart Gilmore, The Alamo
|
|
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Frederic Knudtson, Inherit the Wind
|
|
|
Robert Lawrence, Spartacus
|
|
|
Viola Lawrence and Al Clark, Pepe
|
|
|
Daniel Mandell, The Apartment
|
|
Costume Design
|
|
Black-and-White
|
Edith Head and Edward
Stevenson, The Facts of Life
|
|
|
Howard Shoup, The Rise and Fall of Legs Diamond
|
|
|
Bill Thomas, Seven Thieves
|
|
|
Deni Vachlioti, Never on Sunday
|
|
|
Marik Vos, The Virgin Spring
|
|
Color
|
Marjorie Best, Sunrise at Campobello
|
|
|
Edith Head, Pepe
|
|
|
Irene, Midnight Lace
|
|
|
Irene Sharaff, Can-Can
|
|
|
Bill Thomas and Valles,
Spartacus
|
|
|
Special Effects
|
A.J. Lohman, visual, The Last Voyage
|
|
|
Gene Warren and Tim Baar, visual,
The Time Machine
|
|
Short Subjects
|
|
Cartoon
|
Goliath II (Walt Disney Productions; Buena
Vista) |
|
|
High Note (Looney Tune Series) (Warner
Bros.) |
|
|
Mouse and Garden (Sylvester the Cat
Series) (Warner Bros.) |
|
|
Munro (Noveltoon
Series) (Rembrandt Films; Film Representations)
|
|
|
A Place in the Sun (Frantisek Vystrecil,
producer; George K. Arthur-Go Pictures) |
|
Live Action
|
The Creation of Woman (Trident Films, Inc.;
Sterling World Distributors) |
|
|
Day of the Painter
(Little Movies; Kingsley-Union Films)
|
|
|
Islands of the Sea (True Life Adventure
Series) (Walt Disney Productions; Buena Vista) |
|
|
A Sport Is Born (Sports Illustrated
Series) (Leslie Winik, producer; Paramount) |
|
|
Documentary
|
|
Short Subject
|
Beyond Silence (U.S. Information Agency) |
|
|
A City Called Copenhagen (Statens Filmcentral;
Danish Government Film Office) |
|
|
George Grosz' Interregnum (Charles Carey
and Altina Carey, producers; Educational Communications
Corp.) |
|
|
Giuseppina (James
Hill Production; Lester A. Schoenfeld Films)
|
|
|
Universe (National Film Board of Canada;
Lester A. Schoenfeld Films) |
|
Feature
|
The Horse With the
Flying Tail (Walt Disney Productions; Buena
Vista)
|
|
|
Rebel in Paradise (Robert D. Fraser, producer;
Tiare Co.) |
|
|
Foreign Language Film
|
Kapo, Italy |
|
|
La Verité, France |
|
|
Macario, Mexico |
|
|
The Ninth Circle, Yugoslavia |
|
|
The Virgin Spring, Sweden
|
|
Jean Hersholt Humanitarian
Award
|
Sol Lesser
|
|
Honorary Awards
|
To
Gary Cooper
for
his many memorable screen performances and the international
recognition he, as an individual, has gained for the motion
picture industry |
|
|
To
Stan Laurel
for
his creative pioneering in the field of cinema comedy |
|
|
To
Hayley Mills
for Pollyana, the most outstanding juvenile performance
during 1960 |
