|
Best Motion Picture
|
Fanny, Joshua Logan, producer (Warner Bros.) |
|
|
The Guns of Navarone, Carl Foreman, producer
(Columbia) |
|
|
The Hustler, Robert Rossen, producer (Twentieth
Century-Fox) |
|
|
Judgment at Nuremberg, Stanley Kramer, producer
(United Artists) |
|
|
West Side Story, Robert
Wise, producer (United Artists)
|
|
Best Actor
|
Charles Boyer, Fanny
|
|
|
Paul Newman, The Hustler
|
|
|
Maximilian Schell, Judgment
at Nuremberg
|
|
|
Spencer Tracy, Judgment at Nuremberg
|
|
|
Stuart Whitman, The Mark
|
|
Best Actress
|
Audrey Hepburn, Breakfast at Tiffany's
|
|
|
Piper Laurie, The Hustler
|
|
|
Sophia Loren, Two Women
|
|
|
Geraldine Page, Summer and Smoke
|
|
|
Natalie Wood, Splendor in the Grass
|
|
Actor in a Supporting Role
|
George Chakiris, West Side
Story
|
|
|
Montgomery Clift, Judgment at Nuremberg
|
|
|
Peter Falk, Pocketful of Miracles
|
|
|
Jackie Gleason, The Hustler
|
|
|
George C. Scott, The Hustler
|
|
Actress in a Supporting Role
|
Fay Bainter, The Children's Hour
|
|
|
Judy Garland, Judgment at Nuremberg
|
|
|
Lotte Lenya, The Roman Spring of Mrs. Stone
|
|
|
Una Merkel, Summer and Smoke
|
|
|
Rita Moreno, West Side Story
|
|
Directing
|
Federico Fellini, La Dolce Vita
|
|
|
Stanley Kramer, Judgment at Nuremberg
|
|
|
Robert Rossen, The Hustler
|
|
|
J. Lee Thompson, The Guns of Navarone
|
|
|
Robert Wise and Jerome Robbins,
West Side Story
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
George Axelrod, Breakfast at Tiffany's
|
|
|
Sidney Carroll and Robert Rossen, The Hustler
|
|
|
Carl Foreman, The Guns of Navarone
|
|
|
Ernest Lehman, West Side Story
|
|
|
Abby Mann, Judgment
at Nuremberg
|
|
Story and Screenplay
Written Directly for the Screen
|
Sergio Amidei, Diego Fabbri and Indro Montanelli,
General Della Rovere
|
|
|
Federico Fellini, Tullio Pinelli, Ennio Flaiano
and Brunello Rondi, La Dolce Vita
|
|
|
William Inge, Splendor
in the Grass
|
|
|
Stanley Shapiro and Paul Henning, Lover Come
Back
|
|
|
Valentin Yoshov and Grigori Chukhrai, Ballad
of a Soldier
|
|
|
Cinematography
|
|
Black-and-White
|
Edward Colman, The Absent-Minded Professor
|
|
|
Daniel L. Fapp, One, Two, Three
|
|
|
Ernest Laszlo, Judgment at Nuremberg
|
|
|
Franz F. Planer, The Children's Hour
|
|
|
Eugen Shuftan, The
Hustler
|
|
Color
|
Jack Cardiff, Fanny
|
|
|
Daniel L. Fapp, West
Side Story
|
|
|
Charles Lang, Jr., One-Eyed Jacks
|
|
|
Russell Metty, Flower Drum Song
|
|
|
Harry Stradling, Sr., A Majority of One
|
|
|
Art Direction
|
|
Black-and-White
|
Fernando Carrere, art direction; Edward G. Boyle,
set decoration, The Children's Hour
|
|
|
Carroll Clark, art direction; Emile Kuri and Hal
Gausman, set decoration, The Absent-Minded Professor
|
|
|
Piero Gherardi, art direction and set decoration,
La Dolce Vita
|
|
|
Harry Horner, art direction;
Gene Callahan, set decoration, The Hustler
|
|
|
Rudolph Sternad, art direction; George Milo, set
decoration, Judgment at Nuremberg
|
|
Color
|
Veniero Colasanti and John Moore, art direction
and set decoration, El Cid
|
|
|
Alexander Golitzen and Joseph Wright, art direction;
Howard Bristol, set decoration, Flower Drum Song
|
|
|
Boris Leven, art direction;
Victor Gangelin, set decoration, West Side Story
|
|
|
Hal Pereira and Roland Anderson, art direction;
Sam Comer and Ray Moyer, set decoration, Breakfast
at Tiffany's
|
|
|
Hal Pereira and Walter Tyler, art direction; Sam
Comer and Arthur Krams, set decoration, Summer
and Smoke
|
|
|
Sound
|
Revue Studio Sound Dept., Waldon O. Watson, sound director,
Flower Drum Song
|
|
|
Samuel Goldwyn Studio Sound Dept., Gordon E. Sawyer,
sound director, The Children's Hour
|
|
|
Shepperton Studio Sound Dept., John Cox, sound director,
The Guns of Navarone
|
|
|
Todd-AO Sound Dept., Fred Hynes,
sound director and Samuel Goldwyn Studio Sound Dept.,
Gordon E. Sawyer, sound director, West Side Story
|
|
|
Walt Disney Studio Sound Dept., Robert O. Cook, sound
director, The Parent Trap
|
|
Music
|
|
Song
|
“Bachelor in Paradise,” Bachelor in Paradise,
Henry Mancini, music; Mack David, lyrics |
|
|
“Love Theme From El Cid” (The Falcon and
the Dove), El Cid, Miklos Rozsa, music; Paul
Francis Webster, lyrics |
|
|
“Moon River,” Breakfast
at Tiffany's, Henry Mancini, music; Johnny Mercer,
lyrics
|
|
|
“Pocketful of Miracles,” Pocketful of Miracles,
James Van Heusen, music; Sammy Cahn, lyrics |
|
|
“Town Without Pity,” Town Without Pity,
Dimitri Tiomkin, music; Ned Washington, lyrics |
|
Scoring of a Dramatic
or Comedy Picture
|
Elmer Bernstein, Summer and Smoke
|
|
|
Henry Mancini, Breakfast
at Tiffany's
|
|
|
Miklos Rozsa, El Cid
|
|
|
Morris Stoloff and Harry Sukman, Fanny
|
|
|
Dimitri Tiomkin, The Guns of Navarone
|
|
Scoring of a Musical
Picture
|
George Bruns, Babes in Toyland
|
|
|
Saul Chaplin, Johnny
Green, Sid Ramin and Irwin Kostal, West Side
Story
|
|
|
Duke Ellington, Paris Blues
|
|
|
Alfred Newman and Ken Darby, Flower Drum Song
|
|
|
Dimitri Shostakovich, Khovanshchina
|
|
|
Film Editing
|
Philip W. Anderson, The Parent Trap
|
|
|
Frederic Knudtson, Judgment at Nuremberg
|
|
|
Alan Osbiston, The Guns of Navarone
|
|
|
William H. Reynolds, Fanny
|
|
|
Thomas Stanford, West Side
Story
|
|
Costume Design
|
|
Black-and-White
|
Piero Gherardi, La
Dolce Vita
|
|
|
Dorothy Jeakins, The Children's Hour
|
|
|
Jean Louis, Judgment at Nuremberg
|
|
|
Yoshiro Muraki, Yojimbo
|
|
|
Howard Shoup, Claudelle Inglish
|
|
Color
|
Edith Head and Walter Plunkett, Pocketful of
Miracles
|
|
|
Jean Louis, Back Street
|
|
|
Irene Sharaff, Flower Drum Song
|
|
|
Irene Sharaff, West
Side Story
|
|
|
Bill Thomas, Babes in Toyland
|
|
|
Special Effects
|
Robert A. Mattey and Eustace Lycett, visual, The
Absent-Minded Professor
|
|
|
Bill Warrington, visual; Vivian
C. Greenham, audible, The Guns of Navarone
|
|
Short Subjects
|
|
Cartoon
|
Aquamania (Walt Disney Productions; Buena
Vista) |
|
|
Beep Prepared (Roadrunner and Coyote
Series) (Chuck Jones, producer; Warner Bros.) |
|
|
Ersatz (The Substitute)
(Zagreb Film; Herts-Lion International Corp.)
|
|
|
Nelly's Folly (Nelly the Giraffe Series)
(Chuck Jones, producer; Warner Bros.) |
|
|
Pied Piper of Guadalupe (Speedy Gonzalez
and Sylvester Series) (Friz Freleng, producer;
Warner Bros.) |
|
Live Action
|
Ballon Vole (Play Ball!) (Ciné-Documents;
Kingsley International) |
|
|
The Face of Jesus (Jenga Productions; Harry
Stern, Inc.) |
|
|
Rooftops of New York (Musical Travelbook Series)
(McCarty-Rush Production in association with Robert
Gaffney; Columbia) |
|
|
Seawards the Great
Ships (Templar Film Studios; Lester A. Schoenfeld
Films)
|
|
|
Very Nice, Very Nice (National Film Board
of Canada; Kingsley International) |
|
|
Documentary
|
|
Short Subject
|
Breaking the Language Barrier (Travel
Adventure Series) (U.S. Air Force) |
|
|
Cradle of Genius (Plough Productions; Irving
M. Lesser Film Presentation) |
|
|
Kahl (Dido Film GmbH; AEG-Filmdienst) |
|
|
L'Uomo in Grigio (The Man in Gray) (Benedetto
Benedetti, producer; Benedetto Benedetti Production) |
|
|
Project Hope (MacManus,
John and Adams, Inc./Klaeger Film Production; Ex-Cell-O
Corp.)
|
|
Feature
|
La Grande Olimpiade (Olympic Games 1960)
(Dell Istituto Nationale Luce, Comitato Organizzatore
Del Giochi Della XVII Olimpiade; Cineriz) |
|
|
Le Ciel et la Boue
(Sky Above and Mud Beneath) (Ardennes Films
and Michael Arthur Film Productions; Rank Films)
|
|
|
Foreign Language Film
|
Harry and the Butler, Denmark |
|
|
Immortal Love, Japan |
|
|
The Important Man, Mexico |
|
|
Placido, Spain |
|
|
Through a Glass Darkly,
Sweden
|
|
Irving G. Thalberg Memorial
Award
|
Stanley Kramer
|
|
Jean Hersholt Humanitarian
Award
|
George Seaton
|
|
Honorary Awards
|
To
William L. Hendricks
for his outstanding patriotic service in the conception,
writing and production of the Marine Corps film, A
Force in Readiness, which has brought honor to the
Academy and the motion picture industry |
|
|
To
Fred L. Metzler
for his dedication and outstanding service to the Academy
of Motion Picture Arts and Sciences |
|
|
To
Jerome Robbins
for his brilliant achievements in the art of choreography
on film |
