|
Best Picture
|
Lawrence of Arabia,
Sam Spiegel, producer (Columbia)
|
|
|
The Longest Day, Darryl F. Zanuck, producer (Twentieth
Century-Fox) |
|
|
Meredith Willson's the Music Man, Morton Da Costa,
producer (Warner Bros.) |
|
|
Mutiny on the Bounty, Aaron Rosenberg, producer
(MGM) |
|
|
To Kill a Mockingbird, Alan J. Pakula, producer
(Universal-International) |
|
Best Actor
|
Burt Lancaster, Birdman of Alcatraz
|
|
|
Jack Lemmon, Days of Wine and Roses
|
|
|
Marcello Mastroianni, Divorce—Italian Style
|
|
|
Peter O'Toole, Lawrence of Arabia
|
|
|
Gregory Peck, To Kill a
Mockingbird
|
|
Best Actress
|
Anne Bancroft, The Miracle
Worker
|
|
|
Bette Davis, What Ever Happened to Baby Jane?
|
|
|
Katharine Hepburn, Long Day's Journey Into Night
|
|
|
Geraldine Page, Sweet Bird of Youth
|
|
|
Lee Remick, Days of Wine and Roses
|
|
Actor in a Supporting Role
|
Ed Begley, Sweet Bird of
Youth
|
|
|
Victor Buono, What Ever Happened to Baby Jane?
|
|
|
Telly Savalas, Birdman of Alcatraz
|
|
|
Omar Sharif, Lawrence of Arabia
|
|
|
Terence Stamp, Billy Budd
|
|
Actress in a Supporting Role
|
Mary Badham, To Kill a Mockingbird
|
|
|
Patty Duke, The Miracle
Worker
|
|
|
Shirley Knight, Sweet Bird of Youth
|
|
|
Angela Lansbury, The Manchurian Candidate
|
|
|
Thelma Ritter, Birdman of Alcatraz
|
|
Directing
|
Pietro Germi, Divorce—Italian Style
|
|
|
David Lean, Lawrence of
Arabia
|
|
|
Robert Mulligan, To Kill a Mockingbird
|
|
|
Arthur Penn, The Miracle Worker
|
|
|
Frank Perry, David and Lisa
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Robert Bolt, Lawrence of Arabia
|
|
|
Horton Foote, To Kill
a Mockingbird
|
|
|
William Gibson, The Miracle Worker
|
|
|
Vladimir Nabokov, Lolita
|
|
|
Eleanor Perry, David and Lisa
|
|
Story and Screenplay
Written Directly for the Screen
|
Ingmar Bergman, Through a Glass Darkly
|
|
|
Ennio de Concini, Alfredo
Giannetti and Pietro Germi, Divorce—Italian Style
|
|
|
Charles Kaufman, story; Charles Kaufman and Wolfgang
Reinhardt, screenplay, Freud
|
|
|
Alain Robbe-Grillet, Last Year at Marienbad
|
|
|
Stanley Shapiro and Nate Monaster, That Touch
of Mink
|
|
|
Cinematography
|
|
Black-and-White
|
Jean Bourgoin and Walter
Wottitz, The Longest Day
|
|
|
Burnett Guffey, Birdman of Alcatraz
|
|
|
Ernest Haller, What Ever Happened to Baby Jane?
|
|
|
Russell Harlan, To Kill a Mockingbird
|
|
|
Ted McCord, Two for the Seesaw
|
|
Color
|
Russell Harlan, Hataril
|
|
|
Harry Stradling, Sr., Gypsy
|
|
|
Robert L. Surtees, Mutiny on the Bounty
|
|
|
Paul C. Vogel, The Wonderful World of the Brothers
Grimm
|
|
|
Fred A. Young, Lawrence
of Arabia
|
|
|
Art Direction
|
|
Black-and-White
|
George W. Davis and Edward Carfagno, art direction;
Henry Grace and Dick Pefferle, set decoration, Period
of Adjustment
|
|
|
Alexander Golitzen and
Henry Bumstead, art direction; Oliver Emert, set
decoration, To Kill a Mockingbird
|
|
|
Ted Haworth, Leon Barsacq and Vincent Korda, art
direction; Gabriel Bechir, set decoration, The
Longest Day
|
|
|
Hal Pereira and Roland Anderson, art direction;
Sam Comer and Frank R. McKelvy, set decoration,
The Pigeon That Took Rome
|
|
|
Joseph Wright, art direction; George James Hopkins,
set decoration, Days of Wine and Roses
|
|
Color
|
John Box and John Stoll,
art direction; Dario Simoni, set decoration, Lawrence
of Arabia
|
|
|
George W. Davis and Edward Carfagno, art direction;
Henry Grace and Dick Pefferle, set decoration, The
Wonderful World of the Brothers Grimm
|
|
|
Alexander Golitzen and Robert Clatworthy, art
direction; George Milo, set decoration, That
Touch of Mink
|
|
|
Paul Groesse, art direction; George James Hopkins,
set decoration, Meredith Willson's The Music
Man
|
|
|
Hugh Hunt, set decoration, Mutiny on the Bounty
|
|
|
Sound
|
Shepperton Studio Sound Dept.,
John Cox, sound director, Lawrence of Arabia
|
|
|
Universal City Studio Sound Dept., Waldon O. Watson,
sound director, That Touch of Mink
|
|
|
Walt Disney Studio Sound Dept., Robert O. Cook, sound
director, Bon Voyage!
|
|
|
Warner Bros. Studio Sound Dept. and Glen Glenn Sound
Dept., Joseph Kelly, sound director, What Ever Happened
to Baby Jane?
|
|
|
Warner Bros. Studio Sound Dept., George R. Groves, sound
director, Meredith Willson's The Music Man
|
|
Music
|
|
Song
|
“Days of Wine and Roses,”
Days of Wine and Roses, Henry Mancini, music;
Johnny Mercer, lyrics
|
|
|
“Love Song From Mutiny on the Bounty” (Follow
Me), Mutiny on the Bounty, Bronislau Kaper,
music; Paul Francis Webster, lyrics |
|
|
“Song From Two for the Seesaw” (Second
Chance), Two for the Seesaw, André Previn,
music; Dory Langdon, lyrics |
|
|
“Tender Is the Night,” Tender Is the Night,
Sammy Fain, music; Paul Francis Webster, lyrics |
|
|
“Walk on the Wild Side,” Walk on the Wild Side,
Elmer Bernstein, music; Mack David, lyrics |
|
Musical Score, Substantially
Original
|
Elmer Bernstein, To Kill a Mockingbird
|
|
|
Jerry Goldsmith, Freud
|
|
|
Maurice Jarre, Lawrence
of Arabia
|
|
|
Bronislau Kaper, Mutiny on the Bounty
|
|
|
Franz Waxman, Taras Bulba
|
|
Scoring of Music, Adaptation
or Treatment
|
Leigh Harline, The Wonderful World of the Brothers
Grimm
|
|
|
Ray Heindorf, Meredith
Willson's The Music Man
|
|
|
Michel Magne, Gigot
|
|
|
Frank Perkins, Gypsy
|
|
|
George Stoll, Billy Rose's Jumbo
|
|
|
Film Editing
|
Samuel E. Beetley, The Longest Day
|
|
|
Anne Coates, Lawrence of
Arabia
|
|
|
John McSweeney, Jr., Mutiny on the Bounty
|
|
|
Ferrris Webster, The Manchurian Candidate
|
|
|
William Ziegler, Meredith Willson's The Music Man
|
|
Costume Design
|
|
Black-and-White
|
Don Feld, Days of Wine and Roses
|
|
|
Edith Head, The Man Who Shot Liberty Valance
|
|
|
Norma Koch, What Ever
Happened to Baby Jane?
|
|
|
Ruth Morley, The Miracle Worker
|
|
|
Denny Vachlioti, Phaedra
|
|
Color
|
Edith Head, My Geisha
|
|
|
Dorothy Jeakins, Meredith Willson's The Music
Man
|
|
|
Orry-Kelly, Gypsy
|
|
|
Bill Thomas, Bon Voyage!
|
|
|
Mary Wills, The Wonderful
World of the Brothers Grimm
|
|
|
Special Effects
|
A. Arnold Gillespie, visual; Milo Lory, audible, Mutiny
on the Bounty
|
|
|
Robert MacDonald, visual; Jacques
Maumont, audible, The Longest Day
|
|
Short Subjects
|
|
Cartoon
|
The Hole (Storyboard,
Inc.; Brandon Films)
|
|
|
Icarus Montgolfier Wright (Format Films;
United Artists) |
|
|
Now Hear This (Looney Tune Series)
(Warner Bros. Cartoons, Inc.; Warner Bros.) |
|
|
Self-Defense—For Cowards (Self-Help
Series) (Rembrandt Films; Film Representations) |
|
|
Symposium on Popular Songs (Walt Disney
Productions; Buena Vista) |
|
Live Action
|
Big City Blues (Martina and Charles Huguenot
van der Linden, producers; Mayfair Pictures) |
|
|
The Cadillac (Robert Clouse Production;
United Producers Releasing) |
|
|
The Cliff Dwellers (Formerly titled One
Plus One) (Group II Film Production; Lester
A. Schoenfeld Films) |
|
|
Heureux Anniversaire
(Happy Anniversary) (C.A.P.A.C. Productions;
Atlantic Pictures Corp.)
|
|
|
Pan (Herman van der Horst Production; Mayfair
Pictures) |
|
|
Documentary
|
|
Short Subject
|
Dylan Thomas (TWW
Ltd.; Janus Films)
|
|
|
The John Glenn Story (U.S. Navy; Warner
Bros.) |
|
|
The Road to the Wall (CBS Films, Inc.;
U.S. Department of Defense) |
|
Feature
|
Alvorada (Brazil's Changing Face)
(Hugo Niebeling, producer; MW Filmproduktion) |
|
|
Black Fox (Image
Productions, Inc.; Heritage Films, Inc.)
|
|
|
Foreign Language Film
|
Electra, Greece |
|
|
The Four Days of Naples, Italy |
|
|
Keeper of Promises (The Given Word) Brazil |
|
|
Sundays and Cybèle,
France
|
|
|
Tlayucan, Mexico |
|
Jean Hersholt Humanitarian
Award
|
Steve Broidy
|
