|
Best Picture
|
Alfie, Lewis Gilbert, producer (Paramount) |
|
|
A Man for All Seasons,
Fred Zinnemann, producer (Columbia)
|
|
|
The Russians Are Coming, The Russians Are Coming,
Norman Jewison, producer (United Artists) |
|
|
The Sand Pebbles, Robert Wise, producer (Twentieth
Century-Fox) |
|
|
Who's Afraid of Virginia Woolf? Ernest Lehman,
producer (Warner Bros.) |
|
Best Actor
|
Alan Arkin, The Russians Are Coming, The Russians
Are Coming
|
|
|
Richard Burton, Who's Afraid of Virginia Woolf?
|
|
|
Michael Caine, Alfie
|
|
|
Steve McQueen, The Sand Pebbles
|
|
|
Paul Scofield, A Man for
All Seasons
|
|
Best Actress
|
Anouk Aimée, A Man and a Woman
|
|
|
Ida Kaminska, The Shop on Main Street
|
|
|
Lynn Redgrave, Georgy Girl
|
|
|
Vanessa Redgrave, Morgan!
|
|
|
Elizabeth Taylor, Who's
Afraid of Virginia Woolf?
|
|
Actor in a Supporting Role
|
Mako, The Sand Pebbles
|
|
|
James Mason, Georgy Girl
|
|
|
Walter Matthau, The Fortune
Cookie
|
|
|
George Segal, Who's Afraid of Virginia Woolf?
|
|
|
Robert Shaw, A Man for All Seasons
|
|
Actress in a Supporting Role
|
Sandy Dennis, Who's Afraid
of Virginia Woolf?
|
|
|
Wendy Hiller, A Man for All Seasons
|
|
|
Jocelyne Lagarde, Hawaii
|
|
|
Vivien Merchant, Alfie
|
|
|
Geraldine Page, You're a Big Boy Now
|
|
Directing
|
Michelangelo Antonioni, Blow-Up
|
|
|
Richard Brooks, The Professionals
|
|
|
Claude Lelouch, A Man and a Woman
|
|
|
Mike Nichols, Who's Afraid of Virginia Woolf?
|
|
|
Fred Zinnemann, A Man for
All Seasons
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Robert Bolt, A Man
for All Seasons
|
|
|
Richard Brooks, The Professionals
|
|
|
Ernest Lehman, Who's Afraid of Virginia Woolf?
|
|
|
Bill Naughton, Alfie
|
|
|
William Rose, The Russians Are Coming, The
Russians Are Coming
|
|
Story and Screenplay
Written Directly for the Screen
|
Michelangelo Antonioni, story; Michelangelo Antonioni,
Tonino Guerra and Edward Bond, Blow-Up
|
|
|
Robert Ardrey, Khartoum
|
|
|
Clint Johnston and Don Peters, The Naked Prey
|
|
|
Claude Lelouch, story;
Pierre Uytterhoeven and Claude Lelouch, screenplay,
A Man and a Woman
|
|
|
Billy Wilder and I. A. L. Diamond, The Fortune
Cookie
|
|
|
Cinematography
|
|
Black-and-White
|
Marcel Grignon, Is Paris Burning?
|
|
|
Ken Higgins, Georgy Girl
|
|
|
James Wong Howe, Seconds
|
|
|
Joseph LaShelle, The Fortune Cookie
|
|
|
Haskell Wexler, Who's
Afraid of Virginia Woolf?
|
|
Color
|
Conrad Hall, The Professionals
|
|
|
Russell Harlan, Hawaii
|
|
|
Ernest Laszlo, Fanastic Voyage
|
|
|
Joseph MacDonald, The Sand Pebbles
|
|
|
Ted Moore, A Man for
All Seasons
|
|
|
Art Direction
|
|
Black-and-White
|
George W. Davis and Paul Groesse, art direction;
Henry Grace and Hugh Hunt, set decoration, Mister
Buddwing
|
|
|
Willy Holt, art direction; Marc Frederix and Pierre
Guffroy, set decoration, Is Paris Burning?
|
|
|
Robert Luthardt, art direction; Edward G. Boyle,
set decoration, The Fortune Cookie
|
|
|
Luigi Scaccianoce, art direction, The Gospel
According to St. Matthew
|
|
|
Richard Sylbert, art
direction; George James Hopkins, set decoration,
Who's Afraid of Virginia Woolf?
|
|
Color
|
Piero Gherardi, art direction, Juliet of the
Spirits
|
|
|
Alexander Golitzen and George C. Webb, art direction;
John McCarthy and John Austin, set decoration, Gambit
|
|
|
Boris Leven, art direction; Walter M. Scott, John
Sturtevant and William Kiernan, set decoration,
The Sand Pebbles
|
|
|
Hal Pereira and Arthur Lonergan, art direction;
Robert Benton and James Payne, set decoration, The
Oscar
|
|
|
Jack Martin Smith and
Dale Hennesy, art direction; Walter M. Scott and
Stuart A. Reiss, set decoration, Fantastic Voyage
|
|
|
Sound
|
MGM Studio Sound Dept., Grand
Prix
|
|
|
Samuel Goldwyn Studio Sound Dept., Hawaii
|
|
|
Twentieth Century-Fox Studio Sound Dept., The Sand
Pebbles
|
|
|
Universal City Studio Sound Dept., Gambit
|
|
|
Warner Bros. Studio Sound Dept., Who's Afraid of
Virginia Woolf?
|
|
Music
|
|
Song
|
“Alfie,” Alfie, Burt Bacharach, music;
Hal David, lyrics |
|
|
“Born Free,” Born
Free, John Barry, music; Don Black, lyrics
|
|
|
“Georgy Girl,” Georgy Girl, Tom Springfield,
music; Jim Dale, lyrics |
|
|
“My Wishing Doll,” Hawaii, Elmer Bernstein,
music; Mack David, lyrics |
|
|
“A Time for Love,” An American Dream, Johnny
Mandel, music; Paul Francis Webster, lyrics |
|
Original Music Score
|
John Barry, Born Free
|
|
|
Elmer Bernstein, Hawaii
|
|
|
Jerry Goldsmith, The Sand Pebbles
|
|
|
Toshiro Mayuzumi, The Bible
|
|
|
Alex North, Who's Afraid of Virginia Woolf?
|
|
Scoring of Music, Adaptation
or Treatment
|
Luis Enrique Bacalov, The Gospel According
to St. Matthew
|
|
|
Elmer Bernstein, Return of the Seven
|
|
|
Al Ham, Stop the World—I Want to Get Off
|
|
|
Harry Sukman, The Singing Nun
|
|
|
Ken Thorne, A Funny
Thing Happened on the Way to the Forum
|
|
|
Film Editing
|
Hal Ashby and J. Terry Williams, The Russians Are
Coming, The Russians Are Coming
|
|
|
William B. Murphy, Fantastic Voyage
|
|
|
Sam O'Steen, Who's Afraid of Virginia Woolf?
|
|
|
William Reynolds, The Sand Pebbles
|
|
|
Fredric Steinkamp, Henry Berman,
Stewart Linder and Frank Santillo, Grand Prix
|
|
Costume Design
|
|
Black-and-White
|
Danilo Donati, The Gospel According to St.
Matthew
|
|
|
Danilo Donati, Mandragola
|
|
|
Jocelyn Rickards, Morgan!
|
|
|
Helen Rose, Mister Buddwing
|
|
|
Irene Sharaff, Who's
Afraid of Virginia Woolf?
|
|
Color
|
Piero Gherardi, Juliet of the Spirits
|
|
|
Elizabeth Haffenden and
Joan Bridge, A Man for All Seasons
|
|
|
Edith Head, The Oscar
|
|
|
Dorothy Jeakins, Hawaii
|
|
|
Jean Louis, Gambit
|
|
|
Special Visual Effects
|
Art Cruickshank, Fantastic
Voyage
|
|
|
Linwood G. Dunn, Hawaii
|
|
Sound Effects
|
Gordon Daniel, Grand Prix
|
|
|
Walter Rossi, Fantastic Voyage
|
|
Short Subjects
|
|
Cartoon
|
The Drag (National Film Board of Canada;
Favorite Films of California) |
|
|
Herb Alpert and the
Tijuana Brass Double Feature (I Feel Special Series)
(Hubley Studios; Paramount)
|
|
|
The Pink Blueprint (Pink Panther Series)
(Mirisch-Geoffrey-DePatie-Freleng; United Artists) |
|
Live Action
|
Turkey the Bridge (Samaritan Productions;
Schoenfeld Films) |
|
|
Wild Wings (British
Transport Films; Manson Distributing)
|
|
|
The Winning Strain (Sports in Action
Series) (Winik Films; Paramount) |
|
|
Documentary
|
|
Short Subject
|
Adolescence (Marin Karmitz and Vladimir
Forgency, producers; M.K. Productions) |
|
|
Cowboy (Ahnemann /Schlosser Productions;
U.S. Information Agency) |
|
|
The Odds Against (Vision Associates Production;
American Foundation Institute of Corrections) |
|
|
Saint Matthew Passion (Mafilm Studios Production;
Hungarofilm) |
|
|
A Year Toward Tomorrow
(Sun Dial Films, Inc.; Office of Economic Opportunity)
|
|
Feature
|
The Face of Genius (WBZ-TV, Group W, Boston) |
|
|
Helicopter Canada (National Film Board
of Canada Centennial Commission; National Film Board
of Canada) |
|
|
Le Volcan Interdit (The Forbidden Volcano)
(Cine Documents Tazieff; Athos Films) |
|
|
The Really Big Family (Alex Grasshoff,
producer; David L. Wolper Production) |
|
|
The War Game (BBC
Production for the British Film Institute; Pathé
Contemporary Films)
|
|
|
Foreign Language Film
|
The Battle of Algiers, Italy |
|
|
Loves of a (Generic Funny Minority) , Czechoslovakia |
|
|
A Man and a Woman, France
|
|
|
Pharaoh, Poland |
|
|
Three, Yugoslavia |
|
Irving G. Thalberg Memorial
Award
|
Robert Wise
|
|
Jean Hersholt Humanitarian
Award
|
George Bagnall
|
|
Honorary Awards
|
To
Y. Frank Freeman
for unusual and outstanding service to the Academy during
his 30 years in Hollywood |
|
|
To
Yakima Canutt
for achievements as a stuntman and for developing safety
devices to protect stuntmen everywhere |
