|
Best Picture
|
Bonnie and Clyde, Warren Beatty, producer (Warner
Bros.-Seven Arts) |
|
|
Doctor Dolittle, Arthur P. Jacobs, producer (Twentieth
Century-Fox) |
|
|
The Graduate, Lawrence Turman, producer (Embassy
Pictures) |
|
|
Guess Who's Coming to Dinner?, Stanley Kramer,
producer (Columbia) |
|
|
In the Heat of the Night,
Walter Mirisch, producer (United Artists)
|
|
Best Actor
|
Warren Beatty, Bonnie and Clyde
|
|
|
Dustin Hoffman, The Graduate
|
|
|
Paul Newman, Cool Hand Luke
|
|
|
Rod Steiger, In the Heat
of the Night
|
|
|
Spencer Tracy, Guess Who's Coming to Dinner?
|
|
Best Actress
|
Anne Bancroft, The Graduate
|
|
|
Faye Dunaway, Bonnie and Clyde
|
|
|
Dame Edith Evans, The Whisperers
|
|
|
Audrey Hepburn, Wait Until Dark
|
|
|
Katharine Hepburn, Guess
Who's Coming to Dinner?
|
|
Actor in a Supporting Role
|
John Cassavetes, The Dirty Dozen
|
|
|
Gene Hackman, Bonnie and Clyde
|
|
|
Cecil Kellaway, Guess Who's Coming to Dinner?
|
|
|
George Kennedy, Cool Hand
Luke
|
|
|
Michael J. Pollard, Bonnie and Clyde
|
|
Actress in a Supporting Role
|
Carol Channing, Thoroughly Modern Millie
|
|
|
Mildred Natwick, Barefoot in the Park
|
|
|
Estelle Parsons, Bonnie
and Clyde
|
|
|
Beah Richards, Guess Who's Coming to Dinner?
|
|
|
Katharine Ross, The Graduate
|
|
Directing
|
Richard Brooks, In Cold Blood
|
|
|
Norman Jewison, In the Heat of the Night
|
|
|
Stanley Kramer, Guess Who's Coming to Dinner?
|
|
|
Mike Nichols, The Graduate
|
|
|
Arthur Penn, Bonnie and Clyde
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Richard Brooks, In Cold Blood
|
|
|
Donn Pearce and Frank R. Pierson, Cool Hand
Luke
|
|
|
Stirling Silliphant,
In the Heat of the Night
|
|
|
Joseph Strick and Fred Haines, Ulysses
|
|
|
Calder Willingham and Buck Henry, The Graduate
|
|
Story and Screenplay
Written Directly for the Screen
|
Robert Kaufman, story; Norman Lear, screenplay,
Divorce American Style
|
|
|
David Newman and Robert Benton, Bonnie and
Clyde
|
|
|
Frederic Raphael, Two for the Road
|
|
|
William Rose, Guess
Who's Coming to Dinner?
|
|
|
Jorge Semprun, La Guerre Est Finie
|
|
|
Cinematography
|
Burnett Guffey, Bonnie and
Clyde
|
|
|
Conrad Hall, In Cold Blood
|
|
|
Richard H. Kline, Camelot
|
|
|
Robert Surtees, Doctor Dolittle
|
|
|
Robert Surtees, The Graduate
|
|
Art Direction
|
Mario Chiari, Jack Martin Smith and Ed Graves, art direction;
Walter M. Scott and Stuart A. Reiss, set decoration, Doctor
Dolittle
|
|
|
Robert Clatworthy, art direction; Frank Tuttle, set
decoration, Guess Who's Coming to Dinner?
|
|
|
Alexander Golitzen and George C. Webb, art direction;
Howard Bristol, set decoration, Thoroughly Modern Millie
|
|
|
Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe
Mariani, art direction; Dario Simoni and Luigi Gervasi,
set decoration, The Taming of the Shrew
|
|
|
John Truscott and Edward Carrere,
art direction; John W. Brown, set decoration, Camelot
|
|
Sound
|
MGM Studio Sound Dept., The Dirty Dozen
|
|
|
Samuel Goldwyn Studio Sound
Dept., In the Heat of the Night
|
|
|
Twentieth Century-Fox Studio Sound Dept., Doctor
Dolittle
|
|
|
Universal City Studio Sound Dept., Thoroughly Modern
Millie
|
|
|
Warner Bros.-Seven Arts Studio Sound Dept., Camelot
|
|
Music
|
|
Song
|
“The Bare Necessities,” The Jungle Book,
Terry Gilkyson, music and lyrics |
|
|
“The Eyes of Love,” Banning, Quincy Jones,
music; Bob Russell, lyrics |
|
|
“The Look of Love,” Casino Royale, Burt
Bacharach, music; Hal David, lyrics |
|
|
“Talk to the Animals,”
Doctor Dolittle, Leslie Bricusse, music and
lyrics
|
|
|
“Thoroughly Modern Millie,” Thoroughly Modern
Millie, James Van Heusen and Sammy Cahn, music
and lyrics |
|
Original Music Score
|
Richard Rodney Bennett, Far From the Madding
Crowd
|
|
|
Elmer Bernstein, Thoroughly
Modern Millie
|
|
|
Leslie Bricusse, Doctor Dolittle
|
|
|
Quincy Jones, In Cold Blood
|
|
|
Lalo Schifrin, Cool Hand Luke
|
|
Scoring of Music, Adaptation
or Treatment
|
DeVol, Guess Who's Coming to Dinner?
|
|
|
Alfred Newman and Ken
Darby, Camelot
|
|
|
Lionel Newman and Alexander Courage, Doctor
Dolittle
|
|
|
André Previn and Joseph Gershenson, Thoroughly
Modern Millie
|
|
|
John Williams, Valley of the Dolls
|
|
|
Film Editing
|
Hal Ashby, In the Heat of
the Night
|
|
|
Samuel E. Beetley and Marjorie Fowler, Doctor Dolittle
|
|
|
Robert C. Jones, Guess Who's Coming to Dinner?
|
|
|
Frank P. Keller, Beach Red
|
|
|
Michael Luciano, The Dirty Dozen
|
|
Costume Design
|
Jean Louis, Thoroughly Modern Millie
|
|
|
Irene Sharaff and Danilo Donati, The Taming of the
Shrew
|
|
|
Bill Thomas, The Happiest Millionaire
|
|
|
John Truscott, Camelot
|
|
|
Theadora Van Runkle, Bonnie and Clyde
|
|
Special Visual Effects
|
L. B. Abbott, Doctor Dolittle
|
|
|
Howard A. Anderson, Jr. and Albert Whitlock, Tobruk
|
|
Sound Effects
|
John Poyner, The Dirty Dozen
|
|
|
James A. Richard, In the Heat of the Night
|
|
Short Subjects
|
|
Cartoon
|
The Box (Murakami-Wolf
Films; Brandon Films)
|
|
|
Hypothese Beta (Films Orzeaux; Pathé Contemporary
Films) |
|
|
What on Earth! (National Film Board of
Canada; Columbia) |
|
Live Action
|
Paddle to the Sea (National Film Board
of Canada; Favorite Films of California) |
|
|
A Place to Stand
(T.D.F. Production for the Ontario Department of
Economics and Development; Columbia)
|
|
|
Sky Over Holland (John Ferno Production
for the Netherlands; Warner Bros.-Seven Arts) |
|
|
Stop, Look and Listen (Len Janson and Chuck
Menville, producers; MGM) |
|
|
Documentary
|
|
Short Subject
|
Monument to the Dream (Charles E. Guggenheim,
producer; Guggenheim Productions) |
|
|
A Place to Stand (T.D.F. Production for
the Ontario Department of Economics and Development;
Columbia) |
|
|
The Redwoods (Mark
Harris and Trevor Greenwood, producers; King Screen
Productions)
|
|
|
See You at the Pillar (Robert Fitchett,
producer; Associated British-Pathé Production) |
|
|
While I Run This Race (Carl V. Ragsdale,
producer; Sun Dial Films for VISTA) |
|
Feature
|
The Anderson Platoon
(French Broadcasting System)
|
|
|
Festival (Patchke Productions) |
|
|
Harvest (U.S. Information Agency) |
|
|
A King's Story (Jack Le Vien Production) |
|
|
A Time for Burning (Quest Productions for
Lutheran Film Associates) |
|
|
Foreign Language Film
|
Closely Watched Trains,
Czechoslovakia
|
|
|
El Amor Brujo, Spain |
|
|
I Even Met Happy Gypsies, Yugoslavia |
|
|
Live for Life, France |
|
|
Portrait of Chieko, Japan |
|
Irving G. Thalberg Memorial
Award
|
Alfred Hitchcock
|
|
Jean Hersholt Humanitarian
Award
|
Gregory Peck
|
|
Honorary Award
|
To
Arthur Freed
for distinguished service to the Academy and the production
of six top-rated Awards telecasts |
