|
Best Picture
|
A Clockwork Orange, Stanley Kubrick, producer
(Warner Bros.) |
|
|
Fiddler on the Roof, Norman Jewison, producer
(United Artists) |
|
|
The French Connection,
Philip D'Antoni, producer (Twentieth Century-Fox)
|
|
|
The Last Picture Show, Stephen J. Friedman, producer
(Columbia) |
|
|
Nicholas and Alexandra, Sam Spiegel, producer
(Columbia) |
|
Best Actor
|
Peter Finch, Sunday Bloody Sunday
|
|
|
Gene Hackman, The French
Connection
|
|
|
Walter Matthau, Kotch
|
|
|
George C. Scott, The Hospital
|
|
|
Topol, Fiddler on the Roof
|
|
Best Actress
|
Julie Christie, McCabe & Mrs. Miller
|
|
|
Jane Fonda, Klute
|
|
|
Glenda Jackson, Sunday Bloody Sunday
|
|
|
Vanessa Redgrave, Mary, Queen of Scots
|
|
|
Janet Suzman, Nicholas and Alexandra
|
|
Actor in a Supporting Role
|
Jeff Bridges, The Last Picture Show
|
|
|
Leonard Frey, Fiddler on the Roof
|
|
|
Richard Jaeckel, Sometimes a Great Notion
|
|
|
Ben Johnson, The Last Picture
Show
|
|
|
Roy Scheider, The French Connection
|
|
Actress in a Supporting Role
|
Ellen Burstyn, The Last Picture Show
|
|
|
Barbara Harris, Who Is Harry Kellerman and Why Is
He Saying Those Terrible Things About Me?
|
|
|
Cloris Leachman, The Last
Picture Show
|
|
|
Margaret Leighton, The Go-Between
|
|
|
Ann-Margret, Carnal Knowledge
|
|
Directing
|
Peter Bogdanovich, The Last Picture Show
|
|
|
William Friedkin, The French
Connection
|
|
|
Norman Jewison, Fiddler on the Roof
|
|
|
Stanley Kubrick, A Clockwork Orange
|
|
|
John Schlesinger, Sunday Bloody Sunday
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Bernardo Bertolucci, The Conformist
|
|
|
Stanley Kubrick, A Clockwork Orange
|
|
|
Larry McMurtry and Peter Bogdanovich, The Last
Picture Show
|
|
|
Ugo Pirro and Vittorio Bonicelli, The Garden
of the Finzi-Continis
|
|
|
Ernest Tidyman, The
French Connection
|
|
Original Screenplay
|
Paddy Chayefsky, The
Hospital
|
|
|
Penelope Gilliatt, Sunday Bloody Sunday
|
|
|
Andy Lewis and Dave Lewis, Klute
|
|
|
Elio Petri and Ugo Pirro, Investigation of
a Citizen Above Suspicion
|
|
|
Herman Raucher, Summer of '42
|
|
|
Cinematography
|
Oswald Morris, Fiddler on
the Roof
|
|
|
Owen Roizman, The French Connection
|
|
|
Robert Surtees, The Last Picture Show
|
|
|
Robert Surtees, Summer of '42
|
|
|
Freddie Young, Nicholas and Alexandra
|
|
Art Direction
|
John Box, Ernest Archer, Jack
Maxsted and Gil Parrondo, art direction; Vernon Dixon,
set decoration, Nicholas and Alexandra
|
|
|
Robert Boyle and Michael Stringer, art direction; Peter
Lamont, set decoration, Fiddler on the Roof
|
|
|
Boris Leven and William Tuntke, art direction; Ruby
Levitt, set decoration, The Andromeda Strain
|
|
|
John B. Mansbridge and Peter Ellenshaw, art direction;
Emile Kuri and Hal Gausman, set decoration, Bedknobs
and Broomsticks
|
|
|
Terence Marsh and Robert Cartwright, art direction;
Peter Howitt, set decoration, Mary, Queen of Scots
|
|
Sound
|
Bob Jones and John Aldred, Mary, Queen of Scots
|
|
|
Gordon K. McCallum and David
Hildyard, Fiddler on the Roof
|
|
|
Gordon K. McCallum, John Mitchell and Alfred J. Overton,
Diamonds Are Forever
|
|
|
Richard Portman and Jack Solomon, Kotch
|
|
|
Theodore Soderberg and Christopher Newman, The French
Connection
|
|
Music
|
|
Song
|
“The Age of Not Believing,” Bedknobs and Broomsticks,
Richard M. Sherman and Robert B. Sherman, music
and lyrics |
|
|
“All His Children,” Sometimes a Great Notion,
Henry Mancini, music; Alan and Marilyn Bergman,
lyrics |
|
|
“Bless the Beasts and Children,” Bless the
Beasts and Children, Barry DeVorzon and Perry
Botkin, Jr., music and lyrics |
|
|
“Life Is What You Make It,” Kotch, Marvin
Hamlisch, music; Johnny Mercer, lyrics |
|
|
“Theme From Shaft,”
Shaft, Isaac Hayes, music and lyrics
|
|
Original Dramatic Score
|
John Barry, Mary, Queen of Scots
|
|
|
Richard Rodney Bennett, Nicholas and Alexandra
|
|
|
Jerry Fielding, Straw Dogs
|
|
|
Isaac Hayes, Shaft
|
|
|
Michel Legrand, Summer
of '42
|
|
Scoring: Adaptation and
Original Song Score
|
Leslie Bricusse and Anthony Newley, song; Walter
Scharf, adaptation, Willy Wonka and the Chocolate
Factory
|
|
|
Peter Maxwell Davies and Peter Greenwell, The
Boy Friend
|
|
|
Richard M. Sherman and Robert B. Sherman, song;
Irwin Kostal, adaptation, Bedknobs and Broomsticks
|
|
|
Dimitri Tiomkin, Tchaikovsky
|
|
|
John Williams, Fiddler
on the Roof
|
|
|
Film Editing
|
Folmar Blangsted, Summer of '42
|
|
|
Bill Butler, A Clockwork Orange
|
|
|
Stuart Gilmore and John W. Holmes, The Andromeda
Strain
|
|
|
Jerry Greenberg, The French
Connection
|
|
|
Ralph E. Winters, Kotch
|
|
Costume Design
|
Yvonne Blake and Antonio Castillo,
Nicholas and Alexandra
|
|
|
Margaret Furse, Mary, Queen of Scots
|
|
|
Morton Haack, What's the Matter With Helen?
|
|
|
Bill Thomas, Bedknobs and Broomsticks
|
|
|
Piero Tosi, Death in Venice
|
|
Special Visual Effects
|
Jim Danforth and Roger Dicken, When Dinosaurs Ruled
the Earth
|
|
|
Alan Maley, Eustace Lycett
and Danny Lee, Bedknobs and Broomsticks
|
|
Short Subjects
|
|
Animated
|
The Crunch Bird
(Maxwell-Petok-Petrovich Productions; Regency Film
Distributing Corp.)
|
|
|
Evolution (National Film Board of Canada;
Columbia) |
|
|
The Selfish Giant (Potterton Productions;
Pyramid Films) |
|
Live Action
|
Good Morning (E/G Films; Seymour Borde
and Associates) |
|
|
The Rehearsal (Cinema Verona Production;
Schoenfeld Film Distributing Corp.) |
|
|
Sentinels of Silence
(Producciones Concord; Paramount)
|
|
|
Documentary
|
|
Short Subject
|
Adventures in Perception (Hans van Gelder
Filmproduktie; Netherlands Information Service) |
|
|
Art Is . . . (Henry Strauss Associates;
Sears, Roebuck Foundation) |
|
|
The Numbers Start With the River (WH Picture;
U.S. Information Agency) |
|
|
Sentinels of Silence
(Producciones Concord; Paramount)
|
|
|
Somebody Waiting (Snider Productions; University
of California Medical Film Library) |
|
Feature
|
Alaska Wilderness Lake (Alan Landsburg,
producer; Alan Landsburg Productions) |
|
|
The Hellstrom Chronicle
(David L. Wolper Productions; Cinema 5, Ltd.)
|
|
|
On Any Sunday (Bruce Brown-Solar; Cinema
5, Ltd.) |
|
|
The RA Expeditions (Swedish Broadcasting
Company; Interwest Film Corp.) |
|
|
The Sorrow and the Pity (Television Rencontre-Norddeutscher
Rundfunk-Television Swiss Romande; Cinema 5, Ltd.) |
|
|
Foreign Language Film
|
Dodes'Ka-Den, Japan |
|
|
The Emigrants, Sweden |
|
|
The Garden of the Finzi-Continis,
Italy
|
|
|
The Policeman, Israel |
|
|
Tchaikovsky, U.S.S.R. |
|
Honorary Award
|
To
Charles Chaplin
for the incalculable effect he has had in making motion
pictures the art form of this century |
