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Best Picture
|
Annie Hall, Charles
H. Joffe, producer (United Artists)
|
|
|
The Goodbye Girl, Ray Stark, producer (MGM/Warner
Bros.) |
|
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Julia, Richard Roth, producer (Twentieth Century-Fox) |
|
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Star Wars, Gary Kurtz, producer (Twentieth Century-Fox) |
|
|
The Turning Point, Herbert Ross and Arthur Laurents,
producers (Twentieth Century-Fox) |
|
Actor in a Leading Role
|
Woody Allen, Annie Hall
|
|
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Richard Burton, Equus
|
|
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Richard Dreyfuss, The Goodbye
Girl
|
|
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Marcello Mastroianni, A Special Day
|
|
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John Travolta, Saturday Night Fever
|
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Actress in a Leading Role
|
Anne Bancroft, The Turning Point
|
|
|
Jane Fonda, Julia
|
|
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Diane Keaton, Annie Hall
|
|
|
Shirley MacLaine, The Turning Point
|
|
|
Marsha Mason, The Goodbye Girl
|
|
Actor in a Supporting Role
|
Mikhail Baryshnikov, The Turning Point
|
|
|
Peter Firth, Equus
|
|
|
Alec Guinness, Star Wars
|
|
|
Jason Robards, Julia
|
|
|
Maximilian Schell, Julia
|
|
Actress in a Supporting Role
|
Leslie Browne, The Turning Point
|
|
|
Quinn Cummings, The Goodbye Girl
|
|
|
Melinda Dillon, Close Encounters of the Third Kind
|
|
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Vanessa Redgrave, Julia
|
|
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Tuesday Weld, Looking for Mr. Goodbar
|
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Directing
|
Woody Allen, Annie Hall
|
|
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George Lucas, Star Wars
|
|
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Herbert Ross, The Turning Point
|
|
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Steven Spielberg, Close Encounters of the Third Kind
|
|
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Fred Zinnemann, Julia
|
|
Writing
|
|
Original Screenplay
|
Woody Allen and Marshall
Brickman, Annie Hall
|
|
|
Robert Benton, The Late Show
|
|
|
Arthur Laurents, The Turning Point
|
|
|
George Lucas, Star Wars
|
|
|
Neil Simon, The Goodbye Girl
|
|
Screenplay Based On Material
From Another Medium
|
Luis Buńuel and Jean-Claude Carričre, That
Obscure Object of Desire
|
|
|
Larry Gelbart, Oh, God!
|
|
|
Gavin Lambert and Lewis John Carlino, I Never
Promised You a Rose Garden
|
|
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Alvin Sargent, Julia
|
|
|
Peter Shaffer, Equus
|
|
|
Cinematography
|
William A. Fraker, Looking for Mr. Goodbar
|
|
|
Fred J. Koenekamp, Islands in the Stream
|
|
|
Douglas Slocombe, Julia
|
|
|
Robert Surtees, The Turning Point
|
|
|
Vilmos Zsigmond, Close Encounters
of the Third Kind
|
|
Art Direction
|
Ken Adam and Peter Lamont, art direction; Hugh Scaife,
set decoration, The Spy Who Loved Me
|
|
|
Joe Alves and Dan Lomino, art direction; Phil Abramson,
set decoration, Close Encounters of the Third Kind
|
|
|
John Barry, Norman Reynolds
and Leslie Dilley, art direction; Roger Christian, set
decoration, Star Wars
|
|
|
Albert Brenner, art direction; Marvin March, set decoration,
The Turning Point
|
|
|
George C. Webb, art direction; Mickey S. Michaels, set
decoration, Airport '77
|
|
Sound
|
Walter Goss, Dick Alexander, Tom Beckert and Robin Gregory,
The Deep
|
|
|
Robert Knudson, Robert J. Glass, Don MacDougall and
Gene S. Cantamessa, Close Encounters of the Third Kind
|
|
|
Robert Knudson, Robert J. Glass, Richard Tyler and Jean-Louis
Ducarme, Sorcerer
|
|
|
Don MacDougall, Ray West, Bob
Minkler and Derek Ball, Star Wars
|
|
|
Theodore Soderberg, Paul Wells, Douglas O. Williams
and Jerry Jost, The Turning Point
|
|
Music
|
|
Original Song
|
“Candle on the Water,” Pete's Dragon, Al
Kasha and Joel Hirschhorn, music and lyrics |
|
|
“Nobody Does It Better,” The Spy Who Loved
Me, Marvin Hamlisch, music; Carole Bayer Sager,
lyrics |
|
|
“The Slipper and the Rose Waltz” (He Danced With
Me/She Danced With Me), The Slipper and the Rose—The
Story of Cinderella, Richard M. Sherman and
Robert B. Sherman, music and lyrics |
|
|
“Someone's Waiting for You,” The Rescuers,
Sammy Fain, music; Carol Connors and Ayn Robbins,
lyrics |
|
|
“You Light Up My Life,”
You Light Up My Life, Joseph Brooks, music
and lyrics
|
|
Original Score
|
Georges Delerue, Julia
|
|
|
Marvin Hamlisch, The Spy Who Loved Me
|
|
|
Maurice Jarre, Mohammad—Messenger of God
|
|
|
John Williams, Close Encounters of the Third
Kind
|
|
|
John Williams, Star
Wars
|
|
Original Song Score and
Its Adaptation or Adaptation Score
|
Al Kasha and Joel Hirschhorn, song; Irwin Kostal,
adaptation, Pete's Dragon
|
|
|
Richard M. Sherman and Robert B. Sherman, song;
Angela Morley, adaptation, The Slipper and the
Rose—The Story of Cinderella
|
|
|
Jonathan Tunick, A
Little Night Music
|
|
|
Film Editing
|
Walter Hannemann and Angelo Ross, Smokey and the
Bandit
|
|
|
Paul Hirsch, Marcia Lucas and
Richard Chew, Star Wars
|
|
|
Michael Kahn, Close Encounters of the Third Kind
|
|
|
Walter Murch, Julia
|
|
|
William Reynolds, The Turning Point
|
|
Costume Design
|
Edith Head and Burton Miller, Airport '77
|
|
|
Florence Klotz, A Little Night Music
|
|
|
John Mollo, Star Wars
|
|
|
Irene Sharaff, The Other Side of Midnight
|
|
|
Anthea Sylbert, Julia
|
|
Visual Effects
|
Roy Arbogast, Douglas Trumbull, Matthew Yuricich, Gregory
Jein and Richard Yuricich, Close Encounters of the
Third Kind
|
|
|
John Stears, John Dykstra,
Richard Edlund, Grant McCune and Robert Blalack, Star
Wars
|
|
Short Films
|
|
Animated
|
The Bead Game (Ishu Patel, producer; National
Film Board of Canada) |
|
|
The Doonesbury Special (John Hubley, Faith
Hubley and Garry Trudeau, producers; Hubley Studios) |
|
|
Jimmy the C (James Picker, Robert Grossman
and Craig Whitaker, producers; Motionpicker Production) |
|
|
The Sand Castle
(Co Hoedeman, producer; National Film Board of Canada)
|
|
Live Action
|
The Absent-Minded Waiter (William E. McEuen,
producer; Aspen Film Society) |
|
|
Floating Free (Jerry Butts, producer; Trans
World International) |
|
|
I'll Find a Way
(Beverly Shaffer and Yuki Yoshida, producers; National
Film Board of Canada)
|
|
|
Notes on the Popular Arts (Saul Bass, producer;
Saul Bass Films) |
|
|
Spaceborne (Philip Dauber, producer; Lawrence
Hall of Science Production for the Regents of the
University of California with the cooperation of
NASA) |
|
|
Documentary
|
|
Short Subject
|
Agueda Martinez: Our People, Our Country
(Moctesuma Esparza, producer; Moctesuma Esparza
Production) |
|
|
First Edition (Helen Whitney and DeWitt
L. Sage, Jr., producers; D.L. Sage Productions) |
|
|
Gravity Is My Enemy
(John Joseph and Jan Stussy, producers; John Joseph
Production)
|
|
|
Of Time, Tombs and Treasure (James R. Messenger
and Paul N. Raimondi, producers; Charlie/Papa Productions,
Inc.) |
|
|
The Shetland Experience (Douglas Gordon,
producer; Balfour Films) |
|
Feature
|
The Children of Theatre Street (Robert
Dornhelm and Earle Mack, producers; Mack-Vaganova
Company) |
|
|
High Grass Circus (Bill Brind, Torben Schioler
and Tony lanzelo, producers; National Film Board
of Canada) |
|
|
Homage to Chagall—The Colours of Love (Harry
Rasky, producer; CBC Production) |
|
|
Union Maids (James Klein, Julia Reichert
and Miles Mogulescu, producers; Klein, Reichert,
Mogulescu Production) |
|
|
Who Are the DeBolts?
And Where Did They Get Nineteen Kids?
(Korty Films and Charles M. Schulz Creative Associates
in association with Sanrio Films) |
|
|
Foreign Language Film
|
Iphigenia, Greece |
|
|
Madame Rosa, France
|
|
|
Operation Thunderbolt, Israel |
|
|
A Special Day, Italy |
|
|
That Obscure Object of Desire, Spain |
|
Irving G. Thalberg Memorial
Award
|
Walter Mirisch
|
|
Jean Hersholt Humanitarian
Award
|
Charlton Heston
|
|
Honorary Awards
|
To
Margaret Booth
for her exceptional contribution to the art of film editing
in the motion picture industry |
|
|
To
Gordon E. Sawyer
in appreciation for outstanding service and dedication
in upholding the high standards of the Academy of Motion
Picture Arts and Sciences |
|
|
To
Sidney P. Solow
in appreciation for outstanding service and dedication
in upholding the high standards of the Academy of Motion
Picture Arts and Sciences |
|
Sound Effects Editing
|
Frank E. Warner,
Close Encounters of the Third Kind
,
Benjamin Burtt, Jr. for the creation
of the alien, creature and robot voices in Star Wars
|
