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Best Picture
|
The Color Purple, Steven Spielberg,
Kathleen Kennedy, Frank Marshall and Quincy Jones, producers
(Warner Bros.) |
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Kiss of the Spider Woman, David Weisman, producer
(Island Alive) |
|
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Out of Africa, Sydney
Pollack, producer (Universal)
|
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Prizzi's Honor, John Foreman, producer (Twentieth
Century-Fox) |
|
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Witness, Edward S. Feldman, producer (Paramount) |
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Actor in a Leading Role
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Harrison Ford, Witness
|
|
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James Garner, Murphy's Romance
|
|
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William Hurt, Kiss of the
Spider Woman
|
|
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Jack Nicholson, Prizzi's Honor
|
|
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Jon Voight, Runaway Train
|
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Actress in a Leading Role
|
Anne Bancroft, Agnes of God
|
|
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Whoopi Goldberg, The Color Purple
|
|
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Jessica Lange, Sweet Dreams
|
|
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Geraldine Page, The Trip
to Bountiful
|
|
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Meryl Streep, Out of Africa
|
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Actor in a Supporting Role
|
Don Ameche, Cocoon
|
|
|
Klaus Maria Brandauer, Out of Africa
|
|
|
William Hickey, Prizzi's Honor
|
|
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Robert Loggia, Jagged Edge
|
|
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Eric Roberts, Runaway Train
|
|
Actress in a Supporting Role
|
Margaret Avery, The Color Purple
|
|
|
Anjelica Huston, Prizzi's
Honor
|
|
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Amy Madigan, Twice in a Lifetime
|
|
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Meg Tilly, Agnes of God
|
|
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Oprah Winfrey, The Color Purple
|
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Directing
|
Hector Babenco, Kiss of the Spider Woman
|
|
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John Huston, Prizzi's Honor
|
|
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Akira Kurosawa, Ran
|
|
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Sydney Pollack, Out of Africa
|
|
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Peter Weir, Witness
|
|
Writing
|
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Screenplay Written Directly
for the Screen
|
Woody Allen, The Purple Rose of Cairo
|
|
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Terry Gilliam, Tom Stoppard and Charles McKeown,
Brazil
|
|
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Luis Puenzo and Aida Bortnik, The Official
Story
|
|
|
Earl W. Wallace and William
Kelley, screenplay; William Kelley, Pamela Wallace
and Earl W. Wallace, story, Witness
|
|
|
Robert Zemeckis and Bob Gale, Back to the Future
|
|
Screenplay Based on Material
From Another Medium
|
Richard Condon and Janet Roach, Prizzi's Honor
|
|
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Horton Foote, The Trip to Bountiful
|
|
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Kurt Luedtke, Out
of Africa
|
|
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Menno Meyjes, The Color Purple
|
|
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Leonard Schrader, Kiss of the Spider Woman
|
|
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Cinematography
|
Allen Daviau, The Color Purple
|
|
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William A. Fraker, Murphy's Romance
|
|
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Takao Saito, Masaharu Ueda and Asakazu Nakai, Ran
|
|
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John Seale, Witness
|
|
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David Watkin, Out of Africa
|
|
Art Direction
|
Norman Garwood, art direction; Maggie Gray, set decoration,
Brazil
|
|
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Stephen Grimes, art direction;
Josie MacAvin, set decoration, Out of Africa
|
|
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Stan Jolley, art direction; John Anderson, set decoration,
Witness
|
|
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Yoshiro Muraki and Shinobu Muraki, art direction, Ran
|
|
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J. Michael Riva and Robert W. Welch, art direction;
Linda DeScenna, set decoration, The Color Purple
|
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Sound
|
Les Fresholtz, Dick Alexander, Vern Poore and Bud Alper,
Ladyhawke
|
|
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Chris Jenkins, Gary Alexander,
Larry Stensvold and Peter Handford, Out of Africa
|
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Donald O. Mitchell, Rick Kline, Kevin O'Connell and
David Ronne, Silverado
|
|
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Donald O. Mitchell, Michael Minkler, Gerry Humphreys
and Chris Newman, A Chorus Line
|
|
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Bill Varney, B. Tennyson Sebastian II, Robert Thirlwell
and William B. Kaplan, Back to the Future
|
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Music
|
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Song
|
“Miss Celie's Blues” (Sister), The Color Purple,
Quincy Jones and Rod Temperton, music; Quincy Jones,
Rod Temperton and Lionel Richie, lyrics |
|
|
“The Power of Love,” Back to the Future,
Chris Hayes and Johnny Colla, music; Huey Lewis,
lyrics |
|
|
“Say You, Say Me,” White
Nights, Lionel Richie, music and lyrics
|
|
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“Love Theme From White Nights” (Separate
Lives), White Nights, Stephen Bishop, music
and lyrics |
|
|
“Surprise, Surprise,” A Chorus Line, Marvin
Hamlisch, music; edward Kleban, lyrics |
|
Original Score
|
John Barry, Out of
Africa
|
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Bruce Broughton, Silverado
|
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Georges Delerue, Agnes of God
|
|
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Quincy Jones, Jeremy Lubbock, Rod Temperton, Caiphus
Semenya, Andrae Crouch, Chris Boardman, Jorge Calandrelli,
Joel Rosenbaum, Fred Steiner, Jack Hayes, Jerry
Hey and Randy Kerber, The Color Purple
|
|
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Maurice Jarre, Witness
|
|
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Film Editing
|
John Bloom, A Chorus Line
|
|
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Rudi Fehr and Kaja Fehr, Prizzi's Honor
|
|
|
Thom Noble, Witness
|
|
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Henry Richardson, Runaway Train
|
|
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Fredric Steinkamp, William Steinkamp, Pembroke Herring
and Sheldon Kahn, Out of Africa
|
|
Costume Design
|
Milena Canonero, Out of Africa
|
|
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Donfeld, Prizzi's Honor
|
|
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Aggie Guerard Rodgers, The Color Purple
|
|
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Emi Wada, Ran
|
|
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Albert Wolksy, The Journey of Natty Gann
|
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Makeup
|
Ken Chase, The Color Purple
|
|
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Carl Fullerton, Remo Williams: The Adventure Begins
|
|
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Michael Westmore and Zoltan
Elek, Mask
|
|
Visual Effects
|
Dennis Muren, Kit West, John Ellis and David Allen,
Young Sherlock Holmes
|
|
|
Ken Ralston, Ralph McQuarrie,
Scott Farrar and David Berry, Cocoon
|
|
|
Will Vinton, lan Wingrove, Zoran Perisic and Michael
Lloyd, Return to Oz
|
|
Sound Effects Editing
|
Frederick J. Brown, Rambo: First Blood Part II
|
|
|
Charles L. Campbell and Robert
Rutledge, Back to the Future
|
|
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Bob Henderson and Alan Murray, Ladyhawke
|
|
Short Films
|
|
Animated
|
Anna & Bella
(Cilia Van Dijk, producer, Netherlands)
|
|
|
The Big Snit (Richard Condie and Michael
Scott, producers; National Film Board of Canada) |
|
|
Second Class Mail (Alison Snowden, producer;
National Film and Television School) |
|
Live Action
|
Graffiti (Dianna Costello, producer; American
Film Institute) |
|
|
Molly's Pilgrim
(Jeff Brown and Chris Pelzer, producers; Phoenix
Films)
|
|
|
Rainbow War (Bob Rogers, producer; Bob
Rogers and Co.) |
|
|
Documentary
|
|
Short Subject
|
The Courage to Care (Robert Gardner, producer;
United Way) |
|
|
Keats and His Nightingale: A Blind Date
(Michael Crowley and James Wolpaw, producers; Rhode
Island Committee for the Humanities) |
|
|
Making Overtures—The Story of a Community Orchestra
(Barbara Willis Sweete, producer; Rhombus Media,
Inc.) |
|
|
Witness to War: Dr.
Charlie Clements (David Goodman, producer; Skylight
Picture Production)
|
|
|
The Wizard of the Strings (Alan Edelstein,
producer; Seventh Hour Production) |
|
Feature
|
Broken Rainbow
(Maria Florio and Victoria Mudd, producers; Earthworks
Films Production)
|
|
|
Las Madres—The Mothers of Plaza de Mayo
(Susana Muńoz and Lourdes Portillo, producers; Film
Arts Foundation) |
|
|
Soldiers in Hiding (Japhet Asher, producer;
Filmworks, Inc. Production) |
|
|
The Statue of Liberty (Ken Burns and Buddy
Squires, producers; Florentine Films Production) |
|
|
Unfinished Business (Steven Okazaki, producer;
Mouchette Films Production) |
|
|
Foreign Language Film
|
Angry Harvest, Federal Republic of Germany—West |
|
|
Colonel Redl, Hungary |
|
|
The Official Story,
Argentina
|
|
|
Three Men and a Cradle, France |
|
|
When Father Was Away on Business, Yugoslavia |
|
Jean Hersholt Humanitarian
Award
|
Charles “Buddy” Rogers
|
|
Honorary Awards
|
To
Paul Newman
in
recognition of his many memorable and compelling screen
performances and for his personal integrity and dedication
to his craft |
|
|
To
Alex North
in
recognition of his brilliant artistry in the creation
of memorable music for a host of distinguished motion
pictures |
|
|
To
John H. Whitney, Sr.
for cinematic pioneering |
