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The Final Day - Winner

The Final Day
"This was one of the best filmmaking experiences I've ever had," states Director/Producer Paul Del Vecchio regarding, The Final Day, the winner of the Diary of the Dead DVD contest. "Making this movie was a lot of hard work, but it was definitely one of the most fun experiences I've ever had directing a film."

It all started with a phone call Del Vecchio made to David Doumeng and Douglas Frye (all three co-produced the film). Del Vecchio read about the Diary of the Dead contest on MySpace and immediately wanted to enter. "What's the worst thing that could happen?" Paul asked Mr. Doumeng and Mr. Frye. "People see our film and we get more attention. Maybe it'll get people interested in our other projects as well. And what's the best thing that could happen? If we win, then even more people will see our work. It's a win-win situation. We'd be stupid not to enter." Everyone agreed.

The group then set forth, each of them writing their own script. "In the end, we merged the best elements from all three scripts, but the main story was David's." says Mr. Del Vecchio. "We wanted to grab the audience's attention right away, so we started off with an action scene and threw small bits of story in there as well. We then made the second half of the film more about the character and the story," explains Doumeng. Del Vecchio adds, "I wanted to do this project only if it was going to have good character and plot stuff. I didn't want to make a film about blood and guts. I wanted to say something and have people actually like the character, empathize with him, and be on his side. David and Doug felt the same way."

After finalizing the script, the team scheduled the shoot for one weekend. However, something happened that almost cancelled the shoot. "We got snow!" says Del Vecchio. "David called me up and said, 'What are we going to do about all this snow?' I thought for a moment and said, 'We'll use it to our advantage. Have you ever seen a zombie movie in the snow?' I had to come up with any motivation I could because I really wanted to make this film."

After a long day of shooting in the basement, David Doumeng received a phone call that his sister was in labor. He rushed over to the hospital and spent the rest of the night there. "I got home at 6:30 in the morning." Later that afternoon, the group spent a few hours in a park on Long Island shooting all of the outdoor footage for the film. "We shot during, 'Magic Hour'. I think we spent maybe two hours shooting and one hour on makeup for actor, Michael Zone."

"The post production process took maybe three days," says Del Vecchio. "I edited after each shoot day, and two more days after that. David also came out the last day to help me tighten up the film and add music." Doumeng adds, "We worked from 6pm to 3am. It was great! We were watching the near-finished product at 3am and we were going nuts!"

The following day, Del Vecchio put the finishing touches on the film and sent it in to the contest page. "A few days later, the film went up, and the rest is history," says Doug Frye. "We all just wanted to get our names out there and hopefully get some exposure. We have a lot of ideas and a lot of projects in the works so hopefully this will open up a few doors and get some people interested in us," adds Doumeng.

Del Vecchio concludes, "George has been one of my favorite filmmakers as far back as I can remember and we are absolutely honored to be a part of his DVD release for Diary of the Dead. As David said, we are hoping this opens up a few doors because we have a lot of ideas, in horror and in other genres, and we believe we can deliver entertaining films that can both please the audience as well as profit for the studio."


DAVID R. DOUMENG
David Doumeng wrote, acted in, co-produced, and co-edited The Final Day. For him, it was an amazing experience from start to finish. Since his graduation from The Neighborhood Playhouse in 2006, David has appeared on All My Children, performed as Doc Porter in "Crimes of the Heart" at the Bridge Theater, and acted in a number of independent and short films. He would like to thank everyone involved in this project for their dedication, professionalism, and immense talent.

DOUGLAS FRYE
Douglas Frye is a New York City based screenwriter. He co-wrote the award winning feature film Forever with director Paul Del Vecchio and acted in and produced The Final Day with Del Vecchio and David Doumeng. Currently he, Del Vecchio and Doumeng are developing the web-series Asher.

 

And Teller

And Teller
by Ezekiel Zabrowski

We wish Penn could have lived to see the release of this DVD.
- The Ghostworks Team

Deader Living Living
Through Chemistry

Deader Living Through Chemistry
Kern Saxton - Director

Kern received his BFA in Filmmaking with an emphasis on Directing from the illustrious North Carolina School of the Arts, where he studied under numerous industry professionals, including producers Dale Pollock and Nicole LaLoggia, author and assistant cameraman David Elkins, sound editor David Yewdall, director Dan McKinney, screenwriter Ron Stacker Thompson, and producer/director Wayne Crawford.

Throughout his four-year stint at NCSA, Kern also worked on over 25 short films in various positions, directing a total of 5 short films of his own. His work has been seen at many film festivals and on television. Roadside Convenience, Kern's junior year effort, has screened at the Tribeca Film Festival, the Riverrun International Film Festival, on UNC-TV as part of the North Carolina Visions program, and has won several awards, including Best Student Short at the Emerald Eye Film Festival and a Bronze Award at Houston WorldFest.

Upon graduation, Kern relocated to Los Angeles. He has worked on several projects in Hollywood, most notably for Sony Pictures Entertainment on the Lifetime Television show Strong Medicine, shadowing producer/director John Flynn and directing for the show's second unit. Kern has developed the feature films Red Christmas and Bloodlust with acclaimed producer Paul Aaron and writer James Waugh at Suntaur Entertainment, and has co-produced the internet comedy show Porntourage with Waugh and writer Destin Pfaff. He is currently developing a feature-length version of Deader Living Through Chemistry, as well as directing and producing the 70's horror exploitation throwback, Death Valley.

 

Run For Your Life

Run For Your Life
by Jesse Blanchard

"Yaayerrrrruuuuuhhaeahhh!"

This is the sound seven zombie kids make when told the next scene will feature them eating the guts out of their parents.

I'd posted a note on craigslist saying simply 'zombies wanted.' I was more than a little nervous about what kind of attention such a solicitation would attract. However, beggars can't be choosers and choosers don't direct no-budget shorts.

Sunday morning I served bad coffee and good donuts to zombie nurses and doctors, one-legged zombies and even a zombie Klingon. What I didn't expect was a very scary group of zombie kids.

A quick re-write and I had my favorite shot in the short. I hope you enjoy it.

P.S. the music is by William Gandy.

Opening Night Of The Living Dead

Opening Night Of The Living Dead
Shalena Oxley-Butler knows how to noodge. Eagerly anticipating the release of the new George Romero zombie movie, Shalena surfed the myspace website for any tidbits about the new movie when she came across the video contest. "I wasn't as interested in the contest, or winning per se, I just really thought that this would be a great opportunity to have fun and make a three-minute zombie movie." She called her screenwriting friend Doug Howell and regaled him about the contest and all of the hilarious possibilities. Doug immediately said no. That he was "too busy" and he "didn't have any ideas." "She kept telling me that we could shoot in the movie theater she used to work in," explained Doug.

"I thought it sound fun but crazy. Three minutes? Zombies? Movie theater? Too many restrictions. I had no ideas." There is no doubt about it: Doug was being a baby. After Shalena nagged Doug by calling him ten more times, he finally decided to think about it. "I went to the myspace page and read about the contest. Shalena was right: it did sound fun." Doug continues. "Then I thought about George Romero, and how much I liked the political and social commentary in his films.

Then I realized, that's what the script needs to be about: how zombie movies can be the most overtly political of all movies." Doug wrote the three-page script in about and hour and they were off to the races. "We had the location locked-down, and the cast was coming together," elaborates Shalena. "Our friend Emil had a friend Harris with a good microphone and Doug had access to a decent video camera. So the equipment was okay. But the big question came up: who should I get to direct it?" Though Shalena has always been interested in movies, especially horror movies, she had never directed anything.

Nevertheless, her confidence in the script and her friends on the crew gave her the courage she needed to dive in. "We found these really nice women from Eastern Europe who had just moved into town. They literally had only been here about three weeks. They were really excited at the whole, crazy idea of a doing make-up for a "zombie movie" and they showed up and did a great job. It was by far the best thing, technically, about the movie. Looking at the lead zombies in person was really gross and almost made me sick."

Shalena recruited her brother-in-law, Ricky, Emil, and her former co-workers from the movie theatre to play all the roles in the movie. But at the last moment she realized she forgot to cast the screaming girl in the movie-within-the-movie. Doug remembered meeting a girl, Donna, at a Christmas party who always wanted to be an actor. They called her up and she was thrilled to help out. "She could really scream!" Doug admits. "It was piercing. But I was really excited more than anything else that we found someone who could scream so well.

Every horror movie needs great screamers. So I just told her to let 'er rip. I don't care how loud it is." Shalena asked her friend Rob Toth to be the cameraman. He's another guy who always wanted to work on horror movies and he got a big kick out of the script. "I especially like the joke 'peanut or brain," Rob laughs. "It wasn't in the first version. Shalena thought of it when we were planning the shoot. It cracks me up every time I hear it." The brief shoot at the movie theater went very smoothly. "I'm so grateful to everyone at the theater for helping out. The shooting aspects of the movie were really easy. They let us go wherever we wanted, turn on all the lights, and even drink from the soda fountain. I owe as much to them as anyone else for helping me out on this," said Shalena.

"We had an editor lined up - Karoliina. She has a Mac with editing software and she really likes horror movies. So I new she would be perfect for this. But we didn't have any music. When I read the rules, it said no copyrighted music could be used. We only had a few days before we had to upload the movie onto myspace, so I wasn't sure what to do. Then I remembered my friend Doug Shaffer. He likes to get drunk and play around with Garage Band on is Mac. I asked him to whip up some quick, scary music for us, and he did a great job.

It really helps the movie." Shalena summed up the experience this way, "We didn't really go into this thinking it was a contest. We went into this thinking of it as an opportunity, or excuse, to get silly and make a zombie movie. It was really vital that we paid tribute to Romero. That was our goal. We just wanted to show people how much we admire the man for saying things in his movies that nobody else had the courage to say. And have fun doing it!"

 





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