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The
Final Day - Winner
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The
Final Day
"This was one of the best filmmaking experiences
I've ever had," states Director/Producer
Paul Del Vecchio regarding, The Final Day, the
winner of the Diary of the Dead DVD contest.
"Making this movie was a lot of hard work,
but it was definitely one of the most fun experiences
I've ever had directing a film."
It all started with a phone call
Del Vecchio made to David Doumeng and Douglas
Frye (all three co-produced the film). Del Vecchio
read about the Diary of the Dead contest on
MySpace and immediately wanted to enter. "What's
the worst thing that could happen?" Paul
asked Mr. Doumeng and Mr. Frye. "People
see our film and we get more attention. Maybe
it'll get people interested in our other projects
as well. And what's the best thing that could
happen? If we win, then even more people will
see our work. It's a win-win situation. We'd
be stupid not to enter." Everyone agreed.
The group then set forth, each
of them writing their own script. "In the
end, we merged the best elements from all three
scripts, but the main story was David's."
says Mr. Del Vecchio. "We wanted to grab
the audience's attention right away, so we started
off with an action scene and threw small bits
of story in there as well. We then made the
second half of the film more about the character
and the story," explains Doumeng. Del Vecchio
adds, "I wanted to do this project only
if it was going to have good character and plot
stuff. I didn't want to make a film about blood
and guts. I wanted to say something and have
people actually like the character, empathize
with him, and be on his side. David and Doug
felt the same way."
After finalizing the script, the
team scheduled the shoot for one weekend. However,
something happened that almost cancelled the
shoot. "We got snow!" says Del Vecchio.
"David called me up and said, 'What are
we going to do about all this snow?' I thought
for a moment and said, 'We'll use it to our
advantage. Have you ever seen a zombie movie
in the snow?' I had to come up with any motivation
I could because I really wanted to make this
film."
After a long day of shooting in
the basement, David Doumeng received a phone
call that his sister was in labor. He rushed
over to the hospital and spent the rest of the
night there. "I got home at 6:30 in the
morning." Later that afternoon, the group
spent a few hours in a park on Long Island shooting
all of the outdoor footage for the film. "We
shot during, 'Magic Hour'. I think we spent
maybe two hours shooting and one hour on makeup
for actor, Michael Zone."
"The post production process
took maybe three days," says Del Vecchio.
"I edited after each shoot day, and two
more days after that. David also came out the
last day to help me tighten up the film and
add music." Doumeng adds, "We worked
from 6pm to 3am. It was great! We were watching
the near-finished product at 3am and we were
going nuts!"
The following day, Del Vecchio
put the finishing touches on the film and sent
it in to the contest page. "A few days
later, the film went up, and the rest is history,"
says Doug Frye. "We all just wanted to
get our names out there and hopefully get some
exposure. We have a lot of ideas and a lot of
projects in the works so hopefully this will
open up a few doors and get some people interested
in us," adds Doumeng.
Del Vecchio concludes, "George
has been one of my favorite filmmakers as far
back as I can remember and we are absolutely
honored to be a part of his DVD release for
Diary of the Dead. As David said, we are hoping
this opens up a few doors because we have a
lot of ideas, in horror and in other genres,
and we believe we can deliver entertaining films
that can both please the audience as well as
profit for the studio."
DAVID R. DOUMENG
David Doumeng wrote, acted in, co-produced,
and co-edited The Final Day. For him, it was
an amazing experience from start to finish.
Since his graduation from The Neighborhood Playhouse
in 2006, David has appeared on All My Children,
performed as Doc Porter in "Crimes of the
Heart" at the Bridge Theater, and acted
in a number of independent and short films.
He would like to thank everyone involved in
this project for their dedication, professionalism,
and immense talent.
DOUGLAS FRYE
Douglas Frye is a New York City based screenwriter.
He co-wrote the award winning feature film Forever
with director Paul Del Vecchio and acted in
and produced The Final Day with Del Vecchio
and David Doumeng. Currently he, Del Vecchio
and Doumeng are developing the web-series Asher.
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And
Teller
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And
Teller
by Ezekiel Zabrowski
We wish Penn could have lived to see the release
of this DVD.
- The Ghostworks Team
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Deader
Living Living
Through Chemistry
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Deader
Living Through Chemistry
Kern Saxton - Director
Kern received his BFA in Filmmaking
with an emphasis on Directing from the illustrious
North Carolina School of the Arts, where he
studied under numerous industry professionals,
including producers Dale Pollock and Nicole
LaLoggia, author and assistant cameraman David
Elkins, sound editor David Yewdall, director
Dan McKinney, screenwriter Ron Stacker Thompson,
and producer/director Wayne Crawford.
Throughout his four-year stint
at NCSA, Kern also worked on over 25 short films
in various positions, directing a total of 5
short films of his own. His work has been seen
at many film festivals and on television. Roadside
Convenience, Kern's junior year effort, has
screened at the Tribeca Film Festival, the Riverrun
International Film Festival, on UNC-TV as part
of the North Carolina Visions program, and has
won several awards, including Best Student Short
at the Emerald Eye Film Festival and a Bronze
Award at Houston WorldFest.
Upon graduation, Kern relocated
to Los Angeles. He has worked on several projects
in Hollywood, most notably for Sony Pictures
Entertainment on the Lifetime Television show
Strong Medicine, shadowing producer/director
John Flynn and directing for the show's second
unit. Kern has developed the feature films Red
Christmas and Bloodlust with acclaimed producer
Paul Aaron and writer James Waugh at Suntaur
Entertainment, and has co-produced the internet
comedy show Porntourage with Waugh and writer
Destin Pfaff. He is currently developing a feature-length
version of Deader Living Through Chemistry,
as well as directing and producing the 70's
horror exploitation throwback, Death Valley.
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Run
For Your Life
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Run
For Your Life
by Jesse Blanchard
"Yaayerrrrruuuuuhhaeahhh!"
This is the sound seven
zombie kids make when told the next scene
will feature them eating the guts out
of their parents.
I'd posted a note on craigslist
saying simply 'zombies wanted.' I was
more than a little nervous about what
kind of attention such a solicitation
would attract. However, beggars can't
be choosers and choosers don't direct
no-budget shorts.
Sunday morning I served
bad coffee and good donuts to zombie nurses
and doctors, one-legged zombies and even
a zombie Klingon. What I didn't expect
was a very scary group of zombie kids.
A quick re-write and I had my favorite
shot in the short. I hope you enjoy it.
P.S. the music is by William
Gandy.
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Opening
Night Of The Living Dead
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Opening
Night Of The Living Dead
Shalena Oxley-Butler knows how to noodge.
Eagerly anticipating the release of the
new George Romero zombie movie, Shalena
surfed the myspace website for any tidbits
about the new movie when she came across
the video contest. "I wasn't as interested
in the contest, or winning per se, I just
really thought that this would be a great
opportunity to have fun and make a three-minute
zombie movie." She called her screenwriting
friend Doug Howell and regaled him about
the contest and all of the hilarious possibilities.
Doug immediately said no. That he was
"too busy" and he "didn't
have any ideas." "She kept telling
me that we could shoot in the movie theater
she used to work in," explained Doug.
"I thought it sound
fun but crazy. Three minutes? Zombies?
Movie theater? Too many restrictions.
I had no ideas." There is no doubt
about it: Doug was being a baby. After
Shalena nagged Doug by calling him ten
more times, he finally decided to think
about it. "I went to the myspace
page and read about the contest. Shalena
was right: it did sound fun." Doug
continues. "Then I thought about
George Romero, and how much I liked the
political and social commentary in his
films.
Then I realized, that's
what the script needs to be about: how
zombie movies can be the most overtly
political of all movies." Doug wrote
the three-page script in about and hour
and they were off to the races. "We
had the location locked-down, and the
cast was coming together," elaborates
Shalena. "Our friend Emil had a friend
Harris with a good microphone and Doug
had access to a decent video camera. So
the equipment was okay. But the big question
came up: who should I get to direct it?"
Though Shalena has always been interested
in movies, especially horror movies, she
had never directed anything.
Nevertheless, her confidence
in the script and her friends on the crew
gave her the courage she needed to dive
in. "We found these really nice women
from Eastern Europe who had just moved
into town. They literally had only been
here about three weeks. They were really
excited at the whole, crazy idea of a
doing make-up for a "zombie movie"
and they showed up and did a great job.
It was by far the best thing, technically,
about the movie. Looking at the lead zombies
in person was really gross and almost
made me sick."
Shalena recruited her brother-in-law,
Ricky, Emil, and her former co-workers
from the movie theatre to play all the
roles in the movie. But at the last moment
she realized she forgot to cast the screaming
girl in the movie-within-the-movie. Doug
remembered meeting a girl, Donna, at a
Christmas party who always wanted to be
an actor. They called her up and she was
thrilled to help out. "She could
really scream!" Doug admits. "It
was piercing. But I was really excited
more than anything else that we found
someone who could scream so well.
Every horror movie needs
great screamers. So I just told her to
let 'er rip. I don't care how loud it
is." Shalena asked her friend Rob
Toth to be the cameraman. He's another
guy who always wanted to work on horror
movies and he got a big kick out of the
script. "I especially like the joke
'peanut or brain," Rob laughs. "It
wasn't in the first version. Shalena thought
of it when we were planning the shoot.
It cracks me up every time I hear it."
The brief shoot at the movie theater went
very smoothly. "I'm so grateful to
everyone at the theater for helping out.
The shooting aspects of the movie were
really easy. They let us go wherever we
wanted, turn on all the lights, and even
drink from the soda fountain. I owe as
much to them as anyone else for helping
me out on this," said Shalena.
"We had an editor
lined up - Karoliina. She has a Mac with
editing software and she really likes
horror movies. So I new she would be perfect
for this. But we didn't have any music.
When I read the rules, it said no copyrighted
music could be used. We only had a few
days before we had to upload the movie
onto myspace, so I wasn't sure what to
do. Then I remembered my friend Doug Shaffer.
He likes to get drunk and play around
with Garage Band on is Mac. I asked him
to whip up some quick, scary music for
us, and he did a great job.
It really helps the movie."
Shalena summed up the experience this
way, "We didn't really go into this
thinking it was a contest. We went into
this thinking of it as an opportunity,
or excuse, to get silly and make a zombie
movie. It was really vital that we paid
tribute to Romero. That was our goal.
We just wanted to show people how much
we admire the man for saying things in
his movies that nobody else had the courage
to say. And have fun doing it!"
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