|
Outstanding Production
|
Anthony Adverse (Warner Bros.) |
|
|
Dodsworth (Goldwyn; United Artists) |
|
|
The Great Ziegfeld (MGM)
|
|
|
Libeled Lady (MGM) |
|
|
Mr. Deeds Goes to Town (Columbia) |
|
|
Romeo and Juliet (MGM) |
|
|
San Francisco (MGM) |
|
|
The Story of Louis Pasteur (Cosmopolitan; Warner
Bros.-First National) |
|
|
A Tale of Two Cities (MGM) |
|
|
Three Smart Girls (Universal) |
|
Best Actor
|
Gary Cooper, Mr. Deeds Goes to Town
|
|
|
Walter Huston, Dodsworth
|
|
|
Paul Muni, The Story of
Louis Pasteur
|
|
|
William Powell, My Man Godfrey
|
|
|
Spencer Tracy, San Francisco
|
|
Best Actress
|
Irene Dunne, Theodora Goes Wild
|
|
|
Gladys George, Valiant Is the Word for Carrie
|
|
|
Carole Lombard, My Man Godfrey
|
|
|
Luise Rainer, The Great
Ziegfeld
|
|
|
Norma Shearer, Romeo and Juliet
|
|
Actor in a Supporting Role
|
Mischa Auer, My Man Godfrey
|
|
|
Walter Brennan, Come and
Get It
|
|
|
Stuart Erwin, Pigskin Parade
|
|
|
Basil Rathbone, Romeo and Juliet
|
|
|
Akim Tamiroff, The General Died at Dawn
|
|
Actress in a Supporting Role
|
Beulah Bondi, The Gorgeous Hussy
|
|
|
Alice Brady, My Man Godfrey
|
|
|
Bonita Granville, These Three
|
|
|
Maria Ouspenskaya, Dodsworth
|
|
|
Gale Sondergaard, Anthony
Adverse
|
|
Directing
|
Frank Capra, Mr. Deeds Goes
to Town
|
|
|
Gregory La Cava, My Man Godfrey
|
|
|
Robert Z. Leonard, The Great Ziegfeld
|
|
|
W. S. Van Dyke, San Francisco
|
|
|
William Wyler, Dodsworth
|
|
Writing
|
|
Original Story
|
Pierre Collings and Sheridan
Gibney, The Story of Louis Pasteur
|
|
|
Adele Comandini, Three Smart Girls
|
|
|
Robert Hopkins, San Francisco
|
|
|
Norman Krasna, Fury
|
|
|
William Anthony McGuire, The Great Ziegfeld
|
|
Screenplay
|
Pierre Collings and Sheridan
Gibney, The Story of Louis Pasteur
|
|
|
Frances Goodrich and Albert Hackett, After
the Thin Man
|
|
|
Eric Hatch and Morris Ryskind, My Man Godfrey
|
|
|
Sidney Howard, Dodsworth
|
|
|
Robert Riskin, Mr. Deeds Goes to Town
|
|
|
Cinematography
|
George Folsey, The Gorgeous Hussy
|
|
|
Gaetano Gaudio, Anthony
Adverse
|
|
|
Victor Milner, The General Died at Dawn
|
|
Art Direction
|
Albert S. D'Agostino and Jack Otterson, The Magnificent
Brute
|
|
|
William S. Darling, Lloyds of London
|
|
|
Richard Day, Dodsworth
|
|
|
Perry Ferguson, Winterset
|
|
|
Cedric Gibbons, Frederic Hope and Edwin B. Willis, Romeo
and Juliet
|
|
|
Cedric Gibbons, Eddie Imazu and Edwin B. Willis, The
Great Ziegfeld
|
|
|
Anton Grot, Anthony Adverse
|
|
Sound Recording
|
Columbia Studio Sound Dept., Mr. Deeds Goes to Town
|
|
|
Hal Roach Studio Sound Dept., General Spanky
|
|
|
MGM Studio Sound Dept., San
Francisco
|
|
|
Paramount Studio Sound Dept., The Texas Rangers
|
|
|
RKO Radio Studio Sound Dept., That Girl From Paris
|
|
|
Twentieth Century-Fox Studio Sound Dept., Banjo on
My Knee
|
|
|
United Artists Studio Sound Dept., Dodsworth
|
|
|
Universal Studio Sound Dept., Three Smart Girls
|
|
|
Warner Bros. Studio Sound Dept., The Charge of the
Light Brigade
|
|
Assistant Director
|
Clem Beauchamp, The Last of the Mohicans
|
|
|
William Cannon, Anthony Adverse
|
|
|
Joseph Newman, San Francisco
|
|
|
Eric G. Stacey, Garden of Allah
|
|
|
Jack Sullivan, The Charge
of the Light Brigade
|
|
Music
|
|
Song
|
“Did I Remember,” Suzy, Walter Donaldson,
music; Harold Adamson, Iyrics |
|
|
“I've Got You Under My Skin,” Born to Dance,
Cole Porter, music and Iyrics |
|
|
“A Melody From the Sky,” Trail of the Lonesome
Pine, Louis Alter, music; Sidney Mitchell, Iyrics |
|
|
“Pennies From Heaven,” Pennies From Heaven,
Arthur Johnston, music; Johnny Burke, Iyrics |
|
|
“The Way You Look Tonight,”
Swing Time, Jerome Kern, music; Dorothy Fields,
Iyrics
|
|
|
“When Did You Leave Heaven,” Sing, Baby Sing,
Richard A. Whiting, music; Walter Bullock, Iyrics |
|
Score
|
Paramount Studio Music Dept., The General Died
at Dawn
|
|
|
RKO Radio Studio Music Dept., Winterset
|
|
|
Selznick International Pictures Music Dept., The
Garden of Allah
|
|
|
Warner Bros. Studio Music
Dept., Anthony Adverse
|
|
|
Warner Bros. Studio Music Dept., The Charge
of the Light Brigade
|
|
|
Film Editing
|
Edward Curtiss, Come and Get It
|
|
|
Ralph Dawson, Anthony Adverse
|
|
|
William S. Gray, The Great Ziegfeld
|
|
|
Barbara McLean, Lloyds of London
|
|
|
Otto Meyer, Theodora Goes Wild
|
|
|
Conrad A. Nervig, A Tale of Two Cities
|
|
Dance Direction
|
Busby Berkeley, “Love and War,” Gold Diggers of 1937
|
|
|
Bobby Connolly, “1,000 Love Songs,” Cain and Mabel
|
|
|
Seymour Felix, “A Pretty Girl
Is Like a Melody,” The Great Ziegfeld
|
|
|
Dave Gould, “Swingin' the Jinx,” Born to Dance
|
|
|
Jack Haskell, “Skating Ensemble,” One in a Million
|
|
|
Russell Lewis, “The Finale,” Dancing Pirate
|
|
|
Hermes Pan, “Bojangles of Harlem,” Swing Time
|
|
Short Subjects
|
|
Cartoon
|
The Country Cousin
(Silly Symphony Series) (Walt Disney Productions;
United Artists)
|
|
|
Old Mill Pond (Happy Harmonies Series)
(Harman-Ising; MGM) |
|
|
Sinbad the Sailor (Popeye Series)
(Paramount) |
|
One-Reel
|
Bored of Education
(Our Gang Series) (Hal Roach, producer; MGM)
|
|
|
Moscow Moods (Headliners Series)
(Paramount) |
|
|
Wanted, A Master (Pete Smith Specialties
Series) (Pete Smith, producer; MGM) |
|
Two-Reel
|
Double or Nothing (Melody Masters Series)
(Warner Bros.) |
|
|
Dummy Ache (Edgar Kennedy Comedies Series)
(RKO Radio) |
|
|
The Public Pays
(Crime Doesn't Pay Series) (MGM)
|
|
Color
|
Give Me Liberty
(Broadway Brevities Series) (Warner Bros.)
|
|
|
La Fiesta de Santa Barbara (Musical
Revues Series) (Lewis Lewyn, producer; MGM) |
|
|
Popular Science J-6-2 (Popular Science
Series) (Paramount) |
|
|
Special Awards
|
To the
March of Time
for its significance to motion pictures and for having
revolutionized one of the most important branches of the
industry—the newsreel |
|
|
To
W. Howard Greene
and
Harold Rosson
for the color cinematography of the Selznick International
Production, The Garden of Allah
|
