| Best Motion Picture
|
Double Indemnity (Paramount) |
| |
Gaslight (MGM) |
| |
Going My Way (Paramount)
|
| |
Since You Went Away (Selznick International
Pictures; United Artists) |
| |
Wilson (Twentieth Century-Fox) |
| Best Actor
|
Charles Boyer, Gaslight |
| |
Bing Crosby, Going My
Way |
| |
Barry Fitzgerald, Going My Way |
| |
Cary Grant, None but the Lonely Heart |
| |
Alexander Knox, Wilson |
| Best Actress
|
Ingrid Bergman, Gaslight
|
| |
Claudette Colbert, Since You Went Away |
| |
Bette Davis, Mr. Skeffington |
| |
Greer Garson, Mrs. Parkington |
| |
Barbara Stanwyck, Double Indemnity |
| Actor in a Supporting Role
|
Hume Cronyn, The Seventh Cross |
| |
Barry Fitzgerald, Going
My Way |
| |
Claude Rains, Mr. Skeffington |
| |
Clifton Webb, Laura |
| |
Monty Woolley, Since You Went Away |
| Actress in a Supporting
Role |
Ethel Barrymore, None
but the Lonely Heart |
| |
Jennifer Jones, Since You Went Away |
| |
Angela Lansbury, Gaslight |
| |
Aline MacMahon, Dragon Seed |
| |
Agnes Moorehead, Mrs. Parkington |
| Directing |
Alfred Hitchcock, Lifeboat |
| |
Henry King, Wilson |
| |
Leo McCarey, Going My
Way |
| |
Otto Preminger, Laura |
| |
Billy Wilder, Double Indemnity |
| Writing |
| Original Motion Picture
Story |
David Boehm and Chandler Sprague, A Guy Named
Joe |
| |
Edward Doherty and Jules Schermer, The Sullivans
|
| |
Leo McCarey, Going
My Way |
| |
Alfred Neumann and Joseph Than, None Shall
Escape |
| |
John Steinbeck, Lifeboat |
| Original Screenplay
|
Jerome Cady, Wing and a Prayer |
| |
Richard Connell and Gladys Lehman, Two Girls
and a Sailor |
| |
Preston Sturges, Hail the Conquering Hero
|
| |
Preston Sturges, The Miracle of Morgan's
Creek |
| |
Lamar Trotti, Wilson
|
| Screenplay
|
John L. Balderston, Walter Reisch and John Van
Druten, Gaslight |
| |
Irving Brecher and Fred F. Finkelhoffe, Meet
Me in St. Louis |
| |
Frank Butler and
Frank Cavett, Going My Way
|
| |
Raymond Chandler and Billy Wilder, Double
Indemnity |
| |
Jay Dratler, Samuel Hoffenstein and Betty Reinhardt,
Laura |
|
| Cinematography
|
| Black-and-White
|
Stanley Cortez and Lee Garmes, Since You
Went Away |
| |
George Folsey, The White Cliffs of Dover
|
| |
Charles Lang, The Uninvited |
| |
Joseph LaShelle,
Laura |
| |
Lionel Lindon, Going My Way |
| |
Glen MacWilliams, Lifeboat |
| |
Joseph Ruttenberg, Gaslight |
| |
John Seitz, Double Indemnity |
| |
Robert Surtees and Harold Rosson, Thirty
Seconds Over Tokyo |
| |
Sidney Wagner, Dragon Seed |
| Color
|
Edward Cronjager, Home in Indiana |
| |
George Folsey, Meet Me in St. Louis |
| |
Rudolph Maté and Allen M. Davey, Cover Girl
|
| |
Ray Rennahan, Lady in the Dark |
| |
Charles Rosher, Kismet |
| |
Leon Shamroy, Wilson
|
|
| Art Direction
|
| Black-and-White
|
Lionel Banks and Walter Holscher, art direction;
Joseph Kish, interior decoration, Address Unknown
|
| |
Albert S. D'Agostino and Carroll Clark, art
direction; Darrell Silvera and Claude Carpenter,
interior decoration, Step Lively |
| |
Hans Dreier and Robert Usher, art direction;
Sam Comer, interior decoration, No Time for
Love |
| |
Perry Ferguson, art direction; Julia Heron,
interior decoration, Casanova Brown |
| |
Cedric Gibbons and
William Ferrari, art direction; Edwin B. Willis
and Paul Huldschinsky, interior decoration, Gaslight
|
| |
John J. Hughes, art direction; Fred MacLean,
interior decoration, The Adventures of Mark
Twain |
| |
Mark-Lee Kirk, art direction; Victor A. Gangelin,
interior decoration, Since You Went Away
|
| |
Lyle Wheeler and Leland Fuller, art direction;
Thomas Little, interior decoration, Laura
|
| Color
|
Lionel Banks and Cary Odell, art direction;
Fay Babcock, interior decoration, Cover Girl
|
| |
Hans Dreier and Raoul Pene du Bois, art direction;
Ray Moyer, interior decoration, Lady in the
Dark |
| |
Ernst Fegte, art direction; Howard Bristol,
interior decoration, The Princess and the Pirate
|
| |
Cedric Gibbons and Daniel B. Cathcart, art direction;
Edwin B. Willis and Richard Pefferle, interior
decoration, Kismet |
| |
John B. Goodman and Alexander Golitzen, art
direction; Russell A. Gausman and Ira S. Webb,
interior decoration, The Climax |
| |
Wiard Ihnen, art
direction; Thomas Little, interior decoration,
Wilson |
| |
Charles Novi, art direction; Jack McConaghy,
interior decoration, The Desert Song |
|
| Sound Recording
|
Columbia Studio Sound Dept., Cover Girl |
| |
MGM Studio Sound Dept., Kismet |
| |
Paramount Studio Sound Dept., Double Indemnity
|
| |
RCA Sound, Voice in the Wind |
| |
Republic Studio Sound Dept., Brazil |
| |
RKO Radio Studio Sound Dept., Music in Manhattan
|
| |
Samuel Goldwyn Studio Sound Department, Casanova
Brown |
| |
Sound Service Inc., It Happened Tomorrow |
| |
Twentieth Century-Fox Studio
Sound Dept., Wilson |
| |
Universal Studio Sound Dept., His Butler's Sister
|
| |
Warner Bros. Studio Sound Dept., Hollywood Canteen
|
| Music |
| Song
|
“I Couldn't Sleep a Wink Last Night,” Higher
and Higher, Jimmy McHugh, music; Harold Adamson,
lyrics |
| |
“I'll Walk Alone,” Follow the Boys, Jule
Styne, music; Sammy Cahn, lyrics |
| |
“I'm Making Believe,” Sweet and Lowdown,
James V. Monaco, music; Mack Gordon, lyrics |
| |
“Long Ago and Far Away,” Cover Girl,
Jerome Kern, music; Ira Gershwin, lyrics |
| |
“Now I Know,” Up in Arms, Harold Arlen,
music; Ted Koehler, lyrics |
| |
“Remember Me to Carolina,” Minstrel Man,
Harry Revel, music; Paul Webster, lyrics |
| |
“Rio de Janeiro,” Brazil, Ary Barroso,
music; Ned Washington, lyrics |
| |
“Silver Shadows and Golden Dreams,” Lady,
Let's Dance, Lew Pollack, music; Charles Newman,
lyrics |
| |
“Sweet Dreams Sweetheart,” Hollywood Canteen,
M. K. Jerome, music; Ted Koehler, lyrics |
| |
“Swinging on a Star,”
Going My Way, James Van Heusen, music;
Johnny Burke, lyrics |
| |
“Too Much in Love,” Song of the Open Road,
Walter Kent, music; Kim Gannon, lyrics |
| |
“The Trolley Song,” Meet Me in St. Louis,
Ralph Blane and Hugh Martin, music and lyrics |
| Scoring of a Dramatic
or Comedy Picture |
C. Bakaleinikoff and Hanns Eisler, None but
the Lonely Heart |
| |
Karl Hajos, Summer Storm |
| |
Franke Harling, Three Russian Girls |
| |
Arthur Lange, Casanova Brown |
| |
Michel Michelet and Edward Paul, The Hairy
Ape |
| |
Michel Michelet, Voice in the Wind |
| |
Alfred Newman, Wilson |
| |
Edward Paul, Up in Mabel's Room |
| |
Frederic E. Rich, Jack London |
| |
David Rose, The Princess and the Pirate
|
| |
Miklos Rozsa, Double Indemnity |
| |
Miklos Rozsa, Woman of the Town |
| |
H. J. Salter, Christmas Holiday |
| |
Walter Scharf and Roy Webb, The Fighting
Seabees |
| |
Max Steiner, The Adventures of Mark Twain
|
| |
Max Steiner, Since
You Went Away |
| |
Morris Stoloff and Ernst Toch, Address Unknown
|
| |
Robert Stolz, It Happened Tomorrow |
| |
Herbert Stothart, Kismet |
| |
Dimitri Tiomkin, The Bridge of San Luis Rey
|
| Scoring of a Musical
Picture |
C. Bakaleinikoff, Higher and Higher |
| |
Robert Emmett Dolan, Lady in the Dark
|
| |
Carmen Dragon and
Morris Stoloff, Cover Girl
|
| |
Leo Erdody and Ferde Grofé, Minstrel Man
|
| |
Louis Forbes and Ray Heindorf, Up in Arms
|
| |
Ray Heindorf, Hollywood Canteen |
| |
Werner R. Heymann and Kurt Weill, Knickerbocker
Holiday |
| |
Edward Kay, Lady, Let's Dance |
| |
Mahlon Merrick, Sensations of 1945 |
| |
Alfred Newman, Irish Eyes Are Smiling
|
| |
Charles Previn, Song of the Open Road
|
| |
H. J. Salter, The Merry Monahans |
| |
Walter Scharf, Brazil |
| |
Georgie Stoll, Meet Me in St. Louis |
|
| Film Editing
|
Roland Gross, None but the Lonely Heart |
| |
Hal C. Kern and James E. Newcom, Since You Went
Away |
| |
Owen Marks, Janie |
| |
Barbara McLean, Wilson
|
| |
Leroy Stone, Going My Way |
| Special Effects
|
David Allen, Ray Cory and Robert Wright, photography;
Russell Malmgren and Harry Kusnick, sound, Secret
Command |
| |
John R. Cosgrove, photography; Arthur Johns, sound,
Since You Went Away |
| |
Paul Detlefsen and John Crouse, photography; Nathan
Levinson, sound, The Adventures of Mark Twain
|
| |
Farciot Edouart and Gordon Jennings, photography;
George Dutton, sound, The Story of Dr. Wassell
|
| |
A. Arnold Gillespie, Donald
Jahraus and Warren Newcombe, photography; Douglas Shearer,
sound, Thirty Seconds Over Tokyo
|
| |
Fred Sersen, photography; Roger Heman, sound, Wilson
|
| |
Vernon L. Walker, photography; James G. Steward and
Roy Granville, sound, Days of Glory |
| Short Subjects
|
| Cartoon
|
And to Think I Saw It on Mulberry Street
(George Pal Puppetoon Series) (George Pal
Productions; Paramount) |
| |
Dog, Cat and Canary (Color Rhapsody Series)
(Screen Gems; Columbia) |
| |
Fish Fry (Cartunes) (Walter Lantz
Productions; Universal) |
| |
How to Play Football (Goofy Series)
(Walt Disney Productions; RKO Radio) |
| |
Mouse Trouble
(Tom and Jerry Series) (Frederick Quimby,
producer; MGM) |
| |
My Boy Johnny (Terrytoons Series) (Paul
Terry, producer; Twentieth Century-Fox) |
| |
Swooner Crooner (Looney Tunes Series)
(Warner Bros.) |
| One-Reel
|
Blue Grass Gentlemen (Ed Thorgerson's Sports
Review Series) (Edmund Reek, producer; Twentieth
Century-Fox) |
| |
Jammin' the Blues (Melody Master Bands Series)
(Gordon Hollingshead, producer; Warner Bros.) |
| |
Movie Pests (Pete Smith's Specialties Series)
(Pete Smith, producer; MGM) |
| |
Screen Snapshots' 50th Anniversary of Motion
Pictures (Screen Snapshots Series) (Ralph
Staub, producer; Columbia) |
| |
Who's Who in
Animal Land (Speaking of Animals Series) (Jerry
Fairbanks, producer; Paramount) |
| Two-Reel
|
Bombalera (Musical Parade Series) (Louis
Harris, producer; Paramount) |
| |
I Won't Play
(Featurette Series) (Gordon Hollingshead,
producer; Warner Bros.) |
| |
Main Street Today (Jerry Bresler, producer;
MGM) |
|
| Documentary
|
| Short Subject
|
Arturo Toscanini (U.S. War Information
Office Overseas Motion Picture Bureau) |
| |
New Americans (This Is America Series)
(RKO Radio) |
| |
With the Marines
at Tarawa (U.S. Marine Corps)
|
| Feature
|
The Fighting
Lady (U.S. Navy; Twentieth Century-Fox)
|
| |
Resisting Enemy Interrogation (U.S.
Army Air Force) |
|
| Irving G. Thalberg Memorial
Award |
Darryl F. Zanuck
|
| Special Awards
|
To Margaret O'Brien,
outstanding child actress of 1944 |
| |
To Bob Hope
for his many services to the Academy (a life membership
in the Academy of Motion Picture Arts and Sciences) |
|
