| Best Motion Picture |
Hamlet (British) (J. Arthur Rank-Two Cities;
Universal-International) |
|
Johnny Belinda (Warner Bros.) |
|
The Red Shoes (J. Arthur Rank-Archers; Eagle-Lion) |
|
The Snake Pit (Twentieth Century-Fox) |
|
The Treasure of the Sierra Madre (Warner Bros.) |
| Best Actor |
Lew Ayres, Johnny Belinda |
|
Montgomery Clift, The Search |
|
Dan Dailey, When My Baby Smiles at Me |
|
Laurence Olivier, Hamlet |
|
Clifton Webb, Sitting Pretty |
| Best Actress |
Ingrid Bergman, Joan of Arc |
|
Olivia de Havilland, The Snake Pit |
|
Irene Dunne, I Remember Mama |
|
Barbara Stanwyck, Sorry, Wrong Number |
|
Jane Wyman, Johnny Belinda |
| Actor in a Supporting Role |
Charles Bickford, Johnny Belinda |
|
José Ferrer, Joan of Arc |
|
Oscar Homolka, I Remember Mama |
|
Walter Huston, The Treasure of the Sierra Madre |
|
Cecil Kellaway, The Luck of the Irish |
| Actress in a Supporting Role |
Barbara Bel Geddes, I Remember Mama |
|
Ellen Corby, I Remember Mama |
|
Agnes Moorehead, Johnny Belinda |
|
Jean Simmons, Hamlet |
|
Claire Trevor, Key Largo |
| Directing |
John Huston, The Treasure of the Sierra Madre |
|
Anatole Litvak, The Snake Pit |
|
Jean Negulesco, Johnny Belinda |
|
Laurence Olivier, Hamlet |
|
Fred Zinnemann, The Search |
| Writing |
| Motion Picture Story |
Borden Chase, Red River |
|
Frances Flaherty and Robert Flaherty, Louisiana
Story |
|
Emeric Pressburger, The Red Shoes |
|
Richard Schweizer and David Wechsler, The
Search |
|
Malvin Wald, The Naked City |
| Screenplay |
Charles Brackett, Billy Wilder and Richard L.
Breen, A Foreign Affair |
|
John Huston, The Treasure of the Sierra
Madre |
|
Frank Partos and Millen Brand, The Snake Pit |
|
Richard Schweizer and David Wechsler, The Search |
|
Irmgard Von Cube and Allen Vincent, Johnny
Belinda |
|
| Cinematography |
| Black-and-White |
Joseph August, Portrait of Jennie |
|
William Daniels, The Naked City |
|
Charles B. Lang, Jr., A Foreign Affair |
|
Ted McCord, Johnny Belinda |
|
Nicholas Musuraca, I Remember Mama |
| Color |
Charles G. Clarke, Green Grass of Wyoming |
|
Robert Planck, The Three Musketeers |
|
William Snyder, The Loves of Carmen |
|
Joseph Valentine, William V. Skall and Winton
Hoch, Joan of Arc |
|
| Art Direction |
| Black-and-White |
Roger K. Furse, art direction; Carmen Dillon,
set decoration, Hamlet |
|
Robert Haas, art direction; William Wallace, set
decoration, Johnny Belinda |
| Color |
Richard Day, art direction; Edwin Casey Roberts
and Joseph Kish, set decoration, Joan of Arc |
|
Hein Heckroth, art direction; Arthur Lawson,
set decoration, The Red Shoes |
|
| Sound Recording |
Republic Studio Sound Dept., Moonrise |
|
Twentieth Century-Fox Studio Sound Dept., The
Snake Pit |
|
Warner Bros. Studio Sound Dept., Johnny Belinda |
| Music |
| Song |
“Buttons and Bows,” The Paleface, Jay
Livingston and Ray Evans, music and lyrics |
|
“For Every Man There's a Woman,” Casbah,
Harold Arlen, music; Leo Robin, lyrics |
|
“It's Magic,” Romance on the High Seas,
Jule Styne, music; Sammy Cahn, lyrics |
|
“This Is the Moment,” That Lady in Ermine,
Frederick Hollander, music; Leo Robin, lyrics |
|
“The Woody Woodpecker Song,” Wet Blanket Policy,
Ramey Idriss and George Tibbles, music and lyrics |
| Scoring of a Dramatic or Comedy Picture |
Brian Easdale, The Red Shoes |
|
Hugo Friedhofer, Joan of Arc |
|
Alfred Newman, The Snake Pit |
|
Max Steiner, Johnny Belinda |
|
William Walton, Hamlet |
| Scoring of a Musical Picture |
Johnny Green and Roger Edens, Easter Parade |
|
Lennie Hayton, The Pirate |
|
Ray Heindorf, Romance on the High Seas |
|
Alfred Newman, When My Baby Smiles at Me |
|
Victor Young, The Emperor Waltz |
|
| Film Editing |
Reginald Mills, The Red Shoes |
|
Christian Nyby, Red River |
|
Frank Sullivan, Joan of Arc |
|
Paul Weatherwax, The Naked City |
|
David Weisbart, Johnny Belinda |
| Costume Design |
| Black-and-White |
Roger K. Furse, Hamlet |
|
Irene, B.F.'s Daughter |
| Color |
Edith Head and Gile Steele, The Emperor Waltz |
|
Dorothy Jeakins and Karinska, Joan of Arc |
|
| Special Effects |
Paul Eagler, J. McMillan Johnson, Russell Shearman
and Clarence Slifer, visual; Charles Freeman and James
G. Stewart, audible, Portrait of Jennie |
|
Ralph Hammeras, Fred Sersen and Edward Snyder, visual;
Roger Heman, audible, Deep Waters |
| Short Subjects |
| Cartoon |
The Little Orphan (Tom and Jerry Series)
(Frederick Quimby, producer; MGM) |
|
Mickey and the Seal (Mickey Mouse Series)
(Walt Disney Productions; RKO Radio) |
|
Mouse Wreckers (Merrie Melodies Series)
(Edward Selzer, producer; Warner Bros.) |
|
Robin Hoodlum (Fox and Crow Series) (United
Productions of America; Columbia) |
|
Tea for Two Hundred (Donald Duck Series)
(Walt Disney Productions; RKO Radio) |
| One-Reel |
Annie Was a Wonder (John Nesbitt Passing Parade
Series) (Herbert Moulton, producer; MGM) |
|
Cinderella Horse (Sports Parade Series)
(Gordon Hollingshead, producer; Warner Bros.) |
|
So You Want to Be on the Radio (Joe McDoakes
Series) (Gordon Hollingshead, producer; Warner
Bros.) |
|
Symphony of a City (Movietone Specialty
Series) (Edmund H. Reek, producer; Twentieth
Century-Fox) |
|
You Can't Win (Pete Smith Specialty Series)
(Pete Smith, producer; MGM) |
| Two-Reel |
Calgary Stampede (Technicolor Special Series)
(Gordon Hollingshead, producer; Warner Bros.) |
|
Going to Blazes (Herbert Morgan, producer;
MGM) |
|
Samba-Mania (Musical Parade Featurette Series)
(Harry Grey, producer; Paramount) |
|
Seal Island (True Life Adventure Series)
(Walt Disney Productions; RKO Radio) |
|
Snow Capers (Thomas Mead, producer; Universal-International) |
|
| Documentary |
| Short Subject |
Heart to Heart (Herbert Morgan, producer;
Fact Film Organization) |
|
Operation Vittles (U.S. Army Air Force) |
|
Toward Independence (U.S. Army) |
| Feature |
The Quiet One (Film Documents; Mayer-Burstyn) |
|
The Secret Land (U.S. Navy; MGM) |
|
| Irving G. Thalberg Memorial Award |
Jerry Wald |
| Special Awards |
To Monsieur Vincent (France), voted by
the Academy Board of Governors as the most outstanding
foreign language film released in the United States during
1948 |
|
To Ivan Jandl for the outstanding juvenile performance
of 1948 in The Search |
|
To Sid Grauman, master showman, who raised the
standard of exhibition of motion pictures |
|
To Adolph Zukor, a man who has been called the
father of the feature film in America, for his services
to the industry over a period of 40 years |
|
To Walter Wanger for distinguished service to
the industry in adding to its moral stature in the world
community by his production of the picture Joan of
Arc |
