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Best Motion Picture
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All the King's Men (Robert
Rossen Productions; Columbia)
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Battleground (MGM) |
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The Heiress (Paramount) |
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A Letter to Three Wives (Twentieth Century-Fox) |
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Twelve O'Clock High (Twentieth Century-Fox) |
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Best Actor
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Broderick Crawford, All
the King's Men
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Kirk Douglas, Champion
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Gregory Peck, Twelve O'Clock High
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Richard Todd, The Hasty Heart
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John Wayne, Sands of lwo Jima
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Best Actress
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Jeanne Crain, Pinky
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Olivia de Havilland, The
Heiress
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Susan Hayward, My Foolish Heart
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Deborah Kerr, Edward, My Son
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Loretta Young, Come to the Stable
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Actor in a Supporting Role
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John Ireland, All the King's Men
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Dean Jagger, Twelve O'Clock
High
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Arthur Kennedy, Champion
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Ralph Richardson, The Heiress
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James Whitmore, Battleground
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Actress in a Supporting Role
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Ethel Barrymore, Pinky
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Celeste Holm, Come to the Stable
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Elsa Lanchester, Come to the Stable
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Mercedes McCambridge, All
the King's Men
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Ethel Waters, Pinky
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Directing
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Joseph L. Mankiewicz, A
Letter to Three Wives
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Carol Reed, The Fallen Idol
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Robert Rossen, All the King's Men
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William A. Wellman, Battleground
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William Wyler, The Heiress
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Writing
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Motion Picture Story
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Harry Brown, Sands of Iwo Jima
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Virginia Kellogg, White Heat
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Clare Boothe Luce, Come to the Stable
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Douglas Morrow, The
Stratton Story
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Shirley W. Smith and Valentine Davies, It Happens
Every Spring
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Screenplay
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Carl Foreman, Champion
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Graham Greene, The Fallen Idol
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Joseph L. Mankiewicz,
A Letter to Three Wives
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Robert Rossen, All the King's Men
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Cesare Zavattini, The Bicycle Thief
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Story and Screenplay
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Sidney Buchman, Jolson Sings Again
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T. E. B. Clarke, Passport to Pimlico
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Alfred Hayes, Federico Fellini, Sergio Amidei,
Marcello Pagliero and Roberto Rossellini, Paisan
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Helen Levitt, Janice Loeb and Sidney Meyers, The
Quiet One
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Robert Pirosh, Battleground
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Cinematography
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Black-and-White
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Joseph LaShelle, Come to the Stable
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Frank Planer, Champion
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Leon Shamroy, Prince of Foxes
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Leo Tover, The Heiress
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Paul C. Vogel, Battleground
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Color
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Charles G. Clarke, Sand
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Winton Hoch, She Wore
a Yellow Ribbon
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Robert Planck and Charles Schoenbaum, Little
Women
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William Snyder, Jolson Sings Again
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Harry Stradling, The Barkleys of Broadway
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Art Direction
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Black-and-White
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Cedric Gibbons and Jack Martin Smith, art direction;
Edwin B. Willis and Richard A. Pefferle, set decoration,
Madame Bovary
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John Meehan and Harry
Horner, art direction; Emile Kuri, set decoration,
The Heiress
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Lyle Wheeler and Joseph C. Wright, art direction;
Thomas Little and Paul S. Fox, set decoration, Come
to the Stable
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Color
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Edward Carrere, art direction; Lyle Reifsnider,
set decoration, The Adventures of Don Juan
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Cedric Gibbons and Paul
Groesse; Edwin B. Willis and Jack D. Moore, Little
Women
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Jim Morahan, William Kellner and Michael Relph,
art direction, Saraband
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Sound Recording
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Republic Studio Sound Department, Sands of Iwo Jima
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Twentieth Century-Fox Studio
Sound Department, Twelve O'Clock High
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Universal-International Studio Sound Department, Once
More, My Darling
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Music
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Song
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“Baby, It's Cold Outside,”
Neptune's Daughter, Frank Loesser, music
and lyrics
] |
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“It's a Great Feeling,” It's a Great Feeling,
Jule Styne, music; Sammy Cahn, lyrics |
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“Lavender Blue,” So Dear to My Heart, Eliot
Daniel, music; Larry Morey, lyrics |
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“My Foolish Heart,” My Foolish Heart, Victor
Young, music; Ned Washington, lyrics |
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“Through a Long and Sleepless Night,” Come
to the Stable, Alfred Newman, music; Mack Gordon,
lyrics |
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Scoring of a Comedy or
Dramatic Picture
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Aaron Copland, The
Heiress
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Max Steiner, Beyond the Forest
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Dimitri Tiomkin, Champion
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Scoring of a Musical
Picture
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Roger Edens and Lennie
Hayton, On the Town
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Ray Heindorf, Look for the Silver Lining
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Morris Stoloff and George Duning, Jolson Sings
Again
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Film Editing
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John Dunning, Battleground
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Harry Gerstad, Champion
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Frederic Knudtson, The Window
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Robert Parrish and Al Clark, All the King's Men
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Richard L. Van Enger, Sands of Iwo Jima
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Costume Design
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Black-and-White
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Edith Head and Gile Steele,
The Heiress
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Vittorio Nino Novarese, Prince of Foxes
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Color
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Kay Nelson, Mother Is a Freshman
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Leah Rhodes, Travilla
and Marjorie Best, The Adventures of Don Juan
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Special Effects
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Mighty Joe Young (Arko
Production; RKO Radio)
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Tulsa (Walter Wagner; Eagle Lion) |
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Short Subjects
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Cartoon
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Canary Row (Merrie Melodies Series)
(Warner Bros. Cartoons, Inc.; Warner Bros.) (Nomination
withdrawn by producer.) |
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For Scent-imental
Reasons (Merrie Melodies Series) (Warner Bros.
Cartoons, Inc.; Warner Bros.)
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Hatch Up Your Troubles (Tom and Jerry Series)
(Frederick Quimby, producer; MGM) |
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The Magic Fluke (Fox and Crow Series) (United
Productions of America; Columbia) |
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Toy Tinkers (Donald Duck Series) (Walt
Disney Productions; RKO Radio) |
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One-Reel
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Aquatic House-Party
(Grantland Rice Sportlights Series) (Jack Eaton,
producer; Paramount)
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Roller Derby Girl (Pacemaker Series) (Justin
Herman, producer; Paramount) |
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So You Think You're Not Guilty (John McDoakes
Series) (Gordon Hollingshead, producer; Warner
Bros.) |
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Spills and Chills (Sports News Review Series)
(Walton C. Ament, producer; Warner Bros.) |
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Water Trix (Pete Smith Specialties Series)
(Pete Smith, producer; MGM) |
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Two-Reel
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The Boy and the Eagle (William Lasky, producer;
RKO Radio) |
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Chase of Death (Irving Allen Productions) |
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The Grass Is Always Greener (Gordon Hollingshead,
producer; Warner Bros.) |
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Snow Carnival (Two-reel Technicolor Series)
(Gordon Hollingshead, producer; Warner Bros.)
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Van Gogh (Gaston
Diehl and Robert Haeessens, producers; Canton-Weiner
Films)
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Documentary
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Short Subject (tie)
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A Chance to Live
(March of Time Series) (Richard de Rochemont,
producer; Twentieth Century-Fox)
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1848 (A. F. Films; French Cinema General
Cooperative) |
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The Rising Tide (National Film Board of
Canada; St. Francis-Xavier University) |
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So Much for So Little
(Warner Bros. Cartoons, Inc.; Warner Bros.)
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Feature
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Daybreak in Udi
(British Information Services; Crown Film Unit)
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Kenji Comes Home (Paul F. Heard, producer;
Protestant Film Commission) |
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Special Awards
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To
The Bicycle Thief
(Italy), voted by the Academy Board of Governors as the
most outstanding foreign language film released in the
United States during 1949 |
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To
Bobby Driscoll,
oustanding juvenile actor of 1949 |
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To
Fred Astaire
for his unique artistry and his contributions to the technique
of musical pictures |
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To
Cecil B. DeMille,
distinguished motion picture pioneer, for 37 years of
brilliant showmanship |
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To
Jean Hersholt
for distinguished service to the motionpicture industry |