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Best Motion Picture
|
Love Is a Many
Splendored Thing, Buddy Adler, producer (Twentieth
Century-Fox) |
|
|
Marty, Harold Hecht,
producer (United Artists)
|
|
|
Mister Roberts, Leland Hayward, producer (Warner
Bros.) |
|
|
Picnic, Fred Kohlmar, producer (Columbia) |
|
|
The Rose Tattoo, Hal Wallis, producer (Paramount) |
|
Best Actor
|
Ernest Borgnine, Marty
|
|
|
James Cagney, Love Me or Leave Me
|
|
|
James Dean, East of Eden
|
|
|
Frank Sinatra, The Man With the Golden Arm
|
|
|
Spencer Tracy, Bad Day at Black Rock
|
|
Best Actress
|
Susan Hayward, I'll Cry Tomorrow
|
|
|
Katharine Hepburn, Summertime
|
|
|
Jennifer Jones, Love Is a Many Splendored Thing
|
|
|
Anna Magnani, The Rose Tattoo
|
|
|
Eleanor Parker, Interrupted Melody
|
|
Actor in a Supporting Role
|
Arthur Kennedy, Trial
|
|
|
Jack Lemmon, Mister Roberts
|
|
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Joe Mantell, Marty
|
|
|
Sal Mineo, Rebel Without a Cause
|
|
|
Arthur O'Connell, Picnic
|
|
Actress in a Supporting Role
|
Betsy Blair, Marty
|
|
|
Jo Van Fleet, East of Eden
|
|
|
Peggy Lee, Pete Kelly's Blues
|
|
|
Marisa Pavan, The Rose Tattoo
|
|
|
Natalie Wood, Rebel Without a Cause
|
|
Directing
|
Elia Kazan, East of Eden
|
|
|
David Lean, Summertime
|
|
|
Joshua Logan, Picnic
|
|
|
Delbert Mann, Marty
|
|
|
John Sturges, Bad Day at Black Rock
|
|
Writing
|
|
Motion Picture Story
|
Joe Connelly and Bob Mosher, The Private War
of Major Benson
|
|
|
Daniel Fuchs, Love
Me or Leave Me
|
|
|
Beirne Lay, Jr., Strategic Air Command
|
|
|
Jean Marsan, Henry Troyat, Jacques Perret, Henri
Verneuil and Raoul Ploquin, The Sheep Has Five
Legs
|
|
|
Nicholas Ray, Rebel Without a Cause
|
|
Screenplay
|
Richard Brooks, Blackboard Jungle
|
|
|
Paddy Chayefsky, Marty
|
|
|
Daniel Fuchs and Isobel Lennart, Love Me or
Leave Me
|
|
|
Millard Kaufman, Bad Day at Black Rock
|
|
|
Paul Osborn, East of Eden
|
|
Story and Screenplay
|
Betty Comden and Adolph Green, It's Always
Fair Weather
|
|
|
William Ludwig and Sonya
Levien, Interrupted Melody
|
|
|
Melville Shavelson and Jack Rose, The Seven
Little Foys
|
|
|
Milton Sperling and Emmet Lavery, The Court-Martial
of Billy Mitchell
|
|
|
Jacques Tati and Henri Marquet, Mr. Hulot's
Holiday
|
|
|
Cinematography
|
|
Black-and-White
|
Arthur E. Arling, I'll Cry Tomorrow
|
|
|
Russell Harlan, Blackboard Jungle
|
|
|
James Wong Howe, The
Rose Tattoo
|
|
|
Charles Lang, Queen Bee
|
|
|
Joseph LaShelle, Marty
|
|
Color
|
Robert Burks, To Catch
a Thief
|
|
|
Harold Lipstein, A Man Called Peter
|
|
|
Leon Shamroy, Love Is a Many Splendored Thing
|
|
|
Harry Stradling, Guys and Dolls
|
|
|
Robert Surtees, Oklahoma!
|
|
|
Art Direction
|
|
Black-and-White
|
Cedric Gibbons and Malcolm Brown, art direction;
Edwin B. Willis and Hugh B. Hunt, set decoration,
I'll Cry Tomorrow
|
|
|
Cedric Gibbons and Randall Duell, art direction;
Edwin B. Willis and Henry Grace, set decoration,
Blackboard Jungle
|
|
|
Edward S. Haworth and Walter Simonds, art direction;
Robert Priestley, set decoration, Marty
|
|
|
Hal Pereira and Tambi
Larsen, art direction; Sam Comer and Arthur Krams,
set decoration, The Rose Tattoo
|
|
|
Joseph C. Wright, art direction; Darrell Silvera,
set decoration, The Man With the Golden Arm
|
|
Color
|
William Flannery and
Jo Mielziner, art direction; Robert Priestley, set
decoration, Picnic
|
|
|
Hal Pereira and Joseph McMillan Johnson, art direction;
Sam Comer and Arthur Krams, set decoration, To
Catch a Thief
|
|
|
Oliver Smith and Joseph C. Wright, art direction;
Howard Bristol, set decoration, Guys and Dolls
|
|
|
Lyle Wheeler and George W. Davis, art direction;
Walter M. Scott and Jack Stubbs, set decoration,
Love Is a Many Splendored Thing
|
|
|
Lyle Wheeler and John DeCuir, art direction; Walter
M. Scott and Paul S. Fox, set decoration, Daddy
Long Legs
|
|
|
Sound Recording
|
MGM Studio Sound Dept., Love Me or Leave Me
|
|
|
RCA Sound Department, Not as a Stranger
|
|
|
Todd-AO Sound Department, Oklahoma!
|
|
|
Twentieth Century-Fox Studio Sound Dept., Love Is
a Many Splendored Thing
|
|
|
Warner Bros. Studio Sound Dept., Mister Roberts
|
|
Music
|
|
Song
|
“I'll Never Stop Loving You,” Love Me or Leave
Me, Nicholas Brodszky, music; Sammy Cahn, lyrics |
|
|
“Love Is a Many Splendored
Thing,” Love Is a Many Splendored Thing,
Sammy Fain, music; Paul Francis Webster, lyrics
|
|
|
“Something's Gotta Give,” Daddy Long Legs,
Johnny Mercer, music and lyrics |
|
|
(Love Is) “The Tender Trap,” The Tender Trap,
James Van Heusen, music; Sammy Cahn, lyrics |
|
|
“Unchained Melody,” Unchained, Alex North,
music; Hy Zaret, lyrics |
|
Scoring of a Dramatic
or Comedy Picture
|
Elmer Bernstein, The Man With the Golden Arm
|
|
|
George Duning, Picnic
|
|
|
Alfred Newman, Love
Is a Many Splendored Thing
|
|
|
Alex North, The Rose Tattoo
|
|
|
Max Steiner, Battle Cry
|
|
Scoring of a Musical
Picture
|
Robert Russell Bennett,
Jay Blackton and Adolph Deutsch, Oklahoma!
|
|
|
Jay Blackton and Cyril J. Mockridge, Guys and
Dolls
|
|
|
Percy Faith and George Stoll, Love Me or Leave
Me
|
|
|
Alfred Newman, Daddy Long Legs
|
|
|
André Previn, It's Always Fair Weather
|
|
|
Film Editing
|
Warren Low, The Rose Tattoo
|
|
|
Alma Macrorie, The Bridges at Toko-Ri
|
|
|
Charles Nelson and William
A. Lyon, Picnic
|
|
|
Gene Ruggiero and George Boemler, Oklahoma!
|
|
|
Ferris Webster, Blackboard Jungle
|
|
Costume Design
|
|
Black-and-White
|
Beatrice Dawson, The Pickwick Papers
|
|
|
Edith Head, The Rose Tattoo
|
|
|
Tadaoto Kainoscho, Ugetsu
|
|
|
Jean Louis, Queen Bee
|
|
|
Helen Rose, I'll Cry
Tomorrow
|
|
Color
|
Edith Head, To Catch a Thief
|
|
|
Charles LeMaire, Love
Is a Many Splendored Thing
|
|
|
Charles LeMaire and Mary Wills, The Virgin
Queen
|
|
|
Helen Rose, Interrupted Melody
|
|
|
Irene Sharaff, Guys and Dolls
|
|
|
Special Effects
|
The Bridges at Toko-Ri
(Paramount)
|
|
|
The Dam Busters (Warner Bros.) |
|
|
The Rains of Ranchipur (Twentieth Century-Fox) |
|
Short Subjects
|
|
Cartoon
|
Good Will to Men (MGM Cartoon Series) (Frederick
Quimby, William Hanna and Joseph Barbera, producers;
MGM) |
|
|
The Legend of Rock-a-Bye Point (Walter
Lantz Productions; Universal-International) |
|
|
No Hunting (Donald Duck Series) (Walt Disney
Productions; RKO Radio) |
|
|
Speedy Gonzales (Merrie
Melodies Series) (Warner Bros. Cartoons, Inc.;
Warner Bros.)
|
|
One-Reel
|
Gadgets Galore (Warner Varieties Series)
(Robert Youngson, producer; Warner Bros.) |
|
|
Survival City (Movietone
CinemaScope Series) (Edmund Reek, producer;
Twentieth Century-Fox)
|
|
|
3rd Ave. El (Carson Davidson Productions;
Ardee Films) |
|
|
Three Kisses (Topper Special Series) (Justin
Herman, producer; Paramount) |
|
Two-Reel
|
The Battle of Gettysburg (Dore Schary,
producer; MGM) |
|
|
The Face of Lincoln
(University of Southern California Presentation;
Cavalcade Pictures, Inc.)
|
|
|
On The Twelfth Day . . .(United Kingdom Series)
(Go Pictures, Inc.; George Brest and Associates) |
|
|
Switzerland (People and Places Series)
(Walt Disney Productions; Buena Vista) |
|
|
24-Hour Alert (Cedric Francis, producer;
Warner Bros.) |
|
|
Documentary
|
|
Short Subject
|
The Battle of Gettysburg (Dore Schary,
producer; MGM) |
|
|
The Face of Lincoln (University of Southern
California Presentation; Cavalcade Pictures, Inc.) |
|
|
Men Against the Arctic
(People and Places Series) (Walt Disney Productions;
Buena Vista)
|
|
Feature
|
Heartbreak Ridge (Rene Risacher Production;
Tudor Pictures) |
|
|
Helen Keller in Her
Story (Nancy Hamilton, producer; Nancy Hamilton
Presentation)
|
|
|
Honorary Award
|
To
Samurai, The Legend of
Musashi
(Japan), best foreign language
film first released in the United States during 1955 |
|
