|
Best Motion Picture
|
The Bridge on the River
Kwai, Sam Spiegel, producer (Columbia)
|
|
|
Peyton Place, Jerry Wald, producer (Twentieth
Century-Fox) |
|
|
Sayonara, William Goetz, producer (Warner Bros.) |
|
|
12 Angry Men, Henry Fonda and Reginald Rose,
producers (United Artists) |
|
|
Witness for the Prosecution, Arthur Hornblow,
Jr., producer (United Artists) |
|
Best Actor
|
Marlon Brando, Sayonara
|
|
|
Anthony Franciosa, A Hatful of Rain
|
|
|
Alec Guinness, The Bridge
on the River Kwai
|
|
|
Charles Laughton, Witness for the Prosecution
|
|
|
Anthony Quinn, Wild Is the Wind
|
|
Best Actress
|
Deborah Kerr, Heaven Knows, Mr. Allison
|
|
|
Anna Magnani, Wild Is the Wind
|
|
|
Elizabeth Taylor, Raintree County
|
|
|
Lana Turner, Peyton Place
|
|
|
Joanne Woodward, The Three
Faces of Eve
|
|
Actor in a Supporting Role
|
Red Buttons, Sayonara
|
|
|
Vittorio de Sica, A Farewell to Arms
|
|
|
Sessue Hayakawa, The Bridge on the River Kwai
|
|
|
Arthur Kennedy, Peyton Place
|
|
|
Russ Tamblyn, Peyton Place
|
|
Actress in a Supporting Role
|
Carolyn Jones, The Bachelor Party
|
|
|
Elsa Lanchester, Witness for the Prosecution
|
|
|
Hope Lange, Peyton Place
|
|
|
Miyoshi Umeki, Sayonara
|
|
|
Diane Varsi, Peyton Place
|
|
Directing
|
David Lean, The Bridge on
the River Kwai
|
|
|
Joshua Logan, Sayonara
|
|
|
Sidney Lumet, 12 Angry Men
|
|
|
Mark Robson, Peyton Place
|
|
|
Billy Wilder, Witness for the Prosecution
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Pierre Boulle, Michael
Wilson and Carl Foreman, The Bridge on the River
Kwai
|
|
|
John Michael Hayes, Peyton Place
|
|
|
John Lee Mahin and John Huston, Heaven Knows,
Mr. Allison
|
|
|
Paul Osborn, Sayonara
|
|
|
Reginald Rose, 12 Angry Men
|
|
Story and Screenplay
Written Directly for the Screen
|
Federico Fellini, Ennio Flaiano and Tullio Pinelli,
story; Federico Fellini and Ennio Flaiano, screenplay,
I Vitelloni
|
|
|
Leonard Gershe, Funny Face
|
|
|
Barney Slater and Joel Kane, story; Dudley Nichols,
screenplay, The Tin Star
|
|
|
George Wells, Designing
Woman
|
|
|
Ralph Wheelright, story; R. Wright Campbell, Ivan
Goff and Ben Roberts, screenplay, Man of a Thousand
Faces
|
|
|
Cinematography
|
Ellsworth Fredericks, Sayonara
|
|
|
Jack Hildyard, The Bridge
on the River Kwai
|
|
|
Ray June, Funny Face
|
|
|
Milton Krasner, An Affair to Remember
|
|
|
William Mellor, Peyton Place
|
|
Art Direction
|
Ted Haworth, art direction;
Robert Priestley, set decoration, Sayonara
|
|
|
Walter Holscher, art direction; William Kiernan and
Louis Diage, set decoration, Pal Joey
|
|
|
William A. Horning and Gene Allen, art direction; Edwin
B. Willis and Richard Pefferle, set decoration, Les
Girls
|
|
|
William A. Horning and Urie McCleary, art direction;
Edwin B. Willis and Hugh Hunt, set decoration, Raintree
County
|
|
|
Hal Pereira and George W. Davis, art direction; Sam
Comer and Ray Moyer, set decoration, Funny Face
|
|
Sound Recording
|
Columbia Studio Sound Dept., Pal Joey
|
|
|
MGM Studio Sound Dept., Les Girls
|
|
|
Paramount Studio Sound Dept., Gunfight at the O.K.
Corral
|
|
|
Samuel Goldwyn Studio Sound Dept., Witness for the
Prosecution
|
|
|
Warner Bros. Studio Sound Dept.,
Sayonara
|
|
Music
|
|
Song
|
“An Affair to Remember,” An Affair to Remember,
Harry Warren, music; Harold Adamson and Leo McCarey,
lyrics |
|
|
“All the Way,” The
Joker Is Wild, James Van Heusen, music; Sammy
Cahn, lyrics
|
|
|
“April Love,” April Love, Sammy Fain, music;
Paul Francis Webster, lyrics |
|
|
“Tammy,” Tammy and the Bachelor, Ray Evans
and Jay Livingston, music and lyrics |
|
|
“Wild Is the Wind,” Wild Is the Wind, Dimitri
Tiomkin, music; Ned Washington, lyrics |
|
Score
|
Malcolm Arnold, The
Bridge on the River Kwai
|
|
|
Hugo Friedhofer, An Affair to Remember
|
|
|
Hugo Friedhofer, Boy on a Dolphin
|
|
|
Johnny Green, Raintree County
|
|
|
Paul Smith, Perri
|
|
|
Film Editing
|
Viola Lawrence and Jerome Thoms, Pal Joey
|
|
|
Warren Low, Gunfight at the O.K. Corral
|
|
|
Daniel Mandell, Witness for the Prosecution
|
|
|
Arthur P. Schmidt and Philip W. Anderson, Sayonara
|
|
|
Peter Taylor, The Bridge
on the River Kwai
|
|
Costume Design
|
Edith Head and Hubert de Givenchy, Funny Face
|
|
|
Charles LeMaire, An Affair to Remember
|
|
|
Jean Louis, Pal Joey
|
|
|
Orry-Kelly, Les Girls
|
|
|
Walter Plunkett, Raintree County
|
|
Special Effects
|
Louis Lichtenfield, visual, The Spirit of St. Louis
|
|
|
Walter Rossi, audible, The
Enemy Below
|
|
Short Subjects
|
|
Cartoon
|
Birds Anonymous (Tweety
and Sylvester Series) (Edward Selzer, producer;
Warner Bros.)
|
|
|
One Droopy Knight (Droopy Series) (William
Hanna and Joseph Barbera, producers; MGM) |
|
|
Tabasco Road (Speedy Gonzales Series) (Edward
Selzer, producer; Warner Bros.) |
|
|
Trees and Jamaica Daddy (Ham and Hattie Series)
(United Productions of America; Columbia) |
|
|
The Truth About Mother Goose (Walt Disney
Productions; Buena Vista) |
|
Live Action Subjects
|
A Chairy Tale (National Film Board of Canada;
Kingsley International) |
|
|
City of Gold (National Film Board of Canada;
Kingsley International) |
|
|
Foothold on Antarctica (World Wide Pictures;
Lester A. Shoenfeld Films) |
|
|
Portugal (People and Places Series) (Walt
Disney Productions; Buena Vista) |
|
|
The Wetback Hound
(Walt Disney Productions; Buena Vista)
|
|
|
Documentary
|
|
Short Subject
|
No award given this year |
|
Feature
|
Albert Schweitzer
(Hill and Anderson Production; Louis de Rochemont
Associates)
|
|
|
On the Bowery (Lionel Rogosin Productions;
Film Representations, Inc.) |
|
|
Torero! (Producciones Barbachano Ponce;
Columbia) |
|
|
Foreign Language Film
|
The Devil Came at Night, Federal Republic of
Germany—West |
|
|
Gates of Paris, France |
|
|
Mother India, India |
|
|
The Nights of Cabiria,
Italy
|
|
|
Nine Lives, Norway |
|
Jean Hersholt Humanitarian
Award
|
Samuel Goldwyn
|
|
Honorary Awards
|
To
Charles Brackett
for outstanding service to the academy |
|
|
To
B. B. Kahane
for distinguished service to the motion picture industry |
|
|
To
Gilbert M. “Broncho Billy”
Anderson,
motion picture pioneer, for his contributions
to the development of motion pictures as entertainment |
|
|
To the
Society of Motion Picture
and Television Engineers
for their contributions
to the advancement of the motion picture industry |
