|
Best Motion Picture
|
|
Anatomy of a Murder, Otto Preminger, producer
(Columbia) |
|
|
Ben-Hur, Sam Zimbalist,
producer (MGM)
|
|
|
The Diary of Anne Frank, George Stevens, producer
(Twentieth Century-Fox) |
|
|
The Nun's Story, Henry Blanke, producer (Warner
Bros.) |
|
|
Room at the Top, John and James Woolf, producers
(Continental) |
|
Best Actor
|
Laurence Harvey, Room at the Top
|
|
|
Charlton Heston, Ben-Hur
|
|
|
Jack Lemmon, Some Like It Hot
|
|
|
Paul Muni, The Last Angry Man
|
|
|
James Stewart, Anatomy of a Murder
|
|
Best Actress
|
Doris Day, Pillow Talk
|
|
|
Audrey Hepburn, The Nun's Story
|
|
|
Katharine Hepburn, Suddenly, Last Summer
|
|
|
Simone Signoret, Room at
the Top
|
|
|
Elizabeth Taylor, Suddenly, Last Summer
|
|
Actor in a Supporting Role
|
Hugh Griffith, Ben-Hur
|
|
|
Arthur O'Connell, Anatomy of a Murder
|
|
|
George C. Scott, Anatomy of a Murder
|
|
|
Robert Vaughn, The Young Philadelphians
|
|
|
Ed Wynn, The Diary of Anne Frank
|
|
Actress in a Supporting Role
|
Hermione Baddeley, Room at the Top
|
|
|
Susan Kohner, Imitation of Life
|
|
|
Juanita Moore, Imitation of Life
|
|
|
Thelma Ritter, Pillow Talk
|
|
|
Shelley Winters, The Diary
of Anne Frank
|
|
Directing
|
Jack Clayton, Room at the Top
|
|
|
George Stevens, The Diary of Anne Frank
|
|
|
Billy Wilder, Some Like It Hot
|
|
|
William Wyler, Ben-Hur
|
|
|
Fred Zinnemann, The Nun's Story
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Robert Anderson, The Nun's Story
|
|
|
Wendell Mayes, Anatomy of a Murder
|
|
|
Neil Paterson, Room
at the Top
|
|
|
Karl Tunberg, Ben-Hur
|
|
|
Billy Wilder and I. A. L. Diamond, Some Like
It Hot
|
|
Story and Screenplay
Written Directly for the Screen
|
Ingmar Bergman, Wild Strawberries
|
|
|
Ernest Lehman, North by Northwest
|
|
|
Russell Rouse and Clarence
Greene, story; Stanley Shapiro and Maurice Richlin,
screenplay, Pillow Talk
|
|
|
François Truffaut and Marcel Moussy, The 400
Blows
|
|
|
Cinematography
|
|
Black-and-White
|
Charles Lang, Jr., Some Like It Hot
|
|
|
Joseph LaShelle, Career
|
|
|
Sam Leavitt, Anatomy of a Murder
|
|
|
William C. Mellor, The
Diary of Anne Frank
|
|
|
Harry Stradling, Sr., The Young Philadelphians
|
|
Color
|
Daniel L. Fapp, The Five Pennies
|
|
|
Lee Garmes, The Big Fisherman
|
|
|
Franz Planer, The Nun's Story
|
|
|
Leon Shamroy, Porgy and Bess
|
|
|
Robert L. Surtees, Ben-Hur
|
|
|
Art Direction
|
|
Black-and-White
|
Carl Anderson, art direction; William Kiernan,
set decoration, The Last Angry Man
|
|
|
Ted Haworth, art direction; Edward G. Boyle, set
decoration, Some Like It Hot
|
|
|
Oliver Messel and William Kellner, art direction;
Scot Slimon, set decoration, Suddenly, Last Summer
|
|
|
Hal Pereira and Walter Tyler, art direction; Sam
Comer and Arthur Krams, set decoration, Career
|
|
|
Lyle R. Wheeler and George
W. Davis, art direction; Walter M. Scott and Stuart
A. Reiss, set decoration, The Diary of Anne Frank
|
|
Color
|
John DeCuir, art direction; Julia Heron, set decoration,
The Big Fisherman
|
|
|
William A. Horning, Robert Boyle and Merrill Pye,
art direction; Henry Grace and Frank McKelvy, set
decoration, North by Northwest
|
|
|
William A. Horning and
Edward Carfagno, art direction; Hugh Hunt, set decoration,
Ben-Hur
|
|
|
Richard H. Riedel, art direction; Russell A. Gausman
and Ruby R. Levitt, set decoration, Pillow Talk
|
|
|
Lyle R. Wheeler, art direction, Franz Bachelin
and Herman A. Blumenthal, set decoration; Walter
M. Scott and Joseph Kish, Journey to the Center
of the Earth
|
|
|
Sound
|
MGM London Studio Sound Dept., Libel!
|
|
|
MGM Studio Sound Dept. Ben-Hur
|
|
|
Samuel Goldwyn Studio Sound Dept. and Todd-AO Sound
Dept., Porgy and Bess
|
|
|
Twentieth Century-Fox Studio Sound Dept., Journey
to the Center of the Earth
|
|
|
Warner Bros. Studio Sound Dept., The Nun's Story
|
|
Music
|
|
Song
|
“The Best of Everything,” The Best of Everything,
Alfred Newman, music; Sammy Cahn, lyrics |
|
|
“The Five Pennies,” The Five Pennies, Sylvia
Fine, music and lyrics |
|
|
“The Hanging Tree,” The Hanging Tree, Jerry
Livingston, music; Mack David, lyrics |
|
|
“High Hopes,” A Hole
in the Head, James Van Heusen, music; Sammy
Cahn, lyrics
] |
|
|
“Strange Are the Ways of Love,” The Young Land,
Dimitri Tiomkin, music; Ned Washington, lyrics |
|
Scoring of a Dramatic
or Comedy Picture
|
Frank DeVol, Pillow Talk
|
|
|
Ernest Gold, On the Beach
|
|
|
Miklos Rozsa, Ben-Hur
|
|
|
Franz Waxman, The Nun's Story
|
|
Scoring of a Musical
Picture
|
George Bruns, Sleeping Beauty
|
|
|
Lionel Newman, Say One for Me
|
|
|
André Previn and Ken
Darby, Porgy and Bess
|
|
|
Nelson Riddle and Joseph J. Lilley, Li'l Abner
|
|
|
Leith Stevens, The Five Pennies
|
|
|
Film Editing
|
Frederic Knudtson, On the Beach
|
|
|
Louis R. Loeffler, Anatomy of a Murder
|
|
|
Walter Thompson, The Nun's Story
|
|
|
George Tomasini, North by Northwest
|
|
|
Ralph E. Winters and John D.
Dunning, Ben-Hur
|
|
Costume Design
|
|
Black-and-White
|
Edith Head, Career
|
|
|
Charles LeMaire and Mary Wills, The Diary of
Anne Frank
|
|
|
Orry-Kelly, Some Like
It Hot
|
|
|
Helen Rose, The Gazebo
|
|
|
Howard Shoup, The Young Philadelphians
|
|
Color
|
Elizabeth Haffenden,
Ben-Hur
|
|
|
Edith Head, The Five Pennies
|
|
|
Adele Palmer, The Best of Everything
|
|
|
Renie, The Big Fisherman
|
|
|
Irene Sharaff, Porgy and Bess
|
|
|
Special Effects
|
L. B. Abbott and James B. Gordon, visual; Carl Faulkner,
audible, Journey to the Center of the Earth
|
|
|
A. Arnold Gillespie and Robert
MacDonald, visual; Milo Lory, audible, Ben-Hur
|
|
Short Subjects
|
|
Cartoon
|
Mexicali Shmoes (Speedy Gonzales Series)
(John W. Burton, producer; Warner Bros.) |
|
|
Moonbird (Storyboard,
Inc.; Edward Harrison)
|
|
|
Noah's Ark (Walt Disney Productions; Buena
Vista) |
|
|
The Violinist (Pintoff Productions; Kingsley
International) |
|
Live Action
|
Between the Tides (British Transport Films;
Lester A. Schoenfeld Films) |
|
|
The Golden Fish
(Les Requins Associes; Columbia)
|
|
|
Mysteries of the Deep (Walt Disney Productions;
Buena Vista) |
|
|
The Running, Jumping and Standing-Still Film
(Lion International Films; Kingsley-Union Films) |
|
|
Skyscraper (Tishman Realty and Construction
Co.; Burstyn Film Enterprises) |
|
|
Documentary
|
|
Short Subject
|
Donald in Mathmagic Land (Walt Disney Productions;
Buena Vista) |
|
|
From Generation to Generation (Cullen Associates;
Maternity Center Association) |
|
|
Glass (Netherlands
Government; George K. Arthur-Go Pictures, Inc.)
|
|
Feature
|
The Race for Space (David L. Wolper, producer;
Wolper, Inc.) |
|
|
Serengeti Shall Not
Die (Okapia-Film GmbH Production; Transocean-Film)
|
|
|
Foreign Language Film
|
Black Orpheus, France
|
|
|
The Bridge, Federal Republic of Germany—West |
|
|
The Great War, Italy |
|
|
Paw, Denmark |
|
|
The Village on the River, Netherlands |
|
Jean Hersholt Humanitarian
Award
|
Bob Hope
|
|
Honorary Awards
|
To
Lee De Forest
for his pioneering inventions that brought sound to the
motion picture |
|
|
To
Buster Keaton
for his unique talents that brought immortal comedies
to the screen |
