|
Best Picture
|
Becket, Hal B. Wallis, producer (Paramount) |
|
|
Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb, Stanley Kubrick, producer (Columbia) |
|
|
Mary Poppins, Walt Disney and Bill Walsh, producers
(Buena Vista) |
|
|
My Fair Lady, Jack L.
Warner, producer (Warner Bros.)
|
|
|
Zorba the Greek, Michael Cacoyannis, producer
(International Classics) |
|
Best Actor
|
Richard Burton, Becket
|
|
|
Rex Harrison, My Fair Lady
|
|
|
Peter O'Toole, Becket
|
|
|
Anthony Quinn, Zorba the Greek
|
|
|
Peter Sellers, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb
|
|
Best Actress
|
Julie Andrews, Mary Poppins
|
|
|
Anne Bancroft, The Pumpkin Eater
|
|
|
Sophia Loren, Marriage Italian Style
|
|
|
Debbie Reynolds, The Unsinkable Molly Brown
|
|
|
Kim Stanley, Seance on a Wet Afternoon
|
|
Actor in a Supporting Role
|
John Gielgud, Becket
|
|
|
Stanley Holloway, My Fair Lady
|
|
|
Edmond O'Brien, Seven Days in May
|
|
|
Lee Tracy, The Best Man
|
|
|
Peter Ustinov, Topkapi
|
|
Actress in a Supporting Role
|
Gladys Cooper, My Fair Lady
|
|
|
Dame Edith Evans, The Chalk Garden
|
|
|
Grayson Hall, The Night of the Iguana
|
|
|
Lila Kedrova, Zorba the
Greek
|
|
|
Agnes Moorehead, Hush . . .Hush, Sweet Charlotte
|
|
Directing
|
Michael Cacoyannis, Zorba the Greek
|
|
|
George Cukor, My Fair Lady
|
|
|
Peter Glenville, Becket
|
|
|
Stanley Kubrick, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb
|
|
|
Robert Stevenson, Mary Poppins
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Edward Anhalt, Becket
|
|
|
Michael Cacoyannis, Zorba the Greek
|
|
|
Stanley Kubrick, Peter George and Terry Southern,
Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb
|
|
|
Alan Jay Lerner, My Fair Lady
|
|
|
Bill Walsh and Don DaGradi, Mary Poppins
|
|
Story and Screenplay
Written Directly for the Screen
|
Age, Scarpelli and Mario Monicelli, The Organizer
|
|
|
S. H. Barnett, story;
Peter Stone and Frank Tarloff, screenplay, Father
Goose
|
|
|
Orville H. Hampton, story; Orville H. Hampton
and Raphael Hayes, screenplay, One Potato, Two
Potato
|
|
|
Alun Owen, A Hard Day's Night
|
|
|
Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel
Boulanger and Philippe De Broca, That Man From
Rio
|
|
|
Cinematography
|
|
Black-and-White
|
Joseph Biroc, Hush . . .Hush, Sweet Charlotte
|
|
|
Gabriel Figueroa, The Night of the Iguana
|
|
|
Milton Krasner, Fate Is the Hunter
|
|
|
Walter Lassally, Zorba
the Greek
|
|
|
Philip H. Lathrop, The Americanization of Emily
|
|
Color
|
William H. Clothier, Cheyenne Autumn
|
|
|
Edward Colman, Mary Poppins
|
|
|
Daniel L. Fapp, The Unsinkable Molly Brown
|
|
|
Harry Stradling, My
Fair Lady
|
|
|
Geoffrey Unsworth, Becket
|
|
|
Art Direction
|
|
Black-and-White
|
George W. Davis, Hans Peters and Elliot Scott,
art direction; Henry Grace and Robert R. Benton,
set decoration, The Americanization of Emily
|
|
|
Vassilis Fotopoulos,
Zorba the Greek
|
|
|
William Glasgow, art direction; Raphael Bretton,
set decoration, Hush . . .Hush, Sweet Charlotte
|
|
|
Stephen Grimes, The Night of the Iguana
|
|
|
Cary Odell, art direction; Edward G. Boyle, set
decoration, Seven Days in May
|
|
Color
|
Gene Allen and Cecil
Beaton, art direction; George James Hopkins, set
decoration, My Fair Lady
|
|
|
John Bryan and Maurice Carter, art direction;
Patrick McLoughlin and Robert Cartwright, set decoration,
Becket
|
|
|
Carroll Clark and William H. Tuntke, art direction;
Emile Kuri and Hal Gausman, set decoration, Mary
Poppins
|
|
|
George W. Davis and Preston Ames, art direction;
Henry Grace and Hugh Hunt, set decoration, The
Unsinkable Molly Brown
|
|
|
Jack Martin Smith and Ted Haworth, art direction;
Walter M. Scott and Stuart A. Reiss, set decoration,
What a Way to Go!
|
|
|
Sound
|
MGM Studio Sound Dept., The Unsinkable Molly Brown
|
|
|
Shepperton Studio Sound Dept., Becket
|
|
|
Universal City Studio Sound Dept., Father Goose
|
|
|
Walt Disney Studio Sound Dept., Mary Poppins
|
|
|
Warner Bros. Studio Sound Dept.,
My Fair Lady
|
|
Music
|
|
Song
|
“Chim Chim Cher-ee,”
Mary Poppins, Richard M. Sherman and Robert
B. Sherman, music and Iyrics
|
|
|
“Dear Heart,” Dear Heart, Henry Mancini,
music; Jay Livingston and Ray Evans, Iyrics |
|
|
“Hush . . .Hush, Sweet Charlotte,” Hush . .
.Hush, Sweet Charlotte, Frank DeVol, music;
Mack David, Iyrics |
|
|
“My Kind of Town,” Robin and the 7 Hoods,
James Van Heusen, music; Sammy Cahn, Iyrics |
|
|
“Where Love Has Gone,” Where Love Has Gone,
James Van Heusen, music; Sammy Cahn, Iyrics |
|
Musical Score, Substantially
Original
|
Frank DeVol, Hush . . .Hush, Sweet Charlotte
|
|
|
Henry Mancini, The Pink Panther
|
|
|
Laurence Rosenthal, Becket
|
|
|
Richard M. Sherman and
Robert B. Sherman, Mary Poppins
|
|
|
Dimitri Tiomkin, The Fall of the Roman Empire
|
|
Scoring of Music, Adaptation
or Treatment
|
Robert Armbruster, Leo Arnaud, Jack Elliott, Jack
Hayes, Calvin Jackson and Irwin Kostal, Mary
Poppins
|
|
|
George Martin, A Hard Day's Night
|
|
|
André Previn, My Fair
Lady
|
|
|
Nelson Riddle, Robin and the 7 Hoods
|
|
|
Leo Shuken, The Unsinkable Molly Brown
|
|
|
Film Editing
|
Anne Coates, Becket
|
|
|
Ted J. Kent, Father Goose
|
|
|
Michael Luciano, Hush . . .Hush, Sweet Charlotte
|
|
|
Cotton Warburton, Mary Poppins
|
|
|
William Ziegler, My Fair Lady
|
|
Costume Design
|
|
Black-and-White
|
Edith Head, A House Is Not a Home
|
|
|
Rene Hubert, The Visit
|
|
|
Dorothy Jeakins, The
Night of the Iguana
|
|
|
Norma Koch, Hush . . .Hush, Sweet Charlotte
|
|
|
Howard Shoup, Kisses for My President
|
|
Color
|
Cecil Beaton, My Fair
Lady
|
|
|
Margaret Furse, Becket
|
|
|
Morton Haack, The Unsinkable Molly Brown
|
|
|
Edith Head and Moss Mabry, What a Way to Go!
|
|
|
Tony Walton, Mary Poppins
|
|
|
Special Visual Effects
|
Jim Danforth, 7 Faces of Dr. Lao
|
|
|
Peter Ellenshaw, Hamilton Luske
and Eustace Lycett, Mary Poppins
|
|
Sound Effects
|
Robert L. Bratton, The Lively Set
|
|
|
Norman Wanstall, Goldfinger
|
|
Short Subjects
|
|
Cartoon
|
Christmas Cracker (National Film Board
of Canada; Favorite Films of California) |
|
|
How to Avoid Friendship (Self-Help Series)
(Rembrandt Films; Film Representations) |
|
|
Nudnik #2 (Nudnik Series) (Rembrandt Films;
Film Representations) |
|
|
The Pink Phink (Pink
Panther Series) (Mirisch-Geoffrey Productions;
United Artists)
|
|
Live Action Subject
|
Casals Conducts: 1964
(Thalia Films; Beckman Film Corp.)
|
|
|
Help! My Snowman's Burning Down (Carson
Davidson Productions; Pathé Contemporary Films) |
|
|
The Legend of Jimmy Blue Eyes (Robert Clouse
Associates; Topaz Film Corp.) |
|
|
Documentary
|
|
Short Subject
|
Breaking the Habit (American Cancer Society;
Modern Talking Picture Service) |
|
|
Children Without (Guggenheim Productions;
National Education Association) |
|
|
Kenojuak (National Film Board of Canada) |
|
|
Nine From Little Rock
(Guggenheim Productions; U.S. Information Agency)
|
|
|
140 Days Under the World (New Zealand National
Film Unit; Rank Film Distributors of New Zealand) |
|
Feature
|
The Finest Hours (Le Vien Films, Ltd.;
Columbia) |
|
|
Four Days in November (David L. Wolper
Productions; United Artists) |
|
|
The Human Dutch (Bert Haanstra, producer;
Haanstra Filmproductie) |
|
|
Jacques-Yves Cousteau's
World Without Sun (Filmad Les Requins Associes-Orsay-CEIAP;
Columbia)
|
|
|
Over There, 1914—18 (Zodiac Productions;
Pathé Contemporary Films) |
|
|
Foreign Language Film
|
Raven's End, Sweden |
|
|
Sallah, Israel |
|
|
The Umbrellas of Cherbourg, France |
|
|
Woman in the Dunes, Japan |
|
|
Yesterday, Today and Tomorrow,
Italy
|
|
Honorary Award
|
To
William Tuttle
for his outstanding makeup achievement for 7 Faces
of Dr. Lao
|
