- 1964 Oscars were held on April 5, 1965 at the SAnta MOnica
Civic Auditorium
- Host: Bob Hope
|
|
| 1964
Nominees and Winners: |
| Best Picture |
Becket, Hal B. Wallis, producer (Paramount) |
|
Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb, Stanley Kubrick, producer (Columbia) |
|
Mary Poppins, Walt Disney and Bill Walsh, producers
(Buena Vista) |
|
My Fair Lady, Jack L. Warner, producer (Warner
Bros.) |
|
Zorba the Greek, Michael Cacoyannis, producer
(International Classics) |
| Best Actor |
Richard Burton, Becket |
|
Rex Harrison, My Fair Lady |
|
Peter O'Toole, Becket |
|
Anthony Quinn, Zorba the Greek |
|
Peter Sellers, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb |
| Best Actress |
Julie Andrews, Mary Poppins |
|
Anne Bancroft, The Pumpkin Eater |
|
Sophia Loren, Marriage Italian Style |
|
Debbie Reynolds, The Unsinkable Molly Brown |
|
Kim Stanley, Seance on a Wet Afternoon |
| Actor in a Supporting Role |
John Gielgud, Becket |
|
Stanley Holloway, My Fair Lady |
|
Edmond O'Brien, Seven Days in May |
|
Lee Tracy, The Best Man |
|
Peter Ustinov, Topkapi |
| Actress in a Supporting Role |
Gladys Cooper, My Fair Lady |
|
Dame Edith Evans, The Chalk Garden |
|
Grayson Hall, The Night of the Iguana |
|
Lila Kedrova, Zorba the Greek |
|
Agnes Moorehead, Hush . . .Hush, Sweet Charlotte |
| Directing |
Michael Cacoyannis, Zorba the Greek |
|
George Cukor, My Fair Lady |
|
Peter Glenville, Becket |
|
Stanley Kubrick, Dr. Strangelove or: How I Learned
to Stop Worrying and Love the Bomb |
|
Robert Stevenson, Mary Poppins |
| Writing |
| Screenplay Based on Material From Another Medium |
Edward Anhalt, Becket |
|
Michael Cacoyannis, Zorba the Greek |
|
Stanley Kubrick, Peter George and Terry Southern,
Dr. Strangelove or: How I Learned to Stop Worrying
and Love the Bomb |
|
Alan Jay Lerner, My Fair Lady |
|
Bill Walsh and Don DaGradi, Mary Poppins |
| Story and Screenplay Written Directly for the
Screen |
Age, Scarpelli and Mario Monicelli, The Organizer |
|
S. H. Barnett, story; Peter Stone and Frank
Tarloff, screenplay, Father Goose |
|
Orville H. Hampton, story; Orville H. Hampton
and Raphael Hayes, screenplay, One Potato, Two
Potato |
|
Alun Owen, A Hard Day's Night |
|
Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel
Boulanger and Philippe De Broca, That Man From
Rio |
|
| Cinematography |
| Black-and-White |
Joseph Biroc, Hush . . .Hush, Sweet Charlotte |
|
Gabriel Figueroa, The Night of the Iguana |
|
Milton Krasner, Fate Is the Hunter |
|
Walter Lassally, Zorba the Greek |
|
Philip H. Lathrop, The Americanization of Emily |
| Color |
William H. Clothier, Cheyenne Autumn |
|
Edward Colman, Mary Poppins |
|
Daniel L. Fapp, The Unsinkable Molly Brown |
|
Harry Stradling, My Fair Lady |
|
Geoffrey Unsworth, Becket |
|
| Art Direction |
| Black-and-White |
George W. Davis, Hans Peters and Elliot Scott,
art direction; Henry Grace and Robert R. Benton,
set decoration, The Americanization of Emily |
|
Vassilis Fotopoulos, Zorba the Greek |
|
William Glasgow, art direction; Raphael Bretton,
set decoration, Hush . . .Hush, Sweet Charlotte |
|
Stephen Grimes, The Night of the Iguana |
|
Cary Odell, art direction; Edward G. Boyle, set
decoration, Seven Days in May |
| Color |
Gene Allen and Cecil Beaton, art direction;
George James Hopkins, set decoration, My Fair
Lady |
|
John Bryan and Maurice Carter, art direction;
Patrick McLoughlin and Robert Cartwright, set decoration,
Becket |
|
Carroll Clark and William H. Tuntke, art direction;
Emile Kuri and Hal Gausman, set decoration, Mary
Poppins |
|
George W. Davis and Preston Ames, art direction;
Henry Grace and Hugh Hunt, set decoration, The
Unsinkable Molly Brown |
|
Jack Martin Smith and Ted Haworth, art direction;
Walter M. Scott and Stuart A. Reiss, set decoration,
What a Way to Go! |
|
| Sound |
MGM Studio Sound Dept., The Unsinkable Molly Brown |
|
Shepperton Studio Sound Dept., Becket |
|
Universal City Studio Sound Dept., Father Goose |
|
Walt Disney Studio Sound Dept., Mary Poppins |
|
Warner Bros. Studio Sound Dept., My Fair Lady |
| Music |
| Song |
“Chim Chim Cher-ee,” Mary Poppins, Richard
M. Sherman and Robert B. Sherman, music and Iyrics |
|
“Dear Heart,” Dear Heart, Henry Mancini,
music; Jay Livingston and Ray Evans, Iyrics |
|
“Hush . . .Hush, Sweet Charlotte,” Hush . .
.Hush, Sweet Charlotte, Frank DeVol, music;
Mack David, Iyrics |
|
“My Kind of Town,” Robin and the 7 Hoods,
James Van Heusen, music; Sammy Cahn, Iyrics |
|
“Where Love Has Gone,” Where Love Has Gone,
James Van Heusen, music; Sammy Cahn, Iyrics |
| Musical Score, Substantially Original |
Frank DeVol, Hush . . .Hush, Sweet Charlotte |
|
Henry Mancini, The Pink Panther |
|
Laurence Rosenthal, Becket |
|
Richard M. Sherman and Robert B. Sherman, Mary
Poppins |
|
Dimitri Tiomkin, The Fall of the Roman Empire |
| Scoring of Music, Adaptation or Treatment |
Robert Armbruster, Leo Arnaud, Jack Elliott, Jack
Hayes, Calvin Jackson and Irwin Kostal, Mary
Poppins |
|
George Martin, A Hard Day's Night |
|
André Previn, My Fair Lady |
|
Nelson Riddle, Robin and the 7 Hoods |
|
Leo Shuken, The Unsinkable Molly Brown |
|
| Film Editing |
Anne Coates, Becket |
|
Ted J. Kent, Father Goose |
|
Michael Luciano, Hush . . .Hush, Sweet Charlotte |
|
Cotton Warburton, Mary Poppins |
|
William Ziegler, My Fair Lady |
| Costume Design |
| Black-and-White |
Edith Head, A House Is Not a Home |
|
Rene Hubert, The Visit |
|
Dorothy Jeakins, The Night of the Iguana |
|
Norma Koch, Hush . . .Hush, Sweet Charlotte |
|
Howard Shoup, Kisses for My President |
| Color |
Cecil Beaton, My Fair Lady |
|
Margaret Furse, Becket |
|
Morton Haack, The Unsinkable Molly Brown |
|
Edith Head and Moss Mabry, What a Way to Go! |
|
Tony Walton, Mary Poppins |
|
| Special Visual Effects |
Jim Danforth, 7 Faces of Dr. Lao |
|
Peter Ellenshaw, Hamilton Luske and Eustace Lycett,
Mary Poppins |
| Sound Effects |
Robert L. Bratton, The Lively Set |
|
Norman Wanstall, Goldfinger |
| Short Subjects |
| Cartoon |
Christmas Cracker (National Film Board
of Canada; Favorite Films of California) |
|
How to Avoid Friendship (Self-Help Series)
(Rembrandt Films; Film Representations) |
|
Nudnik #2 (Nudnik Series) (Rembrandt Films;
Film Representations) |
|
The Pink Phink (Pink Panther Series)
(Mirisch-Geoffrey Productions; United Artists) |
| Live Action Subject |
Casals Conducts: 1964 (Thalia Films;
Beckman Film Corp.) |
|
Help! My Snowman's Burning Down (Carson
Davidson Productions; Pathé Contemporary Films) |
|
The Legend of Jimmy Blue Eyes (Robert Clouse
Associates; Topaz Film Corp.) |
|
| Documentary |
| Short Subject |
Breaking the Habit (American Cancer Society;
Modern Talking Picture Service) |
|
Children Without (Guggenheim Productions;
National Education Association) |
|
Kenojuak (National Film Board of Canada) |
|
Nine From Little Rock (Guggenheim Productions;
U.S. Information Agency) |
|
140 Days Under the World (New Zealand National
Film Unit; Rank Film Distributors of New Zealand) |
| Feature |
The Finest Hours (Le Vien Films, Ltd.;
Columbia) |
|
Four Days in November (David L. Wolper
Productions; United Artists) |
|
The Human Dutch (Bert Haanstra, producer;
Haanstra Filmproductie) |
|
Jacques-Yves Cousteau's World Without Sun
(Filmad Les Requins Associes-Orsay-CEIAP; Columbia) |
|
Over There, 1914—18 (Zodiac Productions;
Pathé Contemporary Films) |
|
| Foreign Language Film |
Raven's End, Sweden |
|
Sallah, Israel |
|
The Umbrellas of Cherbourg, France |
|
Woman in the Dunes, Japan |
|
Yesterday, Today and Tomorrow, Italy |
| Honorary Award |
To William Tuttle for his outstanding makeup
achievement for 7 Faces of Dr. Lao |
|
| The
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