|
Best Picture
|
Darling, Joseph Janni, producer (Embassy Pictures
Corp.) |
|
|
Doctor Zhivago, Carlo Ponti, producer (MGM) |
|
|
Ship of Fools, Stanley Kramer, producer (Columbia) |
|
|
The Sound of Music,
Robert Wise, producer (Twentieth Century-Fox)
|
|
|
A Thousand Clowns, Fred Coe, producer (United
Artists) |
|
Best Actor
|
Richard Burton, The Spy Who Came in From the Cold
|
|
|
Lee Marvin, Cat Ballou
|
|
|
Laurence Olivier, Othello
|
|
|
Rod Steiger, The Pawnbroker
|
|
|
Oskar Werner, Ship of Fools
|
|
Best Actress
|
Julie Andrews, The Sound of Music
|
|
|
Julie Christie, Darling
|
|
|
Samantha Eggar, The Collector
|
|
|
Elizabeth Hartman, A Patch of Blue
|
|
|
Simone Signoret, Ship of Fools
|
|
Actor in a Supporting Role
|
Martin Balsam, A Thousand
Clowns
|
|
|
Ian Bannen, The Flight of the Phoenix
|
|
|
Tom Courtenay, Doctor Zhivago
|
|
|
Michael Dunn, Ship of Fools
|
|
|
Frank Finlay, Othello
|
|
Actress in a Supporting Role
|
Ruth Gordon, Inside Daisy Clover
|
|
|
Joyce Redman, Othello
|
|
|
Maggie Smith, Othello
|
|
|
Shelley Winters, A Patch
of Blue
|
|
|
Peggy Wood, The Sound of Music
|
|
Directing
|
David Lean, Doctor Zhivago
|
|
|
John Schlesinger, Darling
|
|
|
Hiroshi Teshigahara, Woman in the Dunes
|
|
|
Robert Wise, The Sound of
Music
|
|
|
William Wyler, The Collector
|
|
Writing
|
|
Screenplay Based on Material
From Another Medium
|
Robert Bolt, Doctor
Zhivago
|
|
|
Herb Gardner, A Thousand Clowns
|
|
|
Abby Mann, Ship of Fools
|
|
|
Stanley Mann and John Kohn, The Collector
|
|
|
Walter Newman and Frank R. Pierson, Cat Ballou
|
|
Story and Screenplay
Written Directly for the Screen
|
Age, Scarpelli, Mario Monicelli, Tonino Guerra,
Giorgio Salvioni and Suso Cecchi D'Amico, Casanova
70
|
|
|
Franklin Coen and Frank Davis, The Train
|
|
|
Jack Davies and Ken Annakin, Those Magnificent
Men in Their Flying Machines
|
|
|
Jacques Demy, The Umbrellas of Cherbourg
|
|
|
Frederic Raphael, Darling
|
|
|
Cinematography
|
|
Black-and-White
|
Robert Burks, A Patch of Blue
|
|
|
Loyal Griggs, In Harm's Way
|
|
|
Burnett Guffey, King Rat
|
|
|
Conrad Hall, Morituri
|
|
|
Ernest Laszlo, Ship
of Fools
|
|
Color
|
Russell Harlan, The Great Race
|
|
|
Ted McCord, The Sound of Music
|
|
|
William C. Mellor and Loyal Griggs, The Greatest
Story Ever Told
|
|
|
Leon Shamroy, The Agony and the Ecstasy
|
|
|
Freddie Young, Doctor
Zhivago
|
|
|
Art Direction
|
|
Black-and-White
|
Robert Clatworthy, art
direction; Joseph Kish, set decoration, Ship
of Fools
|
|
|
George W. Davis and Urie McCleary, art direction;
Henry Grace and Charles S. Thompson, set decoration,
A Patch of Blue
|
|
|
Hal Pereira, Tambi Larsen and Edward Marshall,
art direction; Josie MacAvin, set decoration, The
Spy Who Came in From the Cold
|
|
|
Hal Pereira and Jack Poplin, art direction; Robert
Benton and Joseph Kish, set decoration, The Slender
Thread
|
|
|
Robert Emmet Smith, art direction; Frank Tuttle,
set decoration, King Rat
|
|
Color
|
John Box and Terry Marsh,
art direction; Dario Simoni, set decoration, Doctor
Zhivago
|
|
|
Robert Clatworthy, art direction; George James
Hopkins, set decoration, Inside Daisy Clover
|
|
|
Richard Day, William Creber and David Hall, art
direction; Ray Moyer, Fred MacLean and Norman Rockett,
set decoration, The Greatest Story Ever Told
|
|
|
John DeCuir and Jack Martin Smith, art direction;
Dario Simoni, set decoration, The Agony and the
Ecstasy
|
|
|
Boris Leven, art direction; Walter M. Scott and
Ruby Levitt, set decoration, The Sound of Music
|
|
|
Sound
|
MGM British Studio Sound Dept. and MGM Studio Sound
Dept., Doctor Zhivago
|
|
|
Twentieth Century-Fox Studio Sound Dept., The Agony
and the Ecstasy
|
|
|
Twentieth Century-Fox Studio
Sound Dept. and Todd-AO Sound Dept., The Sound of Music
|
|
|
Universal City Studio Sound Dept., Shenandoah
|
|
|
Warner Bros. Studio Sound Dept., The Great Race
|
|
Music
|
|
Song
|
“The Ballad of Cat Ballou,” Cat Ballou,
Jerry Livingston, music; Mack David, lyrics |
|
|
“I Will Wait for You,” The Umbrellas of Cherbourg,
Michel Legrand, music; Jacques Demy, lyrics |
|
|
“The Shadow of Your Smile,”
The Sandpiper, Johnny Mandel, music; Paul
Francis Webster, lyrics
|
|
|
“The Sweetheart Tree,” The Great Race,
Henry Mancini, music; Johnny Mercer, lyrics |
|
|
“What's New, Pussycat?,” What's New, Pussycat?,
Burt Bacharach, music; Hal David, lyrics |
|
Musical Score, Substantially
Original
|
Jerry Goldsmith, A Patch of Blue
|
|
|
Maurice Jarre, Doctor
Zhivago
|
|
|
Michel Legrand and Jacques Demy, The Umbrellas
of Cherbourg
|
|
|
Alfred Newman, The Greatest Story Ever Told
|
|
|
Alex North, The Agony and the Ecstasy
|
|
Scoring of Music, Adaptation
or Treatment
|
DeVol, Cat Ballou
|
|
|
Irwin Kostal, The
Sound of Music
|
|
|
Michel Legrand, The Umbrellas of Cherbourg
|
|
|
Lionel Newman and Alexander Courage, The Pleasure
Seekers
|
|
|
Don Walker, A Thousand Clowns
|
|
|
Film Editing
|
Michael Luciano, The Flight of the Phoenix
|
|
|
Charles Nelson, Cat Ballou
|
|
|
William Reynolds, The Sound
of Music
|
|
|
Norman Savage, Doctor Zhivago
|
|
|
Ralph E. Winters, The Great Race
|
|
Costume Design
|
|
Black-and-White
|
Julie Harris, Darling
|
|
|
Edith Head, The Slender Thread
|
|
|
Moss Mabry, Morituri
|
|
|
Howard Shoup, A Rage to Live
|
|
|
Bill Thomas and Jean Louis, Ship of Fools
|
|
Color
|
Phyllis Dalton, Doctor
Zhivago
|
|
|
Edith Head and Bill Thomas, Inside Daisy Clover
|
|
|
Dorothy Jeakins, The Sound of Music
|
|
|
Vittorio Nino Novarese, The Agony and the Ecstasy
|
|
|
Vittorio Nino Novarese and Marjorie Best, The
Greatest Story Ever Told
|
|
|
Special Visual Effects
|
J. McMillan Johnson, The Greatest Story Ever Told
|
|
|
John Stears, Thunderball
|
|
Sound Effects Editing
|
Tregoweth Brown, The Great
Race
|
|
|
Walter A. Rossi, Von Ryan's Express
|
|
Short Subjects
|
|
Cartoon
|
Clay or the Origin of Species (Harvard
University; Pathé Contemporary Films) |
|
|
The Dot and the Line
(Chuck Jones and Les Goldman, producers; MGM)
|
|
|
The Thieving Magpie (La Gazza Ladra) (Giulio
Gianni-Emanuele Luzzati; Allied Artists) |
|
Live Action
|
The Chicken (Le Poulet)
(Renn Productions; Pathé Contemporary Films)
|
|
|
Fortress of Peace (Lothar Wolff Productions
for Farner-Looser Films; Cinerama) |
|
|
Skaterdater (Byway Productions; United
Artists) |
|
|
Snow (British Transport Films in association
with Geoffrey Jones, Ltd.; Manson Distributing) |
|
|
Time Piece (Muppets, Inc.; Pathé Contemporary
Films) |
|
|
Documentary
|
|
Short Subject
|
Mural on Our Street (Henry Street Settlement;
Pathé Contemporary Films) |
|
|
Ouverture (Mafilm Studios Production; Hungarofilm-Pathé
Contemporary Films) |
|
|
Point of View (Vision Associates Production;
National Tuberculosis Association) |
|
|
To Be Alive! (Francis
Thompson, producer; Johnson Wax)
|
|
|
Yeats Country (Patrick Carey and Joe Mendoza,
producers; Aengus Films for the Dept. of External
Affairs of Ireland) |
|
Feature
|
The Battle of the Bulge . . .The Brave Rifles
(Laurence E. Mascott, producer; Mascott Productions) |
|
|
The Eleanor Roosevelt
Story (Sidney Glazier Production; American International)
|
|
|
The Forth Road Bridge (Random Film Productions;
Shell-Mex and B.P. Film Library) |
|
|
Let My People Go (Marshall Flaum, producer;
David L. Wolper Productions) |
|
|
To Die in Madrid (Ancinex Productions;
Altura Films International) |
|
|
Foreign Language Film
|
Blood on the Land, Greece |
|
|
Dear John, Sweden |
|
|
Kwaidan, Japan |
|
|
Marriage Italian Style, Italy |
|
|
The Shop on Main Street,
Czechoslovakia
|
|
Irving G. Thalberg Memorial
Award
|
William Wyler
|
|
Jean Hersholt Humanitarian
Award
|
Edmond L. DePatie
|
|
Honorary Award
|
To
Bob Hope
for
unique and distinguished service to our industry and the
Academy |
