- 1965 Oscars were held at the Santa Monica Civic Auditorium
on April 18, 1966
- Host: Bob Hope
|
|
| 1965
Nominees and Winners: |
| Best Picture |
Darling, Joseph Janni, producer (Embassy Pictures
Corp.) |
|
Doctor Zhivago, Carlo Ponti, producer (MGM) |
|
Ship of Fools, Stanley Kramer, producer (Columbia) |
|
The Sound of Music, Robert Wise, producer
(Twentieth Century-Fox) |
|
A Thousand Clowns, Fred Coe, producer (United
Artists) |
| Best Actor |
Richard Burton, The Spy Who Came in From the Cold |
|
Lee Marvin, Cat Ballou |
|
Laurence Olivier, Othello |
|
Rod Steiger, The Pawnbroker |
|
Oskar Werner, Ship of Fools |
| Best Actress |
Julie Andrews, The Sound of Music |
|
Julie Christie, Darling |
|
Samantha Eggar, The Collector |
|
Elizabeth Hartman, A Patch of Blue |
|
Simone Signoret, Ship of Fools |
| Actor in a Supporting Role |
Martin Balsam, A Thousand Clowns |
|
Ian Bannen, The Flight of the Phoenix |
|
Tom Courtenay, Doctor Zhivago |
|
Michael Dunn, Ship of Fools |
|
Frank Finlay, Othello |
| Actress in a Supporting Role |
Ruth Gordon, Inside Daisy Clover |
|
Joyce Redman, Othello |
|
Maggie Smith, Othello |
|
Shelley Winters, A Patch of Blue |
|
Peggy Wood, The Sound of Music |
| Directing |
David Lean, Doctor Zhivago |
|
John Schlesinger, Darling |
|
Hiroshi Teshigahara, Woman in the Dunes |
|
Robert Wise, The Sound of Music |
|
William Wyler, The Collector |
| Writing |
| Screenplay Based on Material From Another Medium |
Robert Bolt, Doctor Zhivago |
|
Herb Gardner, A Thousand Clowns |
|
Abby Mann, Ship of Fools |
|
Stanley Mann and John Kohn, The Collector |
|
Walter Newman and Frank R. Pierson, Cat Ballou |
| Story and Screenplay Written Directly for the
Screen |
Age, Scarpelli, Mario Monicelli, Tonino Guerra,
Giorgio Salvioni and Suso Cecchi D'Amico, Casanova
70 |
|
Franklin Coen and Frank Davis, The Train |
|
Jack Davies and Ken Annakin, Those Magnificent
Men in Their Flying Machines |
|
Jacques Demy, The Umbrellas of Cherbourg |
|
Frederic Raphael, Darling |
|
| Cinematography |
| Black-and-White |
Robert Burks, A Patch of Blue |
|
Loyal Griggs, In Harm's Way |
|
Burnett Guffey, King Rat |
|
Conrad Hall, Morituri |
|
Ernest Laszlo, Ship of Fools |
| Color |
Russell Harlan, The Great Race |
|
Ted McCord, The Sound of Music |
|
William C. Mellor and Loyal Griggs, The Greatest
Story Ever Told |
|
Leon Shamroy, The Agony and the Ecstasy |
|
Freddie Young, Doctor Zhivago |
|
| Art Direction |
| Black-and-White |
Robert Clatworthy, art direction; Joseph Kish,
set decoration, Ship of Fools |
|
George W. Davis and Urie McCleary, art direction;
Henry Grace and Charles S. Thompson, set decoration,
A Patch of Blue |
|
Hal Pereira, Tambi Larsen and Edward Marshall,
art direction; Josie MacAvin, set decoration, The
Spy Who Came in From the Cold |
|
Hal Pereira and Jack Poplin, art direction; Robert
Benton and Joseph Kish, set decoration, The Slender
Thread |
|
Robert Emmet Smith, art direction; Frank Tuttle,
set decoration, King Rat |
| Color |
John Box and Terry Marsh, art direction; Dario
Simoni, set decoration, Doctor Zhivago |
|
Robert Clatworthy, art direction; George James
Hopkins, set decoration, Inside Daisy Clover |
|
Richard Day, William Creber and David Hall, art
direction; Ray Moyer, Fred MacLean and Norman Rockett,
set decoration, The Greatest Story Ever Told |
|
John DeCuir and Jack Martin Smith, art direction;
Dario Simoni, set decoration, The Agony and the
Ecstasy |
|
Boris Leven, art direction; Walter M. Scott and
Ruby Levitt, set decoration, The Sound of Music |
|
| Sound |
MGM British Studio Sound Dept. and MGM Studio Sound
Dept., Doctor Zhivago |
|
Twentieth Century-Fox Studio Sound Dept., The Agony
and the Ecstasy |
|
Twentieth Century-Fox Studio Sound Dept. and Todd-AO
Sound Dept., The Sound of Music |
|
Universal City Studio Sound Dept., Shenandoah |
|
Warner Bros. Studio Sound Dept., The Great Race |
| Music |
| Song |
“The Ballad of Cat Ballou,” Cat Ballou,
Jerry Livingston, music; Mack David, lyrics |
|
“I Will Wait for You,” The Umbrellas of Cherbourg,
Michel Legrand, music; Jacques Demy, lyrics |
|
“The Shadow of Your Smile,” The Sandpiper,
Johnny Mandel, music; Paul Francis Webster, lyrics |
|
“The Sweetheart Tree,” The Great Race,
Henry Mancini, music; Johnny Mercer, lyrics |
|
“What's New, Pussycat?,” What's New, Pussycat?,
Burt Bacharach, music; Hal David, lyrics |
| Musical Score, Substantially Original |
Jerry Goldsmith, A Patch of Blue |
|
Maurice Jarre, Doctor Zhivago |
|
Michel Legrand and Jacques Demy, The Umbrellas
of Cherbourg |
|
Alfred Newman, The Greatest Story Ever Told |
|
Alex North, The Agony and the Ecstasy |
| Scoring of Music, Adaptation or Treatment |
DeVol, Cat Ballou |
|
Irwin Kostal, The Sound of Music |
|
Michel Legrand, The Umbrellas of Cherbourg |
|
Lionel Newman and Alexander Courage, The Pleasure
Seekers |
|
Don Walker, A Thousand Clowns |
|
| Film Editing |
Michael Luciano, The Flight of the Phoenix |
|
Charles Nelson, Cat Ballou |
|
William Reynolds, The Sound of Music |
|
Norman Savage, Doctor Zhivago |
|
Ralph E. Winters, The Great Race |
| Costume Design |
| Black-and-White |
Julie Harris, Darling |
|
Edith Head, The Slender Thread |
|
Moss Mabry, Morituri |
|
Howard Shoup, A Rage to Live |
|
Bill Thomas and Jean Louis, Ship of Fools |
| Color |
Phyllis Dalton, Doctor Zhivago |
|
Edith Head and Bill Thomas, Inside Daisy Clover |
|
Dorothy Jeakins, The Sound of Music |
|
Vittorio Nino Novarese, The Agony and the Ecstasy |
|
Vittorio Nino Novarese and Marjorie Best, The
Greatest Story Ever Told |
|
| Special Visual Effects |
J. McMillan Johnson, The Greatest Story Ever Told |
|
John Stears, Thunderball |
| Sound Effects Editing |
Tregoweth Brown, The Great Race |
|
Walter A. Rossi, Von Ryan's Express |
| Short Subjects |
| Cartoon |
Clay or the Origin of Species (Harvard
University; Pathé Contemporary Films) |
|
The Dot and the Line (Chuck Jones and
Les Goldman, producers; MGM) |
|
The Thieving Magpie (La Gazza Ladra) (Giulio
Gianni-Emanuele Luzzati; Allied Artists) |
| Live Action |
The Chicken (Le Poulet) (Renn Productions;
Pathé Contemporary Films) |
|
Fortress of Peace (Lothar Wolff Productions
for Farner-Looser Films; Cinerama) |
|
Skaterdater (Byway Productions; United
Artists) |
|
Snow (British Transport Films in association
with Geoffrey Jones, Ltd.; Manson Distributing) |
|
Time Piece (Muppets, Inc.; Pathé Contemporary
Films) |
|
| Documentary |
| Short Subject |
Mural on Our Street (Henry Street Settlement;
Pathé Contemporary Films) |
|
Ouverture (Mafilm Studios Production; Hungarofilm-Pathé
Contemporary Films) |
|
Point of View (Vision Associates Production;
National Tuberculosis Association) |
|
To Be Alive! (Francis Thompson, producer;
Johnson Wax) |
|
Yeats Country (Patrick Carey and Joe Mendoza,
producers; Aengus Films for the Dept. of External
Affairs of Ireland) |
| Feature |
The Battle of the Bulge . . .The Brave Rifles
(Laurence E. Mascott, producer; Mascott Productions) |
|
The Eleanor Roosevelt Story (Sidney
Glazier Production; American International) |
|
The Forth Road Bridge (Random Film Productions;
Shell-Mex and B.P. Film Library) |
|
Let My People Go (Marshall Flaum, producer;
David L. Wolper Productions) |
|
To Die in Madrid (Ancinex Productions;
Altura Films International) |
|
| Foreign Language Film |
Blood on the Land, Greece |
|
Dear John, Sweden |
|
Kwaidan, Japan |
|
Marriage Italian Style, Italy |
|
The Shop on Main Street, Czechoslovakia |
| Irving G. Thalberg Memorial Award |
William Wyler |
| Jean Hersholt Humanitarian Award |
Edmond L. DePatie |
| Honorary Award |
To Bob Hope for unique and distinguished service
to our industry and the Academy |
|
| The
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