| Best Picture |
A Clockwork Orange, Stanley Kubrick, producer
(Warner Bros.) |
|
Fiddler on the Roof, Norman Jewison, producer
(United Artists) |
|
The French Connection, Philip D'Antoni, producer
(Twentieth Century-Fox) |
|
The Last Picture Show, Stephen J. Friedman, producer
(Columbia) |
|
Nicholas and Alexandra, Sam Spiegel, producer
(Columbia) |
| Best Actor |
Peter Finch, Sunday Bloody Sunday |
|
Gene Hackman, The French Connection |
|
Walter Matthau, Kotch |
|
George C. Scott, The Hospital |
|
Topol, Fiddler on the Roof |
| Best Actress |
Julie Christie, McCabe & Mrs. Miller |
|
Jane Fonda, Klute |
|
Glenda Jackson, Sunday Bloody Sunday |
|
Vanessa Redgrave, Mary, Queen of Scots |
|
Janet Suzman, Nicholas and Alexandra |
| Actor in a Supporting Role |
Jeff Bridges, The Last Picture Show |
|
Leonard Frey, Fiddler on the Roof |
|
Richard Jaeckel, Sometimes a Great Notion |
|
Ben Johnson, The Last Picture Show |
|
Roy Scheider, The French Connection |
| Actress in a Supporting Role |
Ellen Burstyn, The Last Picture Show |
|
Barbara Harris, Who Is Harry Kellerman and Why Is
He Saying Those Terrible Things About Me? |
|
Cloris Leachman, The Last Picture Show |
|
Margaret Leighton, The Go-Between |
|
Ann-Margret, Carnal Knowledge |
| Directing |
Peter Bogdanovich, The Last Picture Show |
|
William Friedkin, The French Connection |
|
Norman Jewison, Fiddler on the Roof |
|
Stanley Kubrick, A Clockwork Orange |
|
John Schlesinger, Sunday Bloody Sunday |
| Writing |
| Screenplay Based on Material From Another Medium |
Bernardo Bertolucci, The Conformist |
|
Stanley Kubrick, A Clockwork Orange |
|
Larry McMurtry and Peter Bogdanovich, The Last
Picture Show |
|
Ugo Pirro and Vittorio Bonicelli, The Garden
of the Finzi-Continis |
|
Ernest Tidyman, The French Connection |
| Original Screenplay |
Paddy Chayefsky, The Hospital |
|
Penelope Gilliatt, Sunday Bloody Sunday |
|
Andy Lewis and Dave Lewis, Klute |
|
Elio Petri and Ugo Pirro, Investigation of
a Citizen Above Suspicion |
|
Herman Raucher, Summer of '42 |
|
| Cinematography |
Oswald Morris, Fiddler on the Roof |
|
Owen Roizman, The French Connection |
|
Robert Surtees, The Last Picture Show |
|
Robert Surtees, Summer of '42 |
|
Freddie Young, Nicholas and Alexandra |
| Art Direction |
John Box, Ernest Archer, Jack Maxsted and Gil Parrondo,
art direction; Vernon Dixon, set decoration, Nicholas
and Alexandra |
|
Robert Boyle and Michael Stringer, art direction; Peter
Lamont, set decoration, Fiddler on the Roof |
|
Boris Leven and William Tuntke, art direction; Ruby
Levitt, set decoration, The Andromeda Strain |
|
John B. Mansbridge and Peter Ellenshaw, art direction;
Emile Kuri and Hal Gausman, set decoration, Bedknobs
and Broomsticks |
|
Terence Marsh and Robert Cartwright, art direction;
Peter Howitt, set decoration, Mary, Queen of Scots |
| Sound |
Bob Jones and John Aldred, Mary, Queen of Scots |
|
Gordon K. McCallum and David Hildyard, Fiddler
on the Roof |
|
Gordon K. McCallum, John Mitchell and Alfred J. Overton,
Diamonds Are Forever |
|
Richard Portman and Jack Solomon, Kotch |
|
Theodore Soderberg and Christopher Newman, The French
Connection |
| Music |
| Song |
“The Age of Not Believing,” Bedknobs and Broomsticks,
Richard M. Sherman and Robert B. Sherman, music
and lyrics |
|
“All His Children,” Sometimes a Great Notion,
Henry Mancini, music; Alan and Marilyn Bergman,
lyrics |
|
“Bless the Beasts and Children,” Bless the
Beasts and Children, Barry DeVorzon and Perry
Botkin, Jr., music and lyrics |
|
“Life Is What You Make It,” Kotch, Marvin
Hamlisch, music; Johnny Mercer, lyrics |
|
“Theme From Shaft,” Shaft, Isaac Hayes,
music and lyrics |
| Original Dramatic Score |
John Barry, Mary, Queen of Scots |
|
Richard Rodney Bennett, Nicholas and Alexandra |
|
Jerry Fielding, Straw Dogs |
|
Isaac Hayes, Shaft |
|
Michel Legrand, Summer of '42 |
| Scoring: Adaptation and Original Song Score |
Leslie Bricusse and Anthony Newley, song; Walter
Scharf, adaptation, Willy Wonka and the Chocolate
Factory |
|
Peter Maxwell Davies and Peter Greenwell, The
Boy Friend |
|
Richard M. Sherman and Robert B. Sherman, song;
Irwin Kostal, adaptation, Bedknobs and Broomsticks |
|
Dimitri Tiomkin, Tchaikovsky |
|
John Williams, Fiddler on the Roof |
|
| Film Editing |
Folmar Blangsted, Summer of '42 |
|
Bill Butler, A Clockwork Orange |
|
Stuart Gilmore and John W. Holmes, The Andromeda
Strain |
|
Jerry Greenberg, The French Connection |
|
Ralph E. Winters, Kotch |
| Costume Design |
Yvonne Blake and Antonio Castillo, Nicholas and
Alexandra |
|
Margaret Furse, Mary, Queen of Scots |
|
Morton Haack, What's the Matter With Helen? |
|
Bill Thomas, Bedknobs and Broomsticks |
|
Piero Tosi, Death in Venice |
| Special Visual Effects |
Jim Danforth and Roger Dicken, When Dinosaurs Ruled
the Earth |
|
Alan Maley, Eustace Lycett and Danny Lee, Bedknobs
and Broomsticks |
| Short Subjects |
| Animated |
The Crunch Bird (Maxwell-Petok-Petrovich
Productions; Regency Film Distributing Corp.) |
|
Evolution (National Film Board of Canada;
Columbia) |
|
The Selfish Giant (Potterton Productions;
Pyramid Films) |
| Live Action |
Good Morning (E/G Films; Seymour Borde
and Associates) |
|
The Rehearsal (Cinema Verona Production;
Schoenfeld Film Distributing Corp.) |
|
Sentinels of Silence (Producciones Concord;
Paramount) |
|
| Documentary |
| Short Subject |
Adventures in Perception (Hans van Gelder
Filmproduktie; Netherlands Information Service) |
|
Art Is . . . (Henry Strauss Associates;
Sears, Roebuck Foundation) |
|
The Numbers Start With the River (WH Picture;
U.S. Information Agency) |
|
Sentinels of Silence (Producciones Concord;
Paramount) |
|
Somebody Waiting (Snider Productions; University
of California Medical Film Library) |
| Feature |
Alaska Wilderness Lake (Alan Landsburg,
producer; Alan Landsburg Productions) |
|
The Hellstrom Chronicle (David L. Wolper
Productions; Cinema 5, Ltd.) |
|
On Any Sunday (Bruce Brown-Solar; Cinema
5, Ltd.) |
|
The RA Expeditions (Swedish Broadcasting
Company; Interwest Film Corp.) |
|
The Sorrow and the Pity (Television Rencontre-Norddeutscher
Rundfunk-Television Swiss Romande; Cinema 5, Ltd.) |
|
| Foreign Language Film |
Dodes'Ka-Den, Japan |
|
The Emigrants, Sweden |
|
The Garden of the Finzi-Continis, Italy |
|
The Policeman, Israel |
|
Tchaikovsky, U.S.S.R. |
| Honorary Award |
To Charles Chaplin for the incalculable effect
he has had in making motion pictures the art form of this
century |
