|
Best Picture
|
Chinatown, Robert Evans, producer (Paramount) |
|
|
The Conversation, Francis Ford Coppola, producer
(Paramount) |
|
|
The Godfather Part II,
Francis Ford Coppola, producer; Gray Frederickson and
Fred Roos, co-producers (Paramount)
|
|
|
Lenny, Marvin Worth, producer (United Artists) |
|
|
The Towering Inferno, Irwin Allen, producer (Twentieth
Century-Fox/Warner Bros.) |
|
Best Actor
|
Art Carney, Harry and Tonto
|
|
|
Albert Finney, Murder on the Orient Express
|
|
|
Dustin Hoffman, Lenny
|
|
|
Jack Nicholson, Chinatown
|
|
|
Al Pacino, The Godfather Part II
|
|
Best Actress
|
Ellen Burstyn, Alice Doesn't
Live Here Anymore
|
|
|
Diahann Carroll, Claudine
|
|
|
Faye Dunaway, Chinatown
|
|
|
Valerie Perrine, Lenny
|
|
|
Gena Rowlands, A Woman Under the Influence
|
|
Actor in a Supporting Role
|
Fred Astaire, The Towering Inferno
|
|
|
Jeff Bridges, Thunderbolt and Lightfoot
|
|
|
Robert De Niro, The Godfather
Part II
|
|
|
Michael V. Gazzo, The Godfather Part II
|
|
|
Lee Strasberg, The Godfather Part II
|
|
Actress in a Supporting Role
|
Ingrid Bergman, Murder on
the Orient Express
|
|
|
Valentina Cortese, Day for Night
|
|
|
Madeline Kahn, Blazing Saddles
|
|
|
Diane Ladd, Alice Doesn't Live Here Anymore
|
|
|
Talia Shire, The Godfather Part II
|
|
Directing
|
John Cassavetes, A Woman Under the Influence
|
|
|
Francis Ford Coppola, The
Godfather Part II
|
|
|
Bob Fosse, Lenny
|
|
|
Roman Polanski, Chinatown
|
|
|
François Truffaut, Day for Night
|
|
Writing
|
|
Original Screenplay
|
Francis Ford Coppola, The Conversation
|
|
|
Robert Getchell, Alice Doesn't Live Here Anymore
|
|
|
Paul Mazursky and Josh Greenfeld, Harry and
Tonto
|
|
|
Robert Towne, Chinatown
|
|
|
François Truffaut, Jean-Louis Richard and Suzanne
Schiffman, Day for Night
|
|
Screenplay Adapted From
Other Material
|
Julian Barry, Lenny
|
|
|
Paul Dehn, Murder on the Orient Express
|
|
|
Francis Ford Coppola
and Mario Puzo, The Godfather Part II
|
|
|
Mordecai Richler, screenplay; Lionel Chetwynd,
adaptation, The Apprenticeship of Duddy Kravitz
|
|
|
Gene Wilder and Mel Brooks, Young Frankenstein
|
|
|
Cinematography
|
John A. Alonzo, Chinatown
|
|
|
Fred Koenekamp and Joseph Biroc,
The Towering Inferno
|
|
|
Philip Lathrop, Earthquake
|
|
|
Bruce Surtees, Lenny
|
|
|
Geoffrey Unsworth, Murder on the Orient Express
|
|
Art Direction
|
William Creber and Ward Preston, art direction; Raphael
Bretton, set decoration, The Towering Inferno
|
|
|
Peter Ellenshaw, John B. Mansbridge, Walter Tyler and
Al Roelofs, art direction; Hal Gausman, set decoration,
The Island at the Top of the World
|
|
|
Alexander Golitzen and E. Preston Ames, art direction;
Frank McKelvy, set decoration, Earthquake
|
|
|
Richard Sylbert and W. Stewart Campbell, art direction;
Ruby Levitt, set decoartion, Chinatown
|
|
|
Dean Tavoularis and Angelo
Graham, art direction; George R. Nelson, set decoration,
The Godfather Part II
|
|
Sound
|
Bud Grenzbach and Larry Jost, Chinatown
|
|
|
Walter Murch and Arthur Rochester, The Conversation
|
|
|
Ronald Pierce and Melvin Metcalfe,
Sr., Earthquake
|
|
|
Richard Portman and Gene Cantamessa, Young Frankenstein
|
|
|
Theodore Soderberg and Herman Lewis, The Towering
Inferno
|
|
Music
|
|
Song
|
“Benji's Theme” (I Feel Love), Benji, Euel
Box, music; Betty Box, lyrics |
|
|
“Blazing Saddles,” Blazing Saddles, John
Morris, music; Mel Brooks, lyrics |
|
|
“Little Prince,” The Little Prince, Frederick
Loewe, music; Alan Jay Lerner, Iyrics |
|
|
“We May Never Love Like
This Again,” The Towering Inferno, Al Kasha
and Joel Hirschhorn, music and Iyrics
|
|
|
“Wherever Love Takes Me,” Gold, Elmer Bernstein,
music; Don Black, Iyrics |
|
Original Dramatic Score
|
Richard Rodney Bennett, Murder on the Orient
Express
|
|
|
Jerry Goldsmith, Chinatown
|
|
|
Alex North, Shanks
|
|
|
Nino Rota and Carmine
Coppola, The Godfather Part II
|
|
|
John Williams, The Towering Inferno
|
|
Scoring: Original Song
Score and Adaptation or Scoring: Adaptation
|
Alan Jay Lerner and Frederick Loewe, song; Angela
Morley and Douglas Gamley, adaptation, The Little
Prince
|
|
|
Nelson Riddle, adaptation,
The Great Gatsby
|
|
|
Paul Williams, song; George Aliceson Tipton and
Paul Williams, adaptation, Phantom of the Paradise
|
|
|
Film Editing
|
John C. Howard and Danford Greene, Blazing Saddles
|
|
|
Harold F. Kress and Carl Kress,
The Towering Inferno
|
|
|
Michael Luciano, The Longest Yard
|
|
|
Sam O'Steen, Chinatown
|
|
|
Dorothy Spencer, Earthquake
|
|
Costume Design
|
Theoni V. Aldredge, The
Great Gatsby
|
|
|
John Furness, Daisy Miller
|
|
|
Anthea Sylbert, Chinatown
|
|
|
Theadora Van Runkle, The Godfather Part II
|
|
|
Tony Walton, Murder on the Orient Express
|
|
Short Films
|
|
Animated
|
Closed Mondays
(Will Vinton and Bob Gardiner, producers; Lighthouse
Productions)
|
|
|
The Family That Dwelt Apart (Yvon Mallette
and Robert Verrall, producers; National Film Board
of Canada) |
|
|
Hunger (Peter Foldes and René Jodoin, producers;
National Film Board of Canada) |
|
|
Voyage to Next (Faith Hubley and John Hubley,
producers; Hubley Studios) |
|
|
Winnie the Pooh and Tigger Too (Wolfgang
Reitherman, producer; Walt Disney Productions) |
|
Live Action
|
Climb (Dewitt Jones, producer; Dewitt Jones
Productions) |
|
|
The Concert (Julian and Claude Chagrin,
producers; The Black and White Colour Film Company,
Ltd.) |
|
|
One-Eyed Men Are Kings
(Paul Claudon and Edmond Sechan, producers; C.A.P.A.C.
Productions)
|
|
|
Planet Ocean (George V. Casey, producer;
Graphic Films) |
|
|
The Violin (Andrew Welsh and George Pastic,
producers; Sincinkin, Ltd.) |
|
|
Documentary
|
|
Short Subject
|
City Out of Wilderness (Francis Thompson,
producer; Francis Thompson Inc.) |
|
|
Don't (Robin Lehman,
producer; R. A. Films)
|
|
|
Exploratorium (Jon Boorstin, producer;
Jon Boorstin Production) |
|
|
John Muir's High Sierra (Dewitt Jones and
Lesley Foster, producers; Dewitt Jones Productions) |
|
|
Naked Yoga (Ronald S. Kass and Mervyn Lloyd,
producers; Filmshop Production) |
|
Feature
|
Antonia: A Portrait of the Woman (Judy
Collins and Jill Godmilow, producers; Rocky Mountain
Productions) |
|
|
The Challenge . . .A Tribute to Modern Art
(Herbert Kline, producer; World View Production) |
|
|
The 81st Blow (Jacquot Ehrlich, David Bergman
and Haim Gouri, producers; Ghetto Fighters House
Film) |
|
|
Hearts and Minds
(Touchstone-Audjeff-BBS Production; Howard Zucker/Henry
Jaglom-Rainbow Pictures Presentation)
|
|
|
The Wild and the Brave (E.S.J. Productions
in association with Tomorrow Entertainment Inc.
and Jones/Howard Ltd.) |
|
|
Foreign Language Film
|
Amarcord, Italy
|
|
|
Cats' Play, Hungary |
|
|
The Deluge, Poland |
|
|
Lacombe, Lucien, France |
|
|
The Truce, Argentina |
|
Jean Hersholt Humanitarian
Award
|
Arthur B. Krim
|
|
Honorary Awards
|
To
Howard Hawks,
a master American filmmaker whose creative efforts hold
a distinguished place in world cinema |
|
|
To
Jean Renoir,
a genius who, with grace, responsibility and enviable
devotion through silent film, sound film, feature, documentary
and television, has won the world's admiration |
|
Visual Effects
|
Frank Brendel,
Glen Robinson and Albert Whitlock, Earthquake
|
