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Best Picture
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All the President's Men, Walter Coblenz, producer
(Warner Bros.) |
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Bound for Glory, Robert F. Blumofe and Harold
Leventhal, producers (United Artists) |
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Network, Howard Gottfried, producer (MGM/United
Artists) |
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Rocky, Irwin Winkler
and Robert Chartoff, producers (United Artists)
|
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Taxi Driver, Michael Phillips and Julia Phillips,
producers (Columbia) |
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Best Actor
|
Robert De Niro, Taxi Driver
|
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Peter Finch, Network
|
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Giancarlo Giannini, Seven Beauties
|
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William Holden, Network
|
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Sylvester Stallone, Rocky
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Best Actress
|
Marie-Christine Barrault, Cousin, Cousine
|
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Faye Dunaway, Network
|
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Talia Shire, Rocky
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Sissy Spacek, Carrie
|
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Liv Ullman, Face to Face
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Actor in a Supporting Role
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Ned Beatty, Network
|
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Burgess Meredith, Rocky
|
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Laurence Olivier, Marathon Man
|
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Jason Robards, All the President's
Men
|
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Burt Young, Rocky
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Actress in a Supporting Role
|
Jane Alexander, All the President's Men
|
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Jodie Foster, Taxi Driver
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Lee Grant, Voyage of the Damned
|
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Piper Laurie, Carrie
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Beatrice Straight, Network
|
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Directing
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John G. Avildsen, Rocky
|
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Ingmar Bergman, Face to Face
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Sidney Lumet, Network
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Alan J. Pakula, All the President's Men
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Lina Wertmuller, Seven Beauties
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Writing
|
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Original Screenplay
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Walter Bernstein, The Front
|
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Paddy Chayefsky, Network
|
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Sylvester Stallone, Rocky
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Jean-Charles Tacchella, story and screenplay;
Daniele Thompson, adaptation, Cousin, Cousine
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Lina Wertmuller, Seven Beauties
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Screenplay Based on Material
From Another Medium
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Federico Fellini and Bernadino Zapponi, Fellini's
Casanova
|
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Robert Getchell, Bound for Glory
|
|
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William Goldman, All
the President's Men
|
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Nicholas Meyer, The Seven-Per-Cent Solution
|
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Steve Shagan and David Butler, Voyage of the
Damned
|
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Cinematography
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Richard H. Kline, King Kong
|
|
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Ernest Laszlo, Logan's Run
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|
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Owen Roizman, Network
|
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Robert Surtees, A Star Is Born
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Haskell Wexler, Bound for
Glory
|
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Art Direction
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Robert F. Boyle, art direction; Arthur Jeph Parker,
set decoration, The Shootist
|
|
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Gene Callahan and Jack Collis, art direction; Jerry
Wunderlich, set decoration, The Last Tycoon
|
|
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Dale Hennesy, art direction; Robert de Vestel, set decoration,
Logan's Run
|
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George Jenkins, art direction;
George Gaines, set decoration, All the President's
Men
|
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Elliot Scott and Norman Reynolds, art direction; Peter
Howitt, set decoration, The Incredible Sarah
|
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Sound
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Robert Knudson, Dan Wallin, Robert Glass and Tom Overton,
A Star Is Born
|
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Donald Mitchell, Douglas Williams, Richard Tyler and
Hal Etherington, Silver Streak
|
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Arthur Piantadosi, Les Fresholtz,
Dick Alexander and Jim Webb, All the President's Men
|
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Harry Warren Tetrick, William McCaughey, Aaron Rochin
and Jack Solomon, King Kong
|
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Harry Warren Tetrick, William McCaughey, Lyle Burbridge
and Bud Alper, Rocky
|
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Music
|
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Original Song
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“Ave Satani,” The Omen, Jerry Goldsmith,
music and lyrics |
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“Come to Me,” The Pink Panther Strikes Again,
Henry Mancini, music; Don Black, lyrics |
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“Evergreen” (Love Theme
From A Star Is Born), A Star Is Born, Barbra
Streisand, music; Paul Williams, lyrics
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“Gonna Fly Now,” Rocky, Bill Conti, music;
Carol Connors and Ayn Robbins, lyrics |
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“A World That Never Was,” Half a House,
Sammy Fain, music; Paul Francis Webster, lyrics |
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Original Score
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Jerry Fielding, The Outlaw Josey Wales
|
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Jerry Goldsmith, The
Omen
|
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Bernard Herrmann, Obsession
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Bernard Herrmann, Taxi Driver
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Lalo Schifrin, Voyage of the Damned
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Original Song Score and
Its Adaptation or Adaptation Score
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Roger Kellaway, A Star Is Born
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Leonard Rosenman, Bound
for Glory
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Paul Williams, Bugsy Malone
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Film Editing
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Richard Halsey and Scott Conrad,
Rocky
|
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Alan Heim, Network
|
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Robert Jones and Pembroke J. Herring, Bound for Glory
|
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Eve Newman and Walter Hannemann, Two-Minute Warning
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Robert L. Wolfe, All the President's Men
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Costume Design
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Alan Barrett, The Seven-Per-Cent Solution
|
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Danilo Donati, Fellini's
Casanova
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Anthony Mendleson, The Incredible Sarah
|
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William Theiss, Bound for Glory
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Mary Wills, The Passover Plot
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Short Films
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Animated
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Dedalo (Manfredo Manfredi, producer; Cineteam
Realizzazioni Production) |
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Leisure (Suzanne
Baker, producer; Film Australia Production)
|
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The Street (Caroline Leaf and Guy Glover,
producers; National Film Board of Canada) |
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Live Action
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In the Region of Ice
(Andre Guttfreund and Peter Werner, producers; American
Film Institute)
|
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Kudzu (Marjorie Ann Short, producer; Short
Productions) |
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The Morning Spider (Julian Chagrin and
Claude Chagrin, producers; The Black and White Colour
Film Company) |
|
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Nightlife (Claire Wilbur and Robin Lehman,
producers; Opus Films Ltd.) |
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Number One (Dyan Cannon and Vince Cannon,
producers; Number One Productions) |
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Documentary
|
|
Short Subject
|
American Shoeshine (Sparky Greene, producer;
Titan Films) |
|
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Blackwood (Tony Ianzelo and Andy Thompson,
producers; National Film Board of Canada) |
|
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The End of the Road (John Armstrong, producer;
Pelican Films) |
|
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Number Our Days
(Lynne Littman, producer; Community Television of
Southern California)
|
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Universe (Lester Novros, producer; Graphic
Films Corporation for NASA) |
|
Feature
|
Harlan County, U.S.A.
(Barbara Kopple, producer; Cabin Creek Films)
|
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Hollywood on Trial (James Gutman and David
Helpern, Jr., producers; October Films/Cinema Associates) |
|
|
Off the Edge (Michael Firth, producer;
Pentacle Films) |
|
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People of the Wind (Anthony Howarth and
David Koff, producers; Elizabeth E. Rogers Productions) |
|
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Volcano: An Inquiry Into the Life and Death
of Malcolm Lowry (Donald Brittain and Robert
Duncan, producers; National Film Board of Canada) |
|
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Foreign Language Film
|
Black and White in Color,
Ivory Coast
|
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Cousin, Cousine, France |
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|
Jacob, the Liar, German Democratic Republic—East |
|
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Nights and Days, Poland |
|
|
Seven Beauties, Italy |
|
Irving G. Thalberg Memorial
Award
|
Pandro S. Berman
|
|
Visual Effects
|
L.B. Abbott, Glen
Robinson and Matthew Yuricich, Logan's Run,
Carlo Rambaldi, Glen Robinson and Frank Van der Veer,
King Kong
|