| Best Picture
|
Annie Hall, Charles
H. Joffe, producer (United Artists) |
| |
The Goodbye Girl, Ray Stark, producer (MGM/Warner
Bros.) |
| |
Julia, Richard Roth, producer (Twentieth Century-Fox) |
| |
Star Wars, Gary Kurtz, producer (Twentieth
Century-Fox) |
| |
The Turning Point, Herbert Ross and Arthur
Laurents, producers (Twentieth Century-Fox) |
| Actor in a Leading Role
|
Woody Allen, Annie Hall |
| |
Richard Burton, Equus |
| |
Richard Dreyfuss, The
Goodbye Girl |
| |
Marcello Mastroianni, A Special Day |
| |
John Travolta, Saturday Night Fever |
| Actress in a Leading Role
|
Anne Bancroft, The Turning Point |
| |
Jane Fonda, Julia |
| |
Diane Keaton, Annie
Hall |
| |
Shirley MacLaine, The Turning Point |
| |
Marsha Mason, The Goodbye Girl |
| Actor in a Supporting Role
|
Mikhail Baryshnikov, The Turning Point |
| |
Peter Firth, Equus |
| |
Alec Guinness, Star Wars |
| |
Jason Robards, Julia
|
| |
Maximilian Schell, Julia |
| Actress in a Supporting
Role |
Leslie Browne, The Turning Point |
| |
Quinn Cummings, The Goodbye Girl |
| |
Melinda Dillon, Close Encounters of the Third Kind
|
| |
Vanessa Redgrave, Julia
|
| |
Tuesday Weld, Looking for Mr. Goodbar |
| Directing |
Woody Allen, Annie Hall
|
| |
George Lucas, Star Wars |
| |
Herbert Ross, The Turning Point |
| |
Steven Spielberg, Close Encounters of the Third
Kind |
| |
Fred Zinnemann, Julia |
| Writing |
| Original Screenplay
|
Woody Allen and Marshall
Brickman, Annie Hall |
| |
Robert Benton, The Late Show |
| |
Arthur Laurents, The Turning Point |
| |
George Lucas, Star Wars |
| |
Neil Simon, The Goodbye Girl |
| Screenplay Based
On Material From Another Medium |
Luis Buńuel and Jean-Claude Carričre, That
Obscure Object of Desire |
| |
Larry Gelbart, Oh, God! |
| |
Gavin Lambert and Lewis John Carlino, I Never
Promised You a Rose Garden |
| |
Alvin Sargent, Julia
|
| |
Peter Shaffer, Equus |
|
| Cinematography
|
William A. Fraker, Looking for Mr. Goodbar
|
| |
Fred J. Koenekamp, Islands in the Stream |
| |
Douglas Slocombe, Julia |
| |
Robert Surtees, The Turning Point |
| |
Vilmos Zsigmond, Close
Encounters of the Third Kind |
| Art Direction
|
Ken Adam and Peter Lamont, art direction; Hugh Scaife,
set decoration, The Spy Who Loved Me |
| |
Joe Alves and Dan Lomino, art direction; Phil Abramson,
set decoration, Close Encounters of the Third Kind
|
| |
John Barry, Norman Reynolds
and Leslie Dilley, art direction; Roger Christian, set
decoration, Star Wars |
| |
Albert Brenner, art direction; Marvin March, set decoration,
The Turning Point |
| |
George C. Webb, art direction; Mickey S. Michaels,
set decoration, Airport '77 |
| Sound |
Walter Goss, Dick Alexander, Tom Beckert and Robin
Gregory, The Deep |
| |
Robert Knudson, Robert J. Glass, Don MacDougall and
Gene S. Cantamessa, Close Encounters of the Third
Kind |
| |
Robert Knudson, Robert J. Glass, Richard Tyler and
Jean-Louis Ducarme, Sorcerer |
| |
Don MacDougall, Ray West,
Bob Minkler and Derek Ball, Star Wars
|
| |
Theodore Soderberg, Paul Wells, Douglas O. Williams
and Jerry Jost, The Turning Point |
| Music |
| Original Song
|
“Candle on the Water,” Pete's Dragon,
Al Kasha and Joel Hirschhorn, music and lyrics |
| |
“Nobody Does It Better,” The Spy Who Loved
Me, Marvin Hamlisch, music; Carole Bayer Sager,
lyrics |
| |
“The Slipper and the Rose Waltz” (He Danced
With Me/She Danced With Me), The Slipper and
the Rose—The Story of Cinderella, Richard
M. Sherman and Robert B. Sherman, music and lyrics |
| |
“Someone's Waiting for You,” The Rescuers,
Sammy Fain, music; Carol Connors and Ayn Robbins,
lyrics |
| |
“You Light Up My
Life,” You Light Up My Life, Joseph Brooks,
music and lyrics |
| Original Score
|
Georges Delerue, Julia |
| |
Marvin Hamlisch, The Spy Who Loved Me
|
| |
Maurice Jarre, Mohammad—Messenger of God
|
| |
John Williams, Close Encounters of the Third
Kind |
| |
John Williams, Star
Wars |
| Original Song Score
and Its Adaptation or Adaptation Score
|
Al Kasha and Joel Hirschhorn, song; Irwin Kostal,
adaptation, Pete's Dragon |
| |
Richard M. Sherman and Robert B. Sherman, song;
Angela Morley, adaptation, The Slipper and
the Rose—The Story of Cinderella |
| |
Jonathan Tunick,
A Little Night Music |
|
| Film Editing
|
Walter Hannemann and Angelo Ross, Smokey and the
Bandit |
| |
Paul Hirsch, Marcia Lucas
and Richard Chew, Star Wars |
| |
Michael Kahn, Close Encounters of the Third Kind
|
| |
Walter Murch, Julia |
| |
William Reynolds, The Turning Point |
| Costume Design
|
Edith Head and Burton Miller, Airport '77 |
| |
Florence Klotz, A Little Night Music |
| |
John Mollo, Star Wars
|
| |
Irene Sharaff, The Other Side of Midnight |
| |
Anthea Sylbert, Julia |
| Visual Effects
|
Roy Arbogast, Douglas Trumbull, Matthew Yuricich,
Gregory Jein and Richard Yuricich, Close Encounters
of the Third Kind |
| |
John Stears, John Dykstra,
Richard Edlund, Grant McCune and Robert Blalack, Star
Wars |
| Short Films
|
| Animated
|
The Bead Game (Ishu Patel, producer;
National Film Board of Canada) |
| |
The Doonesbury Special (John Hubley,
Faith Hubley and Garry Trudeau, producers; Hubley
Studios) |
| |
Jimmy the C (James Picker, Robert Grossman
and Craig Whitaker, producers; Motionpicker Production) |
| |
The Sand Castle
(Co Hoedeman, producer; National Film Board of
Canada) |
| Live Action
|
The Absent-Minded Waiter (William E.
McEuen, producer; Aspen Film Society) |
| |
Floating Free (Jerry Butts, producer;
Trans World International) |
| |
I'll Find a Way
(Beverly Shaffer and Yuki Yoshida, producers;
National Film Board of Canada) |
| |
Notes on the Popular Arts (Saul Bass,
producer; Saul Bass Films) |
| |
Spaceborne (Philip Dauber, producer;
Lawrence Hall of Science Production for the Regents
of the University of California with the cooperation
of NASA) |
|
| Documentary
|
| Short Subject
|
Agueda Martinez: Our People, Our Country
(Moctesuma Esparza, producer; Moctesuma Esparza
Production) |
| |
First Edition (Helen Whitney and DeWitt
L. Sage, Jr., producers; D.L. Sage Productions) |
| |
Gravity Is My
Enemy (John Joseph and Jan Stussy, producers;
John Joseph Production) |
| |
Of Time, Tombs and Treasure (James R.
Messenger and Paul N. Raimondi, producers; Charlie/Papa
Productions, Inc.) |
| |
The Shetland Experience (Douglas Gordon,
producer; Balfour Films) |
| Feature
|
The Children of Theatre Street (Robert
Dornhelm and Earle Mack, producers; Mack-Vaganova
Company) |
| |
High Grass Circus (Bill Brind, Torben
Schioler and Tony lanzelo, producers; National
Film Board of Canada) |
| |
Homage to Chagall—The Colours of Love
(Harry Rasky, producer; CBC Production) |
| |
Union Maids (James Klein, Julia Reichert
and Miles Mogulescu, producers; Klein, Reichert,
Mogulescu Production) |
| |
Who Are the DeBolts?
And Where Did They Get Nineteen Kids?
(Korty Films and Charles M. Schulz Creative
Associates in association with Sanrio Films) |
|
| Foreign Language Film
|
Iphigenia, Greece |
| |
Madame Rosa, France
|
| |
Operation Thunderbolt, Israel |
| |
A Special Day, Italy |
| |
That Obscure Object of Desire, Spain |
| Irving G. Thalberg Memorial
Award |
Walter Mirisch
|
| Jean Hersholt Humanitarian
Award |
Charlton Heston
|
| Honorary Awards
|
To Margaret Booth
for her exceptional contribution to the art of
film editing in the motion picture industry |
| |
To Gordon E. Sawyer
in appreciation for outstanding service and dedication
in upholding the high standards of the Academy of Motion
Picture Arts and Sciences |
| |
To Sidney P. Solow
in appreciation for outstanding service and dedication
in upholding the high standards of the Academy of Motion
Picture Arts and Sciences |
| Sound Effects
Editing |
Frank E. Warner,
Close Encounters of the Third Kind ,
Benjamin Burtt, Jr. for the
creation of the alien, creature and robot voices in
Star Wars |
