- 1983 Oscars were held on April 9, 1984 at the Dorothy
Chandler Pavilion
- Host: Johnny Carson
|
|
| 1983
Nominees and Winners: |
| Best Picture |
The Big Chill, Michael Shamberg, producer (Columbia) |
|
The Dresser, Peter Yates, producer (Columbia) |
|
The Right Stuff, Irwin Winkler and Robert Chartoff,
producers (The Ladd Co. through Warner Bros.) |
|
Tender Mercies, Philip S. Hobel, producer (Universal) |
|
Terms of Endearment, James L. Brooks, producer
(Paramount) |
| Actor in a Leading Role |
Michael Caine, Educating Rita |
|
Tom Conti, Reuben, Reuben |
|
Tom Courtenay, The Dresser |
|
Robert Duvall, Tender Mercies |
|
Albert Finney, The Dresser |
| Actress in a Leading Role |
Jane Alexander, Testament |
|
Shirley MacLaine, Terms of Endearment |
|
Meryl Streep, Silkwood |
|
Julie Walters, Educating Rita |
|
Debra Winger, Terms of Endearment |
| Actor in a Supporting Role |
Charles Durning, To Be or Not to Be |
|
John Lithgow, Terms of Endearment |
|
Jack Nicholson, Terms of Endearment |
|
Sam Shepard, The Right Stuff |
|
Rip Torn, Cross Creek |
| Actress in a Supporting Role |
Cher, Silkwood |
|
Glenn Close, The Big Chill |
|
Linda Hunt, The Year of Living Dangerously |
|
Amy Irving, Yentl |
|
Alfre Woodard, Cross Creek |
| Directing |
Bruce Beresford, Tender Mercies |
|
Ingmar Bergman, Fanny & Alexander |
|
James L. Brooks, Terms of Endearment |
|
Mike Nichols, Silkwood |
|
Peter Yates, The Dresser |
| Writing |
| Screenplay Written Directly for the Screen |
Ingmar Bergman, Fanny & Alexander |
|
Nora Ephron and Alice Arlen, Silkwood |
|
Horton Foote, Tender Mercies |
|
Lawrence Kasdan and Barbara Benedek, The Big
Chill |
|
Lawrence Lasker and Walter F. Parkes, WarGames |
| Screenplay Based on Material From Another Medium |
James L. Brooks, Terms of Endearment |
|
Julius J. Epstein, Reuben, Reuben |
|
Ronald Harwood, The Dresser |
|
Harold Pinter, Betrayal |
|
Willy Russell, Educating Rita |
|
| Cinematography |
Caleb Deschanel, The Right Stuff |
|
William A. Fraker, WarGames |
|
Sven Nykvist, Fanny & Alexander |
|
Don Peterman, Flashdance |
|
Gordon Willis, Zelig |
| Art Direction |
Anna Asp, art direction and set decoration, Fanny
& Alexander |
|
Geoffrey Kirkland, Richard J. Lawrence, W. Stewart Campbell
and Peter Romero, art direction; Pat Pending and George
R. Nelson, set decoration, The Right Stuff |
|
Polly Platt and Harold Michelson, art direction; Tom
Pedigo and Anthony Mondello, set decoration, Terms
of Endearment |
|
Norman Reynolds, Fred Hole and James Schoppe, art direction;
Michael Ford, set decoration, Return of the Jedi |
|
Roy Walker and Leslie Tomkins, art direction; Tessa
Davies, set decoration, Yentl |
| Sound |
Mark Berger, Tom Scott, Randy Thom and David MacMillan,
The Right Stuff |
|
Ben Burtt, Gary Summers, Randy Thom and Tony Dawe, Return
of the Jedi |
|
Michael J. Kohut, Carlos de Larios, Aaron Rochin and
Willie D. Burton, WarGames |
|
Donald O. Mitchell, Rick Kline, Kevin O'Connell and
Jim Alexander, Terms of Endearment |
|
Alan R. Splet, Todd Boekelheide, Randy Thom and David
Parker, Never Cry Wolf |
| Music |
| Song |
“Flashdance . . .What a Feeling,” Flashdance,
Giorgio Moroder, music; Keith Forsey and Irene Cara,
lyrics |
|
“Maniac,” Flashdance, Michael Sembello
and Dennis Matkosky, music and lyrics |
|
“Over You,” Tender Mercies, Austin Roberts
and Bobby Hart, music and lyrics |
|
“Papa, Can You Hear Me?,” Yentl, Michel
Legrand, music; Alan and Marilyn Bergman, lyrics |
|
“The Way He Makes Me Feel,” Yentl, Michel
Legrand, music; Alan and Marilyn Bergman, lyrics |
| Original Score |
Bill Conti, The Right Stuff |
|
Jerry Goldsmith, Under Fire |
|
Michael Gore, Terms of Endearment |
|
Leonard Rosenman, Cross Creek |
|
John Williams, Return of the Jedi |
| Original Song Score or Adaptation Score |
Elmer Bernstein, Trading Places |
|
Michel Legrand, Alan and Marilyn Bergman, Yentl |
|
Lalo Schifrin, The Sting II |
|
| Film Editing |
Glenn Farr, Lisa Fruchtmlan, Stephen A. Rotter, Douglas
Steward and Tom Rolf, The Right Stuff |
|
Richard Marks, Terms of Endearment |
|
Frank Morriss and Edward Abroms, Blue Thunder |
|
Sam O'Steen, Silkwood |
|
Bud Smith and Walt Mulconery, Flashdance |
| Costume Design |
Santo Loquasto, Zelig |
|
Anne-Marie Marchand, The Return of Martin Guerre |
|
Joe I. Tompkins, Cross Creek |
|
Marik Vos, Fanny & Alexander |
|
William Ware Theiss, Heart Like a Wheel |
| Sound Effects Editing |
Jay Boekelheide, The Right Stuff |
|
Ben Burtt, Return of the Jedi |
| Short Films |
| Animated |
Mickey's Christmas Carol (Burny Mattinson,
producer; Walt Disney Productions) |
|
Sound of Sunshine—Sound of Rain (Eda Godel
Hallinan, producer; Hallinan Plus! Production) |
|
Sundae in New York (Jimmy Picker, producer;
Motionpicker Productions) |
| Live Action |
Boys and Girls (Janice L. Platt, producer;
Atlantis Films Ltd. Production) |
|
Goodie-Two-Shoes (Timeless Films Production;
Paramount) |
|
Overnight Sensation (Jon N. Bloom, producer;
Bloom Film Production) |
|
| Documentary |
| Short Subject |
Flamenco at 5: 15 (Cynthia Scott and
Adam Symansky, producers; National Film Board of
Canada) |
|
In the Nuclear Shadow: What Can the Children
Tell Us? (Vivienne Verdon-Roe and Eric Thiermann,
producers; Impact Production) |
|
Sewing Woman (Arthur Dong, producer; DeepFocus
Productions) |
|
Spaces: The Architecture of Paul Rudoph
(Robert Eisenhardt, producer; Eisenhardt Productions) |
|
You Are Free (Ihr Zent Frei) (Dea Brokman
and Ilene Landis, producers; Brokman/Landis Production) |
| Feature |
Children of Darkness (Richard Kotuk and
Ara Chekmayan, producers; Children of Darkness Production) |
|
First Contact (Bob Connolly and Robin Anderson,
producers; Arundel Production) |
|
He Makes Me Feel Like Dancin' (Emile
Ardolino, producer; Edgar J. Scherick Associates
Production) |
|
The Profession of Arms, (War Series Film #3)
(Michael Bryan and Tina Viljoen, producers; National
Film Board of Canada) |
|
Seeing Red (James Klein and Julia Reichert,
producers; Heartland Production) |
|
| Foreign Language Film |
Carmen, Spain |
|
Entre Nous, France |
|
Fanny & Alexander, Sweden |
|
Job's Revolt, Hungary |
|
Le Bal, Algeria |
| Jean Hersholt Humanitarian Award |
M. J. Frankovich |
| Honorary Award |
To Hal Roach in recognition of his unparalleled
record of distinguished contributions to the motion picture
art form |
| Visual Effects |
Richard Edlund, Dennis Muren, Ken Ralston
and Phil Tippett, Return of the Jedi |
|
| The
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