|
Best Picture
|
Children of a Lesser God, Burt Sugarman and Patrick
Palmer, producers (Paramount) |
|
|
Hannah and Her Sisters, Robert Greenhut, producer
(Orion) |
|
|
The Mission, Fernando Ghia and David Puttnam,
producers (Warner Bros.) |
|
|
Platoon, Arnold Kopelson,
producer (Orion)
|
|
|
A Room With a View, Ismail Merchant, producer
(Cinecom Pictures) |
|
Actor in a Leading Role
|
Dexter Gordon, 'Round Midnight
|
|
|
Bob Hoskins, Mona Lisa
|
|
|
William Hurt, Children of a Lesser God
|
|
|
Paul Newman, The Color of
Money
|
|
|
James Woods, Salvador
|
|
Actress in a Leading Role
|
Jane Fonda, The Morning After
|
|
|
Marlee Matlin, Children
of a Lesser God
|
|
|
Sissy Spacek, Crimes of the Heart
|
|
|
Kathleen Turner, Peggy Sue Got Married
|
|
|
Sigourney Weaver, Aliens
|
|
Actor in a Supporting Role
|
Tom Berenger, Platoon
|
|
|
Michael Caine, Hannah and
Her Sisters
|
|
|
Willem Dafoe, Platoon
|
|
|
Denholm Elliott, A Room With a View
|
|
|
Dennis Hopper, Hoosiers
|
|
Actress in a Supporting Role
|
Tess Harper, Crimes of the Heart
|
|
|
Piper Laurie, Children of a Lesser God
|
|
|
Mary Elizabeth Mastrantonio, The Color of Money
|
|
|
Maggie Smith, A Room With a View
|
|
|
Dianne Wiest, Hannah and
Her Sisters
|
|
Directing
|
Woody Allen, Hannah and Her Sisters
|
|
|
James Ivory, A Room With a View
|
|
|
Roland Joffe, The Mission
|
|
|
David Lynch, Blue Velvet
|
|
|
Oliver Stone, Platoon
|
|
Writing
|
|
Screenplay Written Directly
for the Screen
|
Woody Allen, Hannah
and Her Sisters
|
|
|
Paul Hogan, story; Paul Hogan, Ken Shadie and
John Cornell, screenplay, “Crocodile” Dundee
|
|
|
Hanif Kureishi, My Beautiful Laundrette
|
|
|
Oliver Stone, Platoon
|
|
|
Oliver Stone and Richard Boyle, Salvador
|
|
Screenplay Based on Another
Medium
|
Hesper Anderson and Mark Medoff, Children of
a Lesser God
|
|
|
Raynold Gideon and Bruce A. Evans, Stand by
Me
|
|
|
Beth Henley, Crimes of the Heart
|
|
|
Ruth Prawer Jhabvala,
A Room With a View
|
|
|
Richard Price, The Color of Money
|
|
|
Cinematography
|
Jordan Cronenweth, Peggy Sue Got Married
|
|
|
Chris Menges, The Mission
|
|
|
Don Peterman, Star Trek IV: The Voyage Home
|
|
|
Tony Pierce-Roberts, A Room With a View
|
|
|
Robert Richardson, Platoon
|
|
Art Direction
|
Stuart Craig, art direction; Jack Stephens, set decoration,
The Mission
|
|
|
Peter Lamont, art direction; Crispian Sallis, set decoration,
Aliens
|
|
|
Boris Leven, art direction; Karen A. O'Hara, set decoration,
The Color of Money
|
|
|
Gianni Quaranta and Brian Ackland-Snow,
art direction; Brian Savegar and Elio Altramura, set decoration,
A Room With a View
|
|
|
Stuart Wurtzel, art direction; Carol Joffe, set decoration,
Hannah and Her Sisters
|
|
Sound
|
Les Fresholtz, Dick Alexander, Vern Poore and William
Nelson, Heartbreak Ridge
|
|
|
Graham V. Hartstone, Nicolas Le Messurier, Michael A.
Carter and Roy Charman, Aliens
|
|
|
Donald O. Mitchell, Kevin O'Connell, Rick Kline and
William B. Kaplan, Top Gun
|
|
|
Terry Porter, Dave Hudson, Mel Metcalfe and Gene S.
Cantamessa, Star Trek IV: The Voyage Home
|
|
|
John Wilkinson, Richard Rogers,
Charles “Bud” Grenzbach and Simon Kaye, Platoon
|
|
Music
|
|
Song
|
“Glory of Love,” The Karate Kid Part II,
Peter Cetera and David Foster, music; Peter Cetera
and Diane Nini, lyrics |
|
|
“Life in a Looking Glass,” That's Life,
Henry Mancini, music; Leslie Bricusse, lyrics |
|
|
“Mean Green Mother From Outer Space,” Little
Shop of Horrors, Alan Menken, music; Howard
Ashman, lyrics |
|
|
“Somewhere Out There,” An American Tail,
James Horner and Barry Mann, music; Cynthia Weil,
lyrics |
|
|
“Take My Breath Away,”
Top Gun, Giorgio Moroder, music; Tom Whitlock,
lyrics
|
|
Original Score
|
Jerry Goldsmith, Hoosiers
|
|
|
Herbie Hancock, 'Round
Midnight
|
|
|
James Horner, Aliens
|
|
|
Ennio Morricone, The Mission
|
|
|
Leonard Rosenman, Star Trek IV: The Voyage
Home
|
|
|
Film Editing
|
Jim Clark, The Mission
|
|
|
Ray Lovejoy, Aliens
|
|
|
Susan E. Morse, Hannah and Her Sisters
|
|
|
Claire Simpson, Platoon
|
|
|
Billy Weber and Chris Lebenzon, Top Gun
|
|
Costume Design
|
Anna Anni and Maurizio Millenotti, Otello
|
|
|
Jenny Beaven and John Bright,
A Room With a View
|
|
|
Anthony Powell, Pirates
|
|
|
Enrico Sabbatini, The Mission
|
|
|
Theadora Van Runkle, Peggy Sue Got Married
|
|
Makeup
|
Rob Bottin and Peter Robb-King, Legend
|
|
|
Chris Walas and Stephan Dupuis,
The Fly
|
|
|
Michael G. Westmore and Michèle Burke, The Clan of
the Cave Bear
|
|
Visual Effects
|
Lyle Conway, Brian Ferren and Martin Gutteridge, Little
Shop of Horrors
|
|
|
Richard Edlund, John Bruno, Garry Waller and William
Neil, Poltergeist II: The Other Side
|
|
|
Robert Skotak, Stan Winston,
John Richardson and Suzanne Benson, Aliens
|
|
Sound Effects Editing
|
Cecelia Hall and George Watters II, Top Gun
|
|
|
Mark Mangini, Star Trek IV: The Voyage Home
|
|
|
Don Sharpe, Aliens
|
|
Short Films
|
|
Animated
|
The Frog, the Dog and the Devil (Bob Stenhouse,
producer; New Zealand National Film Unit) |
|
|
A Greek Tragedy
(Linda Van Tulden and Willem Thijssen producers;
CineTe pvba)
|
|
|
Luxo Jr. (John Lasseter and William Reeves,
producers; Pixar Productions) |
|
Live Action
|
Exit (Stefano Reali and Pino Quartullo,
producers; Rai Radiotelevisione Italiana/RAI-UNO) |
|
|
Love Struck (Fredda Weiss, producer; Rainy
Day Productions) |
|
|
Precious Images
(Chuck Workman, producer; Calliope Films, Inc.)
|
|
|
Documentary
|
|
Short Subject
|
Debonair Dancers (Alison Nigh-Strelich,
producer; Alison Nigh-Strelich Production) |
|
|
The Masters of Disaster (Sonya Friedman,
producer; Indiana University Audio Visual Center) |
|
|
Red Grooms: Sunflower in a Hothouse (Thomas
L. Neff and Madeline Bell, producers; Polaris Entertainment
Production) |
|
|
Sam (Aaron D. Weisblatt Production) |
|
|
Women—for America,
for the World (Vivienne Verdon-Roe, producer;
Educational Film & Video Project)
|
|
Feature (tie)
|
Artie Shaw: Time Is
All You've Got (Brigitte Berman, producer; Bridge
Film Production)
|
|
|
Chile: Hasta Cuando? (David Bradbury, producer;
David Bradbury Productions) |
|
|
Down and Out in America
(Joseph Feury and Milton Justice, producers; Joseph
Feury Production)
|
|
|
Isaac in America: A Journey With Isaac Bashevis
Singer (Kirk Simon and Amram Nowak, producers;
Amram Nowak Associates) |
|
|
Witness to Apartheid (Sharon I. Sopher,
producer; Production of Developing News, Inc.) |
|
|
Foreign Language Film
|
The Assault, Netherlands
|
|
|
Betty Blue, France |
|
|
The Decline of the American Empire, Canada |
|
|
My Sweet Little Village, Czechoslovakia |
|
|
“38”, Austria |
|
Irving G. Thalberg Memorial
Award
|
Steven Spielberg
|
|
|
|
|
Honorary Award
|
To
Ralph Bellamy
for his unique artistry and his distinguished service
to the profession of acting |
|
|
To
E.M. (Al) Lewis
in appreciation for outstanding service and dedication
in upholding the high Academy standards |
