| Best Picture
|
Children of a Lesser God, Burt Sugarman and
Patrick Palmer, producers (Paramount) |
| |
Hannah and Her Sisters, Robert Greenhut, producer
(Orion) |
| |
The Mission, Fernando Ghia and David Puttnam,
producers (Warner Bros.) |
| |
Platoon, Arnold
Kopelson, producer (Orion) |
| |
A Room With a View, Ismail Merchant, producer
(Cinecom Pictures) |
| Actor in a Leading Role
|
Dexter Gordon, 'Round Midnight |
| |
Bob Hoskins, Mona Lisa |
| |
William Hurt, Children of a Lesser God |
| |
Paul Newman, The Color
of Money |
| |
James Woods, Salvador |
| Actress in a Leading Role
|
Jane Fonda, The Morning After |
| |
Marlee Matlin, Children
of a Lesser God |
| |
Sissy Spacek, Crimes of the Heart |
| |
Kathleen Turner, Peggy Sue Got Married |
| |
Sigourney Weaver, Aliens |
| Actor in a Supporting Role
|
Tom Berenger, Platoon |
| |
Michael Caine, Hannah
and Her Sisters |
| |
Willem Dafoe, Platoon |
| |
Denholm Elliott, A Room With a View |
| |
Dennis Hopper, Hoosiers |
| Actress in a Supporting
Role |
Tess Harper, Crimes of the Heart |
| |
Piper Laurie, Children of a Lesser God |
| |
Mary Elizabeth Mastrantonio, The Color of Money
|
| |
Maggie Smith, A Room With a View |
| |
Dianne Wiest, Hannah
and Her Sisters |
| Directing |
Woody Allen, Hannah and Her Sisters |
| |
James Ivory, A Room With a View |
| |
Roland Joffe, The Mission |
| |
David Lynch, Blue Velvet |
| |
Oliver Stone, Platoon
|
| Writing |
| Screenplay Written
Directly for the Screen |
Woody Allen, Hannah
and Her Sisters |
| |
Paul Hogan, story; Paul Hogan, Ken Shadie and
John Cornell, screenplay, “Crocodile” Dundee
|
| |
Hanif Kureishi, My Beautiful Laundrette
|
| |
Oliver Stone, Platoon |
| |
Oliver Stone and Richard Boyle, Salvador
|
| Screenplay Based
on Another Medium |
Hesper Anderson and Mark Medoff, Children
of a Lesser God |
| |
Raynold Gideon and Bruce A. Evans, Stand
by Me |
| |
Beth Henley, Crimes of the Heart |
| |
Ruth Prawer Jhabvala,
A Room With a View |
| |
Richard Price, The Color of Money |
|
| Cinematography
|
Jordan Cronenweth, Peggy Sue Got Married |
| |
Chris Menges, The Mission
|
| |
Don Peterman, Star Trek IV: The Voyage Home
|
| |
Tony Pierce-Roberts, A Room With a View |
| |
Robert Richardson, Platoon |
| Art Direction
|
Stuart Craig, art direction; Jack Stephens, set decoration,
The Mission |
| |
Peter Lamont, art direction; Crispian Sallis, set
decoration, Aliens |
| |
Boris Leven, art direction; Karen A. O'Hara, set decoration,
The Color of Money |
| |
Gianni Quaranta and Brian
Ackland-Snow, art direction; Brian Savegar and Elio
Altramura, set decoration, A Room With a View
|
| |
Stuart Wurtzel, art direction; Carol Joffe, set decoration,
Hannah and Her Sisters |
| Sound |
Les Fresholtz, Dick Alexander, Vern Poore and William
Nelson, Heartbreak Ridge |
| |
Graham V. Hartstone, Nicolas Le Messurier, Michael
A. Carter and Roy Charman, Aliens |
| |
Donald O. Mitchell, Kevin O'Connell, Rick Kline and
William B. Kaplan, Top Gun |
| |
Terry Porter, Dave Hudson, Mel Metcalfe and Gene S.
Cantamessa, Star Trek IV: The Voyage Home |
| |
John Wilkinson, Richard
Rogers, Charles “Bud” Grenzbach and Simon Kaye, Platoon
|
| Music |
| Song
|
“Glory of Love,” The Karate Kid Part II,
Peter Cetera and David Foster, music; Peter Cetera
and Diane Nini, lyrics |
| |
“Life in a Looking Glass,” That's Life,
Henry Mancini, music; Leslie Bricusse, lyrics |
| |
“Mean Green Mother From Outer Space,” Little
Shop of Horrors, Alan Menken, music; Howard
Ashman, lyrics |
| |
“Somewhere Out There,” An American Tail,
James Horner and Barry Mann, music; Cynthia Weil,
lyrics |
| |
“Take My Breath Away,”
Top Gun, Giorgio Moroder, music; Tom Whitlock,
lyrics |
| Original Score
|
Jerry Goldsmith, Hoosiers |
| |
Herbie Hancock, 'Round
Midnight |
| |
James Horner, Aliens |
| |
Ennio Morricone, The Mission |
| |
Leonard Rosenman, Star Trek IV: The Voyage
Home |
|
| Film Editing
|
Jim Clark, The Mission |
| |
Ray Lovejoy, Aliens |
| |
Susan E. Morse, Hannah and Her Sisters |
| |
Claire Simpson, Platoon
|
| |
Billy Weber and Chris Lebenzon, Top Gun |
| Costume Design
|
Anna Anni and Maurizio Millenotti, Otello |
| |
Jenny Beaven and John Bright,
A Room With a View |
| |
Anthony Powell, Pirates |
| |
Enrico Sabbatini, The Mission |
| |
Theadora Van Runkle, Peggy Sue Got Married
|
| Makeup |
Rob Bottin and Peter Robb-King, Legend |
| |
Chris Walas and Stephan
Dupuis, The Fly |
| |
Michael G. Westmore and Michèle Burke, The Clan
of the Cave Bear |
| Visual Effects
|
Lyle Conway, Brian Ferren and Martin Gutteridge, Little
Shop of Horrors |
| |
Richard Edlund, John Bruno, Garry Waller and William
Neil, Poltergeist II: The Other Side |
| |
Robert Skotak, Stan Winston,
John Richardson and Suzanne Benson, Aliens
|
| Sound Effects Editing
|
Cecelia Hall and George Watters II, Top Gun
|
| |
Mark Mangini, Star Trek IV: The Voyage Home
|
| |
Don Sharpe, Aliens
|
| Short Films
|
| Animated
|
The Frog, the Dog and the Devil (Bob
Stenhouse, producer; New Zealand National Film
Unit) |
| |
A Greek Tragedy
(Linda Van Tulden and Willem Thijssen producers;
CineTe pvba) |
| |
Luxo Jr. (John Lasseter and William
Reeves, producers; Pixar Productions) |
| Live Action
|
Exit (Stefano Reali and Pino Quartullo,
producers; Rai Radiotelevisione Italiana/RAI-UNO) |
| |
Love Struck (Fredda Weiss, producer;
Rainy Day Productions) |
| |
Precious Images
(Chuck Workman, producer; Calliope Films, Inc.)
|
|
| Documentary
|
| Short Subject
|
Debonair Dancers (Alison Nigh-Strelich,
producer; Alison Nigh-Strelich Production) |
| |
The Masters of Disaster (Sonya Friedman,
producer; Indiana University Audio Visual Center) |
| |
Red Grooms: Sunflower in a Hothouse
(Thomas L. Neff and Madeline Bell, producers;
Polaris Entertainment Production) |
| |
Sam (Aaron D. Weisblatt Production) |
| |
Women—for America,
for the World (Vivienne Verdon-Roe, producer;
Educational Film & Video Project)
|
| Feature (tie)
|
Artie Shaw: Time
Is All You've Got (Brigitte Berman, producer;
Bridge Film Production) |
| |
Chile: Hasta Cuando? (David Bradbury,
producer; David Bradbury Productions) |
| |
Down and Out
in America (Joseph Feury and Milton Justice,
producers; Joseph Feury Production)
|
| |
Isaac in America: A Journey With Isaac Bashevis
Singer (Kirk Simon and Amram Nowak, producers;
Amram Nowak Associates) |
| |
Witness to Apartheid (Sharon I. Sopher,
producer; Production of Developing News, Inc.) |
|
| Foreign Language Film
|
The Assault, Netherlands
|
| |
Betty Blue, France |
| |
The Decline of the American Empire, Canada |
| |
My Sweet Little Village, Czechoslovakia |
| |
“38”, Austria |
| Irving G. Thalberg Memorial
Award |
Steven Spielberg
|
| |
|
| Honorary Award
|
To Ralph Bellamy
for his unique artistry and his distinguished service
to the profession of acting |
| |
To E.M. (Al) Lewis
in appreciation for outstanding service and dedication
in upholding the high Academy standards |
