|
Best Picture
|
Broadcast News, James L. Brooks, producer (Twentieth
Century-Fox) |
|
|
Fatal Attraction, Stanley R. Jaffe and Sherry
Lansing, producers (Paramount) |
|
|
Hope and Glory, John Boorman, producer (Columbia) |
|
|
The Last Emperor, Jeremy
Thomas, producer (Columbia)
|
|
|
Moonstruck, Patrick Palmer and Norman Jewison,
producers (MGM) |
|
Actor in a Leading Role
|
Michael Douglas, Wall Street
|
|
|
William Hurt, Broadcast News
|
|
|
Marcello Mastroianni, Dark Eyes
|
|
|
Jack Nicholson, Ironweed
|
|
|
Robin Williams, Good Morning, Vietnam
|
|
Actress in a Leading Role
|
Cher, Moonstruck
|
|
|
Glenn Close, Fatal Attraction
|
|
|
Holly Hunter, Broadcast News
|
|
|
Sally Kirkland, Anna
|
|
|
Meryl Streep, Ironweed
|
|
Actor in a Supporting Role
|
Albert Brooks, Broadcast News
|
|
|
Sean Connery, The Untouchables
|
|
|
Morgan Freeman, Street Smart
|
|
|
Vincent Gardenia, Moonstruck
|
|
|
Denzel Washington, Cry Freedom
|
|
Actress in a Supporting Role
|
Norma Aleandro, Gaby—A True Story
|
|
|
Anne Archer, Fatal Attraction
|
|
|
Olympia Dukakis, Moonstruck
|
|
|
Anne Ramsey, Throw Momma From the Train
|
|
|
Ann Sothern, The Whales of August
|
|
Directing
|
Bernardo Bertolucci, The
Last Emperor
|
|
|
John Boorman, Hope and Glory
|
|
|
Lasse Hallström, My Life as a Dog
|
|
|
Norman Jewison, Moonstruck
|
|
|
Adrian Lyne, Fatal Attraction
|
|
Writing
|
|
Screenplay Written Directly
for the Screen
|
Woody Allen, Radio Days
|
|
|
John Boorman, Hope and Glory
|
|
|
James L. Brooks, Broadcast News
|
|
|
Louis Malle, Au Revoir les Enfants
|
|
|
John Patrick Shanley,
Moonstruck
|
|
Screenplay Based on Material
From Another Medium
|
James Dearden, Fatal Attraction
|
|
|
Lasse Hallström, Reidar Jö nsson, Brasse Brännström
and Per Berglund, My Life as a Dog
|
|
|
Tony Huston, The Dead
|
|
|
Stanley Kubrick, Michael Herr and Gustav Hasford,
Full Metal Jacket
|
|
|
Mark Peploe and Bernardo
Bertolucci, The Last Emperor
|
|
|
Cinematography
|
Michael Ballhaus, Broadcast News
|
|
|
Allen Daviau, Empire of the Sun
|
|
|
Philippe Rousselot, Hope and Glory
|
|
|
Vittorio Storaro, The Last
Emperor
|
|
|
Haskell Wexler, Matewan
|
|
Art Direction
|
Santo Loquasto, art direction; Carol Joffe, Les Bloom
and George DeTitta, Jr., set decoration, Radio Days
|
|
|
Anthony Pratt, art direction; Joan Woolard, set decoration,
Hope and Glory
|
|
|
Norman Reynolds, art direction; Harry Cordwell, set
decoration, Empire of the Sun
|
|
|
Ferdinando Scarfiotti, art
direction; Bruno Cesari and Osvaldo Desideri, set decoration,
The Last Emperor
|
|
|
Patrizia Von Brandenstein and William A. Elliot, art
direction; Hal Gausman, set decoration, The Untouchables
|
|
Sound
|
Wayne Artman, Tom Beckert, Tom Dahl and Art Rochester,
The Witches of Eastwick
|
|
|
Les Fresholtz, Dick Alexander, Vern Poore and Bill Nelson,
Lethal Weapon
|
|
|
Robert Knudson, Don Digirolamo, John Boyde and Tony
Dawe, Empire of the Sun
|
|
|
Michael J. Kohut, Carlos de Larios, Aaron Rochin and
Robert Wald, RoboCop
|
|
|
Bill Rowe and Ivan Sharrock,
The Last Emperor
|
|
Music
|
|
Song
|
“Cry Freedom,” Cry Freedom, George Fenton
and Jonas Gwangwa, music and lyrics |
|
|
“(I've Had) The Time
of My Life,” Dirty Dancing, Franke Previte,
John DeNicola and Donald Markowitz, music; Franke
Previte, lyrics
|
|
|
“Nothing's Gonna Stop Us Now,” Mannequin,
Albert Hammond and Diane Warren, music and lyrics |
|
|
“Shakedown,” Beverly Hills Cop II, Harold
Faltermeyer and Keith Forsey, music; Harold Faltermeyer,
Keith Forsey and Bob Seger, lyrics |
|
|
“Storybook Love,” The Princess Bride, Willy
DeVille, music and lyrics |
|
Original Score
|
George Fenton and Jonas Gwangwa, Cry Freedom
|
|
|
Ennio Morricone, The Untouchables
|
|
|
Ryuichi Sakamoto, David
Byrne and Cong Su, The Last Emperor
|
|
|
John Williams, Empire of the Sun
|
|
|
John Williams, The Witches of Eastwick
|
|
|
Film Editing
|
Gabriella Cristiani, The
Last Emperor
|
|
|
Michael Kahn, Empire of the Sun
|
|
|
Michael Kahn and Peter E. Berger, Fatal Attraction
|
|
|
Richard Marks, Broadcast News
|
|
|
Frank J. Urioste, RoboCop
|
|
Costume Design
|
James Acheson, The Last
Emperor
|
|
|
Jenny Beavan and John Bright, Maurice
|
|
|
Dorothy Jeakins, The Dead
|
|
|
Bob Ringwood, Empire of the Sun
|
|
|
Marilyn Vance-Straker, The Untouchables
|
|
Makeup
|
Rick Baker, Harry and the
Hendersons
|
|
|
Bob Laden, Happy New Year
|
|
Visual Effects
|
Joel Hynek, Robert M. Greenberg, Richard Greenberg and
Stan Winston, Predator
|
|
|
Dennis Muren, William George,
Harley Jessup and Kenneth Smith, Innerspace
|
|
Short Films
|
|
Animated
|
George and Rosemary (Eunice Macaulay, producer;
National Film Board of Canada) |
|
|
The Man Who Planted
Trees (Frédéric Back, producer; Société Radio-Canada/Canadian
Broadcasting Corporation)
|
|
|
Your Face (Bill Plympton, producer; Bill
Plympton Productions) |
|
Live Action
|
Making Waves (Ann Wingate, producer; The
Production Pool Ltd.) |
|
|
Ray's Male Heterosexual
Dance Hall (Jonathan Sanger and Jana Sue Memel,
producers; Chanticleer Films)
|
|
|
Shoeshine (Robert A. Katz, producer; Tom
Abrams Productions) |
|
|
Documentary
|
|
Short Subject
|
Frances Steloff: Memoirs of a Bookseller
(Deborah Dickson, producer; Winterlude Films, Inc.
Production) |
|
|
In the Wee Wee Hours . . .(Dr. Frank Daniel
and Izak Ben-Meir, producers; University of Southern
California School of Cinema/Television) |
|
|
Languge Says It All (Megan Williams, producer;
Tripod Production) |
|
|
Silver Into Gold (Lynn Mueller, producer;
Stanford University Department of Communications) |
|
|
Young at Heart
(Sue Marx and Pamela Conn, producers; Sue Marx Films,
Inc. Production)
|
|
Feature
|
Eyes on the Prize: America's Civil Rights Years/Bridge
to Freedom 1965 (Callie Crossley and James A.
DeVinney, producers; Blackside, Inc. Production) |
|
|
Hellfire: A Journey From Hiroshima (John
Junkerman and John W. Dower, producers; Muraki Film
Project) |
|
|
Radio Bikini (Robert Stone, producer; Crossroads
Film Project, Ltd.) |
|
|
A Stitch for Time (Barbara Herbich and
Cyril Christo, producers; Peace Quilters Production
Company, Inc.) |
|
|
The Ten-Year Lunch:
The Wit and Legend of the Algonquin Round Table
(Aviva Slesin, producer; Aviva Films)
|
|
|
Foreign Language Film
|
Au Revoir les Enfants (Goodbye, Children),
France |
|
|
Babette's Feast, Denmark
|
|
|
Course Completed, Spain |
|
|
The Family, Italy |
|
|
Pathfinder, Norway |
|
Irving G. Thalberg Memorial
Award
|
Billy Wilder
|
|
Sound Effects Editing
|
Stephen Flick and
John Pospisil, RoboCop
|
