|
Picture
|
The Fugitive, Arnold Kopelson, producer (Warner
Bros.) |
|
|
In the Name of the Father, Jim Sheridan, producer
(Universal) |
|
|
The Piano, Jan Chapman, producer (Miramax) |
|
|
The Remains of the Day, Mike Nichols, John Calley
and Ismail Merchant, producers (Columbia) |
|
|
Schindler's List, Steven
Spielberg, Gerald R. Molen and Branko Lustig, producers
(Universal)
|
|
Actor in a Leading Role
|
Daniel Day-Lewis, In the Name of the Father
|
|
|
Laurence Fishburne, What's Love Got to Do With It
|
|
|
Tom Hanks, Philadelphia
|
|
|
Anthony Hopkins, The Remains of the Day
|
|
|
Liam Neeson, Schindler's List
|
|
Actress in a Leading Role
|
Angela Bassett, What's Love Got to Do With It
|
|
|
Stockard Channing, Six Degrees of Separation
|
|
|
Holly Hunter, The Piano
|
|
|
Emma Thompson, The Remains of the Day
|
|
|
Debra Winger, Shadowlands
|
|
Actor in a Supporting Role
|
Leonardo DiCaprio, What's Eating Gilbert Grape
|
|
|
Ralph Fiennes, Schindler's List
|
|
|
Tommy Lee Jones, The Fugitive
|
|
|
John Malkovich, In the Line of Fire
|
|
|
Pete Postlethwaite, In the Name of the Father
|
|
Actress in a Supporting Role
|
Holly Hunter, The Firm
|
|
|
Anna Paquin, The Piano
|
|
|
Rosie Perez, Fearless
|
|
|
Winona Ryder, The Age of Innocence
|
|
|
Emma Thompson, In the Name of the Father
|
|
Directing
|
Robert Altman, Short Cuts
|
|
|
Jane Campion, The Piano
|
|
|
James Ivory, The Remains of the Day
|
|
|
Jim Sheridan, In the Name of the Father
|
|
|
Steven Spielberg, Schindler's
List
|
|
Writing
|
|
Sreenplay Written Directly
for the Screen
|
Jane Campion, The
Piano
|
|
|
Nora Ephron, David S. Ward and Jeff Arch, screenplay;
Jeff Arch, story, Sleepless in Seattle
|
|
|
Jeff Maguire, In the Line of Fire
|
|
|
Ron Nyswaner, Philadelphia
|
|
|
Gary Ross, Dave
|
|
Screenplay Based on Material
Previously Produced or Published
|
Jay Cocks and Martin Scorsese, The Age of Innocence
|
|
|
Terry George and Jim Sheridan, In the Name
of the Father
|
|
|
Ruth Prawer Jhabvala, The Remains of the Day
|
|
|
William Nicholson, Shadowlands
|
|
|
Steven Zaillian, Schindler's
List
|
|
|
Cinematography
|
Gu Changwei, Farewell My Concubine
|
|
|
Michael Chapman, The Fugitive
|
|
|
Stuart Dryburgh, The Piano
|
|
|
Conrad L. Hall, Searching for Bobby Fischer
|
|
|
Janusz Kaminski, Schindler's
List
|
|
Art Direction
|
Ken Adam, art direction; Marvin March, set decoration,
Addams Family Values
|
|
|
Luciana Arrighi, art direction; lan Whittaker, set decoration,
The Remains of the Day
|
|
|
Dante Ferretti, art direction; Robert J. Franco, set
decoration, The Age of Innocence
|
|
|
Allan Starski, art direction;
Ewa Braun, set decoration, Schindler's List
|
|
|
Ben Van Os and Jan Roelfs, art direction, Orlando
|
|
Sound
|
Chris Carpenter, D. M. Hemphill, Bill W. Benton and
Lee Orloff, Geronimo: An American Legend
|
|
|
Michael Minkler, Bob Beemer and Tim Cooney, Cliffhanger
|
|
|
Donald O. Mitchell, Michael Herbick, Frank A. Montaño
and Scott D. Smith, The Fugitive
|
|
|
Andy Nelson, Steve Pederson, Scott Millan and Ron Judkins,
Schindler's List
|
|
|
Gary Summers, Gary Rydstrom,
Shawn Murphy and Ron Judkins, Jurassic Park
|
|
Music
|
|
Song
|
“Again,” Poetic Justice, Janet Jackson,
James Harris III and Terry Lewis, music and lyrics |
|
|
“The Day I Fall in Love,” Beethoven's 2nd,
Carole Bayer Sager, James Ingram and Clif Magness,
music and lyrics |
|
|
“Philadelphia,” Philadelphia, Neil Young,
music and lyrics |
|
|
“Streets of Philadelphia,”
Philadelphia, Bruce Springsteen, music and
lyrics
|
|
|
“A Wink and a Smile,” Sleepless in Seattle,
Marc Shaiman, music; Ramsey McLean, lyrics |
|
Original Score
|
Elmer Bernstein, The Age of Innocence
|
|
|
Dave Grusin, The Firm
|
|
|
James Newton Howard, The Fugitive
|
|
|
Richard Robbins, The Remains of the Day
|
|
|
John Williams, Schindler's
List
|
|
|
Film Editing
|
Anne V. Coates, In the Line of Fire
|
|
|
Gerry Hambling, In the Name of the Father
|
|
|
Veronika Jenet, The Piano
|
|
|
Michael Kahn, Schindler's
List
|
|
|
Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu,
Richard Nord and Dov Hoenig, The Fugitive
|
|
Costume Design
|
Jenny Beavan and John Bright, The Remains of the
Day
|
|
|
Anna Biedrzycka-Sheppard, Schindler's List
|
|
|
Janet Patterson, The Piano
|
|
|
Gabriella Pescucci, The
Age of Innocence
|
|
|
Sandy Powell, Orlando
|
|
Makeup
|
Greg Cannom, Ve Neill and Yolanda
Toussieng, Mrs. Doubtfire
|
|
|
Carl Fullerton and Alan D'Angerio, Philadelphia
|
|
|
Christina Smith, Matthew Mungle and Judy Alexander Cory,
Schindler's List
|
|
Visual Effects
|
Pete Kozachik, Eric Leighton, Ariel Velasco Shaw and
Gordon Baker, The Nightmlare Before Christmas
|
|
|
Neil Krepela, John Richardson, John Bruno and Pamela
Easley, Cliffhanger
|
|
|
Dennis Muren, Stan Winston,
Phil Tippett and Michael Lantieri, Jurassic Park
|
|
Sound Effects Editing
|
John Leveque and Bruce Stambler, The Fugitive
|
|
|
Gary Rydstrom and Richard Hymns,
Jurassic Park
|
|
|
Wylie Stateman and Gregg Baxter, Cliffhanger
|
|
Short Films
|
|
Animation
|
Blindscape (Stephen Palmer, producer; National
Film and Television School) |
|
|
The Mighty River (Frédéric Back and Hubert
Tison, producers; Canadian Broadcasting Corporation/Société
Radio-Canada Production) |
|
|
Small Talk (Bob Godfrey and Kevin Baldwin,
producers; Bob Godfrey Films, Ltd.) |
|
|
The Village (Mark Baker, producer; Pizazz
Pictures Production) |
|
|
The Wrong Trousers
(Nick Park, producer; Aardman Animations Limited
Production)
|
|
Live Action
|
Black Rider (Schwarzfahrer)
(Pepe Danquart, producer; Trans-Film GmbH Production)
|
|
|
Down on the Waterfront (Stacy Title and
Jonathan Penner, producers; Stacy Title/Jonathan
Penner Production) |
|
|
The Dutch Master (Susan Seidelman and Jonathan
Brett, producers; Regina Ziegler Film Production) |
|
|
Partners (Peter Weller and Jana Sue Memel,
producers; Chanticleer Films) |
|
|
The Screw (La Vis) (Didier Flamand, producer;
Perla Films Production) |
|
|
Documentary
|
|
Short Subject
|
Blood Ties: The Life and Work of Sally Mann
(Steven Cantor and Peter Spirer, producers; Moving
Target Production) |
|
|
Chicks in White Satin (Elaine Holliman
and Jason Schneider, producers; University of Southern
California School of Cinema/Television) |
|
|
Defending Our Lives
(Margaret Lazarus and Renner Wunderlich, producers;
Cambridge Documentary Films Production)
|
|
Feature
|
The Broadcast Tapes of Dr. Peter (David
Paperny and Arthur Ginsberg, producers; Canadian
Broadcasting Corporation/HBO Films Production) |
|
|
Children of Fate (Susan Todd and Andrew
Young, producers; Young/Friedson Production) |
|
|
For Better or for Worse (David Collier
and Betsy Thompson, producers; David Collier Production) |
|
|
I Am a Promise: The
Children of Stanton Elementary School (Susan
Raymond and Alan Raymond, Verité Films Production)
|
|
|
The War Room (D. A. Pennebaker and Chris
Hegedus, producers; R. J. Cutler/Wendy Ettinger/Frazer
Pennebaker Production) |
|
|
Foreign Language Film
|
Belle Époque, Spain
|
|
|
Farewell My Concubine, Hong Kong |
|
|
Hedd Wyn, United Kingdom |
|
|
The Scent of Green Papaya, Vietnam |
|
|
The Wedding Banquet, Republic of China on Taiwan |
|
Jean Hersholt Humanitarian
Award
|
Paul Newman
|
|
Honorary Awards
|
To
Deborah Kerr
in appreciation for a full career's worth of elegant and
beautifully crafted performances |
