|
Best Picture
|
The English Patient
,
Saul Zaentz, producer (Miramax)
|
| |
Fargo, Ethan Coen, producer (Gramercy) |
| |
Jerry Maguire, James L. Brooks, Laurence Mark,
Richard Sakai and Cameron Crowe, producers (TriStar) |
| |
Secrets and Lies, Simon Channing-Williams, producer
(October Films) |
| |
Shine, Jane Scott, producer (Fine Line) |
|
Actor in a Leading Role
|
Tom Cruise, Jerry Maguire
|
| |
Ralph Fiennes, The English Patient
|
| |
Woody Harrelson, The People vs. Larry Flynt
|
| |
Geoffrey Rush,
Shine
|
| |
Billy Bob Thornton, Sling Blade
|
|
Actress in a Leading Role
|
Brenda Blethyn, Secrets and Lies
|
| |
Diane Keaton, Marvin's Room
|
| |
Frances McDormand,
Fargo
|
| |
Kristen Scott Thomas, The English Patient
|
| |
Emily Watson, Breaking the Waves
|
|
Actor in a Supporting Role
|
Cuba Gooding, Jr.,
Jerry
Maguire
|
| |
William H. Macy, Fargo
|
| |
Armin Mueller-Stahl, Shine
|
| |
Edward Norton, Primal Fear
|
| |
James Woods,Ghosts of Mississippi
|
|
Actress in a Supporting Role
|
Joan Allen, The Crucible
|
| |
Lauren Bacall, The Mirror Has Two Faces
|
| |
Juliette Binoche,
The
English Patient
|
| |
Barbara Hershey, The Portrait of a Lady
|
| |
Marianne Jean-Baptiste, Secrets and Lies
|
|
Directing
|
Anthony Minghella,
The
English Patient
|
| |
Joel Coen, Fargo
|
| |
Milos Forman, The People vs. Larry Flynt
|
| |
Mike Leigh, Secrets and Lies
|
| |
Scott Hicks, Shine
|
|
Writing
|
|
Screenplay Written Directly
for the Screen
|
Ethan Coen and Joel Coen,
Fargo
|
|
|
Cameron Crowe, Jerry Maguire
|
|
|
John Sayles, Lone Star
|
|
|
Mike Leigh, Secrets and Lies
|
|
|
Jan Sardi and Scott Hicks, Shine
|
|
Screenplay Based on Material
Previously Produced or Published
|
Arthur Miller, The Crucible
|
|
|
Anthony Minghella, The English Patient
|
|
|
Kenneth Branagh, Hamlet
|
|
|
Billy Bob Thornton,
Sling Blade
|
|
|
John Hodge, Trainspotting
|
|
|
Cinematography
|
John Seale,
The
English Patient
|
| |
Darius Khondji, Evita
|
| |
Roger Deakins, Fargo
|
| |
Caleb Deschanel, Fly Away Home
|
| |
Chris Menges, Michael Collins
|
|
Art Direction
|
Bo Welch, art direction; Cheryl Carasik, set decoration,
The Birdcage
|
| |
Stuart Craig, art direction;
Stephenie McMillan, set decoration,
The
English Patient
|
| |
Brian Morris, art direction; Phillippe Turiure, set
decoration, Evita
|
| |
Tim Harvey, art direction, Hamlet
|
| |
Catherine Martin, art direction; Brigitte Broche, set
decoration, William Shakespeare's Romeo and Juliet
|
|
Sound
|
Walter Murch, Mark Berger,
David Parker and Chris Newman,
The
English Patient
|
| |
Andy Nelson, Anna Behlmer and Ken Weston, Evita
|
| |
Chris Carpenter, Bill W. Benton, Bob Beemer and Jeff
Wexler, Independence Day
|
| |
Kevin O'Connell, Greg P. Russell and Keith A. Wester,
The Rock
|
| |
Steve Maslow, Gregg Landaker, Kevin O'Connell and Geoffrey
Patterson, Twister
|
|
Music
|
|
Song
|
“Because You Loved Me,” Up Close and Personal,
Diane Warren, music and lyrics |
|
|
“For the First Time,” One Fine Day, James
Newton Howard, Jud J. Friedman and Allan Dennis
Rich, music and lyrics |
|
|
“I Finally Found Someone,” The Mirror Has Two
Faces, Barbra Streisand, Marvin Hamlisch, Bryan
Adams and Robert Lange, music and lyrics |
|
|
“That Thing You Do!,” That Thing You Do!,
Adam Schlesinger, music and lyrics |
|
|
“You Must Love Me,”
Evita
,
Andrew Lloyd Webber and Tim Rice, music and lyrics
|
|
Original Score
|
Gabriel Yared,
The
English Patient
|
|
|
Patrick Doyle, Hamlet
|
|
|
Elliot Goldenthal, Michael Collins
|
|
|
David Hirschfelder, Shine
|
|
|
John Williams, Sleepers
|
|
Original Musical or Comedy
Score
|
Rachel Portman,
Emma
|
|
|
Marc Shaiman, The First Wives Club
|
|
|
Alan Menken and Stephen Schwartz, The Hunchback
of Notre Dame
|
|
|
Randy Newman, James and the Giant Peach
|
|
|
Hans Zimmer, The Preacher's Wife
|
|
|
Film Editing
|
Walter Murch,
The
English Patient
|
| |
Gerry Hambling, Evita
|
| |
Roderick Jaynes, Fargo
|
| |
Joe Hutshing, Jerry Maguire
|
| |
Pip Karmel, Shine
|
|
Costume Design
|
Paul Brown, Angels and Insects
|
| |
Ruth Myers, Emma
|
| |
Ann Roth,
The
English Patient
|
| |
Alex Byrne, Hamlet
|
| |
Janet Patterson, The Portrait of a Lady
|
|
Makeup
|
Matthew W. Mungle and Deborah La Mia Denaver, Ghosts
of Mississippi
|
| |
Rick Baker and David Leroy
Anderson,
The Nutty
Professor
|
| |
Michael Westmore, Scott Wheeler and Jake Garber, Star
Trek: First Contact
|
|
Visual Effects
|
Scott Squires, Phil Tippett, James Straus and Kit West,
Dragonheart
|
| |
Volker Engel, Douglas Smith,
Clay Pinney and Joseph Viskocil,
Independence
Day
|
| |
Stefen Fangmeier, John Frazier, Habib Zargarpour and
Henry La Bounta,Twister
|
|
Sound Effects Editing
|
Richard L. Anderson and David A. Whittaker, Daylight
|
| |
Alan Robert Murray and Bub Asman, Eraser
|
| |
Bruce Stambler,
The
Ghost and the Darkness
|
|
Short Films
|
|
Animation
|
Canhead (Timothy Hittle and Chris Peterson,
producers; Timothy Hittle Production) |
|
|
La Salla (Richard Condie, producer; National
Film Board of Canada Production) |
|
|
Quest
(Tyron Montgomery and Thomas Stellmach, producers;
Thomas Stellmach Animation Production)
|
|
|
Wat's Pig (Peter Lord, producer; Aardman
Animations Limited Production) |
|
Live Action
|
De Tripas, Corazón (Antonio Urrutia, producer;
IMCINE/DPC/Universidad de Guadalajara Production) |
|
|
Dear Diary
(David Frankel and Barry Jossen, producers; DreamWorks
SKG Production)
|
|
|
Ernst & Lyset (Kim Magnusson and Anders
Thomas Jensen, producers; M&M Production) |
|
|
Esposados (Juan Carlos Fresnadillo, producer;
Zodiac Films/Juan Carlos Fresnadillo P.C. Production) |
|
|
Wordless (Bernadette Carranza and Antonello
De Leo, producer; Film Trust Italia Production) |
|
|
Documentary
|
|
Short Subject
|
Breathing Lessons:
The Life and Work Mark O'Brien
(Jessica Yu, producer; Inscrutable Films/Pacific
News Service Production)
|
|
|
Cosmic Voyage (Jeffrey Marvin and Bayley
Silleck, producers; Cosmic Voyage Inc. Production) |
|
|
An Essay on Matisse (Perry Wolff, producer;
Great Projects Film Company Inc. Production) |
|
|
Special Effects (Susanne Simpson and Ben
Burtt, producers; NOVA/WGBH Boston Production) |
|
|
The Wild Bunch: An Album in Montage (Paul
Seydor and Nick Redman, producers; Tyrus Entertainment
Production) |
|
Feature
|
The Line King: The Al Hirschfeld Story
(Susan W. Dryfoos, producer; Times History Production) |
|
|
Mandela (Jo Menell and Angus Gibson, producers;
Clinica Estetico, Ltd, Production) |
|
|
Suzanne Farrell: Elusive Muse (Anne Belle
and Deborah Dickson, producers; Seahorse Films,
Inc. Production) |
|
|
Tell the Truth and Run: George Seldes and the
American Press (Rick Goldsmith, producer; Never
Tire Production) |
|
|
When We Were Kings
(Leon Gast and David Sonenberg, producers; DASFilms
Ltd. Production)
|
|
|
Foreign Language Film
|
A Chef in Love, Georgia |
| |
Kolya
,
Czech Republic
|
| |
The Other Side of Sunday, Norway |
| |
The Prisoner of the Mountains, Russia |
| |
Ridicule, France |
|
Irving G. Thalberg Award
|
Saul Zaentz, producer
|
|
Scientific and Technical Award
|
Imax Corp. for its large screen
format
|
|
Honorary Award
|
Michael Kidd, choreographer
|
