|
Best Picture
|
As Good as It Gets, James L. Brooks,
Bridget Johnson and Kristi Zea, producers (TriStar) |
|
|
The Full Monty, Uberto Pasolini,
producer (Fox Searchlight) |
|
|
Good Will Hunting, Lawrence Bender,
producer (Miramax) |
|
|
L.A. Confidential, Arnon Milchan,
Curtis Hanson and Michael Nathanson, producers (Warner
Bros.) |
|
|
Titanic
,
James Cameron and Jon Landau,
producers (Paramount and 20th Century Fox)
|
|
Actor in a Leading
Role
|
Matt Damon, Good Will Hunting
|
|
|
Robert Duvall, The Apostle
|
|
|
Peter Fonda, Ulee's Gold
|
|
|
Dustin Hoffman, Wag the Dog
|
|
|
Jack Nicholson,
As Good as It Gets
|
|
Actress in a Leading
Role
|
Helena Bonham Carter, The Wings of the
Dove
|
|
|
Julie Christie, Afterglow
|
|
|
Judi Dench, Mrs. Brown
|
|
|
Helen Hunt,
As Good as It Gets
|
|
|
Kate Winslet, Titanic
|
|
Actor in a Supporting
Role
|
Robert Forster, Jackie Brown
|
|
|
Anthony Hopkins, Amistad
|
|
|
Greg Kinnear, As Good as It Gets
|
|
|
Burt Reynolds, Boogie Nights
|
|
|
Robin Williams,
Good Will Hunting
|
|
Actress in a Supporting
Role
|
Kim Basinger,
L.A. Confidential
|
|
|
Joan Cusack, In & Out
|
|
|
Minnie Driver, Good Will Hunting
|
|
|
Julianne Moore, Boogie Nights
|
|
|
Gloria Stuart, Titanic
|
|
Directing
|
Peter Cattaneo, The Full Monty
|
|
|
Gus Van Sant, Good Will Hunting
|
|
|
Curtis Hanson, L.A. Confidential
|
|
|
Atom Egoyan, The Sweet Hereafter
|
|
|
James Cameron,
Titanic
|
|
Writing
|
|
Screenplay Written Directly
for the Screen
|
Mark Andrus and James L. Brooks; Story by Mark
Andrus, As Good as It Gets
|
|
|
Paul Thomas Anderson, Boogie Nights
|
|
|
Woody Allen, Deconstructing Harry
|
|
|
Simon Beaufoy, The Full Monty
|
|
|
Ben Affleck and Matt
Damon,
Good
Will Hunting
|
|
Screenplay Based on Material
Previously Produced or Published
|
Paul Attanasio, Donnie Brasco
|
|
|
Brian Helgeland and Curtis
Hanson,
L.A.
Confidential
|
|
|
Atom Egoyan, The Sweet Hereafter
|
|
|
Hilary Henkin and David Mamet, Wag the Dog
|
|
|
Hossein Amini, The Wings of the Dove
|
|
|
Cinematography
|
Janusz Kaminski, Amistad
|
|
|
Roger Deakins, Kundun
|
|
|
Dante Spinotti, L.A. Confidential
|
|
|
Russell Carpenter,
Titanic
|
|
|
Eduardo Serra, The Wings of the Dove
|
|
Art Direction
|
Jan Roelfs, Gattaca
|
|
|
Dante Ferretti, Kundun
|
|
|
Jeannine C. Oppewall, L.A. Confidential
|
|
|
Bo Welch, Men in Black
|
|
|
Peter Lamont,
Titanic
|
|
Sound
|
Paul Massey, Rick Kline, D.M. Hemphill and
Keith A. Wester, Air Force One
|
|
|
Kevin O'Connell, Greg P. Russell and Arthur
Rochester, Con Air
|
|
|
Randy Thom, Tom Johnson, Dennis Sands and
William B. Kaplan, Contact
|
|
|
Andy Nelson, Anna Behlmer and Kirk Francis,
L.A. Confidential
|
|
|
Gary Rydstrom,
Tom Johnson, Gary Summers and Mark Ulano,
Titanic
|
|
Music
|
|
Song
|
“Go the Distance,” Hercules, Alan Menken
and David Zippel, music and lyrics |
|
|
“How Do I Live,” Con Air, Diane Warren,
music and lyrics |
|
|
“Journey to the Past,” Anastasia, Stephen
Flaherty and Lynn Ahrens, music and lyrics |
|
|
“Miss Misery,” Good Will Hunting, Elliott
Smith, music and lyrics |
|
|
“My Heart Will Go On,”
Titanic
,
James Horner and Will Jennings,
music and lyrics
|
|
Original Score
|
John Williams, Amistad
|
|
|
Danny Elfman, Good Will Hunting
|
|
|
Philip Glass, Kundun
|
|
|
Jerry Goldsmith, L.A. Confidential
|
|
|
James Horner,
Titanic
|
|
Original Musical or Comedy
Score
|
Stephen Flaherty, Lynn Ahrens and David Newman,
Anastasia
|
|
|
Hans Zimmer, As Good as It Gets
|
|
|
Anne Dudley,
The Full Monty
|
|
|
Danny Elfman, Men in Black
|
|
|
James Newton Howard, My Best Friend's Wedding
|
|
|
Film Editing
|
Richard Francis-Bruce, Air Force One
|
|
|
Richard Marks, As Good as It Gets
|
|
|
Pietro Scalia, Good Will Hunting
|
|
|
Peter Honess, L.A. Confidential
|
|
|
Conrad Buff, James
Cameron and Richard A. Harris,
Titanic
|
|
Costume Design
|
Ruth E. Carter, Amistad
|
|
|
Dante Ferretti, Kundun
|
|
|
Janet Patterson, Oscar and Lucinda
|
|
|
Deborah L. Scott,
Titanic
|
|
|
Sandy Powell, The Wings of the Dove
|
|
Makeup
|
Rick Baker and
David LeRoy Anderson,
Men
in Black
|
|
|
Lisa Westcott, Veronica Brebner and Beverley
Binda, Mrs. Brown
|
|
|
Tina Earnshaw, Greg Cannom and Simon Thompson,
Titanic
|
|
Visual Effects
|
Dennis Muren, Stan Winston, Randal M. Dutra
and Michael Lantieri, The Lost World: Jurassic Park
|
|
|
Phil Tippett, Scott E. Anderson, Alec Gillis
and John Richardson, Starship Troopers
|
|
|
Robert Legato,
Mark Lasoff, Thomas L. Fisher and Michael Kanfer,
Titanic
|
|
Sound Effects Editing
|
Mark P. Stoeckinger and Per Hallberg, Face/Off
|
|
|
Mark Mangini, The Fifth Element
|
|
|
Tom Bellfort and
Christopher Boyes,
Titanic
|
|
Short Films
|
|
Animation
|
Famous Fred (Joanna Quinn, producer; TVC
London Production for Channel 4 and S4C) |
|
|
Geri's Game
(Jan Pinkava, producer;
Pixar Animation Studios)
|
|
|
La Vieille Dame et Les Pigeons (Sylvain
Chomet, producer; Productions Pascal Blais/Les Armateurs/Odec
Kid Cartoons) |
|
|
The Mermaid (Alexander Petrov, producer;
Film Company "DAGO"/"SHAR" School-Studio/Studio
"PANORAMA", Yaroslavl) |
|
|
Redux Riding Hood (Steve Moore, producer;
Walt Disney Television Animation) |
|
Live Action
|
Dance Lexie Dance (Pearse Moore and Tim
Loane, producers; Raw Nerve Productions/Northern
Lights Entertainment) |
|
|
It's Good to Talk (Roger Goldby and Barney
Reisz, producers; Feasible Films) |
|
|
Sweethearts? (Birger Larsen and Thomas
Lydholm, producers; Metronome Productions/Victoria
Film) |
|
|
Visas and Virtue
(Chris Tashima and Chris
Donahue, producers; Cedar Grove Productions)
|
|
|
Wolfgang (Kim Magnusson and Anders Thomas
Jensen, producers; M&M Productions/Dansk Novellefilm) |
|
|
Documentary
|
|
Short Subject
|
Alaska: Spirit of the Wild (George Casey
and Paul Novros, producers; Graphic Films Corporation) |
|
|
Amazon (Kieth Merrill and Jonathan Stern,
producers; Ogden Entertainment) |
|
|
Daughter of the Bride (Terri Randall, producer;
Terri Randall Film & Video Productions/Home
Box Office) |
|
|
Still Kicking: The Fabulous Palm Springs Follies
(Mel Damski and Andrea Blaugrund, producers; Little
Apple Film) |
|
|
A Story of Healing
(Donna Dewey and Carol
Pasternak, producers; Dewey-Obenchain Films)
|
|
Feature
|
Ayn Rand: A Sense of Life (Michael Paxton,
producer; A G Media Corporation Ltd./Copasetic Inc.) |
|
|
Colors Straight Up (Michèle Ohayon and
Julia Schachter, producers; Echo Pictures) |
|
|
4 Little Girls (Spike Lee and Sam Pollard,
producers; 40 Acres & a Mule Filmworks/Home
Box Office) |
|
|
The Long Way Home
(Rabbi Marvin Hier and
Richard Trank, producers; Moriah Films/The Simon
Wiesenthal Center)
|
|
|
Waco: The Rules of Engagement (William
Gazecki and Dan Gifford, producers; SomFord Entertainment/Fifth
Estate) |
|
|
Foreign Language
Film
|
Beyond Silence, Germany |
|
|
Character
,
The Netherlands
|
|
|
Four Days in September, Brazil |
|
|
Secrets of the Heart, Spain |
|
|
The Thief, Russia |
|
Gordon E. Sawyer
Award
|
To
Don Iwerks,
cofounder of Iwerks Entertainment, for accomplishments
in the field of motion picture science and technology |
|
Scientific and
Technical Award
|
To
Gunnar P. Michelson,
for the engineering and development of an improved, electronic,
high-speed, precision light valve for use in motion picture
printing machines |
|
Honorary Award
|
To
Stanley Donen,
in appreciation of a body of work marked by grace, elegance,
wit and visual innovation |
