| Best Picture |
As Good as It Gets, James L. Brooks,
Bridget Johnson and Kristi Zea, producers (TriStar) |
|
The Full Monty, Uberto Pasolini,
producer (Fox Searchlight) |
|
Good Will Hunting, Lawrence Bender,
producer (Miramax) |
|
L.A. Confidential, Arnon Milchan,
Curtis Hanson and Michael Nathanson, producers (Warner
Bros.) |
|
Titanic,
James Cameron and Jon Landau,
producers (Paramount and 20th Century Fox) |
| Actor in a Leading
Role |
Matt Damon, Good Will Hunting |
|
Robert Duvall, The Apostle |
|
Peter Fonda, Ulee's Gold |
|
Dustin Hoffman, Wag the Dog |
|
Jack Nicholson,
As Good as It Gets |
| Actress in a Leading
Role |
Helena Bonham Carter, The Wings of the
Dove |
|
Julie Christie, Afterglow |
|
Judi Dench, Mrs. Brown |
|
Helen Hunt,
As Good as It Gets |
|
Kate Winslet, Titanic |
| Actor in a Supporting
Role |
Robert Forster, Jackie Brown |
|
Anthony Hopkins, Amistad |
|
Greg Kinnear, As Good as It Gets |
|
Burt Reynolds, Boogie Nights |
|
Robin Williams,
Good Will Hunting |
| Actress in a Supporting
Role |
Kim Basinger,
L.A. Confidential |
|
Joan Cusack, In & Out |
|
Minnie Driver, Good Will Hunting |
|
Julianne Moore, Boogie Nights |
|
Gloria Stuart, Titanic |
| Directing |
Peter Cattaneo, The Full Monty |
|
Gus Van Sant, Good Will Hunting |
|
Curtis Hanson, L.A. Confidential |
|
Atom Egoyan, The Sweet Hereafter |
|
James Cameron,
Titanic |
| Writing |
| Screenplay Written Directly
for the Screen |
Mark Andrus and James L. Brooks; Story by Mark
Andrus, As Good as It Gets |
|
Paul Thomas Anderson, Boogie Nights |
|
Woody Allen, Deconstructing Harry |
|
Simon Beaufoy, The Full Monty |
|
Ben Affleck and Matt
Damon, Good
Will Hunting |
| Screenplay Based on Material
Previously Produced or Published |
Paul Attanasio, Donnie Brasco |
|
Brian Helgeland and Curtis
Hanson, L.A.
Confidential |
|
Atom Egoyan, The Sweet Hereafter |
|
Hilary Henkin and David Mamet, Wag the Dog |
|
Hossein Amini, The Wings of the Dove |
|
| Cinematography |
Janusz Kaminski, Amistad |
|
Roger Deakins, Kundun |
|
Dante Spinotti, L.A. Confidential |
|
Russell Carpenter,
Titanic |
|
Eduardo Serra, The Wings of the Dove |
| Art Direction |
Jan Roelfs, Gattaca |
|
Dante Ferretti, Kundun |
|
Jeannine C. Oppewall, L.A. Confidential |
|
Bo Welch, Men in Black |
|
Peter Lamont,
Titanic |
| Sound |
Paul Massey, Rick Kline, D.M. Hemphill and
Keith A. Wester, Air Force One |
|
Kevin O'Connell, Greg P. Russell and Arthur
Rochester, Con Air |
|
Randy Thom, Tom Johnson, Dennis Sands and
William B. Kaplan, Contact |
|
Andy Nelson, Anna Behlmer and Kirk Francis,
L.A. Confidential |
|
Gary Rydstrom,
Tom Johnson, Gary Summers and Mark Ulano, Titanic |
| Music |
| Song |
“Go the Distance,” Hercules, Alan Menken
and David Zippel, music and lyrics |
|
“How Do I Live,” Con Air, Diane Warren,
music and lyrics |
|
“Journey to the Past,” Anastasia, Stephen
Flaherty and Lynn Ahrens, music and lyrics |
|
“Miss Misery,” Good Will Hunting, Elliott
Smith, music and lyrics |
|
“My Heart Will Go On,”
Titanic,
James Horner and Will Jennings,
music and lyrics |
| Original Score |
John Williams, Amistad |
|
Danny Elfman, Good Will Hunting |
|
Philip Glass, Kundun |
|
Jerry Goldsmith, L.A. Confidential |
|
James Horner,
Titanic |
| Original Musical or Comedy
Score |
Stephen Flaherty, Lynn Ahrens and David Newman,
Anastasia |
|
Hans Zimmer, As Good as It Gets |
|
Anne Dudley,
The Full Monty |
|
Danny Elfman, Men in Black |
|
James Newton Howard, My Best Friend's Wedding |
|
| Film Editing |
Richard Francis-Bruce, Air Force One |
|
Richard Marks, As Good as It Gets |
|
Pietro Scalia, Good Will Hunting |
|
Peter Honess, L.A. Confidential |
|
Conrad Buff, James
Cameron and Richard A. Harris, Titanic |
| Costume Design |
Ruth E. Carter, Amistad |
|
Dante Ferretti, Kundun |
|
Janet Patterson, Oscar and Lucinda |
|
Deborah L. Scott,
Titanic |
|
Sandy Powell, The Wings of the Dove |
| Makeup |
Rick Baker and
David LeRoy Anderson, Men
in Black |
|
Lisa Westcott, Veronica Brebner and Beverley
Binda, Mrs. Brown |
|
Tina Earnshaw, Greg Cannom and Simon Thompson,
Titanic |
| Visual Effects |
Dennis Muren, Stan Winston, Randal M. Dutra
and Michael Lantieri, The Lost World: Jurassic Park |
|
Phil Tippett, Scott E. Anderson, Alec Gillis
and John Richardson, Starship Troopers |
|
Robert Legato,
Mark Lasoff, Thomas L. Fisher and Michael Kanfer,
Titanic |
| Sound Effects Editing |
Mark P. Stoeckinger and Per Hallberg, Face/Off |
|
Mark Mangini, The Fifth Element |
|
Tom Bellfort and
Christopher Boyes, Titanic |
| Short Films |
| Animation |
Famous Fred (Joanna Quinn, producer; TVC
London Production for Channel 4 and S4C) |
|
Geri's Game
(Jan Pinkava, producer;
Pixar Animation Studios) |
|
La Vieille Dame et Les Pigeons (Sylvain
Chomet, producer; Productions Pascal Blais/Les Armateurs/Odec
Kid Cartoons) |
|
The Mermaid (Alexander Petrov, producer;
Film Company "DAGO"/"SHAR" School-Studio/Studio
"PANORAMA", Yaroslavl) |
|
Redux Riding Hood (Steve Moore, producer;
Walt Disney Television Animation) |
| Live Action |
Dance Lexie Dance (Pearse Moore and Tim
Loane, producers; Raw Nerve Productions/Northern
Lights Entertainment) |
|
It's Good to Talk (Roger Goldby and Barney
Reisz, producers; Feasible Films) |
|
Sweethearts? (Birger Larsen and Thomas
Lydholm, producers; Metronome Productions/Victoria
Film) |
|
Visas and Virtue
(Chris Tashima and Chris
Donahue, producers; Cedar Grove Productions) |
|
Wolfgang (Kim Magnusson and Anders Thomas
Jensen, producers; M&M Productions/Dansk Novellefilm) |
|
| Documentary |
| Short Subject |
Alaska: Spirit of the Wild (George Casey
and Paul Novros, producers; Graphic Films Corporation) |
|
Amazon (Kieth Merrill and Jonathan Stern,
producers; Ogden Entertainment) |
|
Daughter of the Bride (Terri Randall, producer;
Terri Randall Film & Video Productions/Home
Box Office) |
|
Still Kicking: The Fabulous Palm Springs Follies
(Mel Damski and Andrea Blaugrund, producers; Little
Apple Film) |
|
A Story of Healing
(Donna Dewey and Carol
Pasternak, producers; Dewey-Obenchain Films) |
| Feature |
Ayn Rand: A Sense of Life (Michael Paxton,
producer; A G Media Corporation Ltd./Copasetic Inc.) |
|
Colors Straight Up (Michèle Ohayon and
Julia Schachter, producers; Echo Pictures) |
|
4 Little Girls (Spike Lee and Sam Pollard,
producers; 40 Acres & a Mule Filmworks/Home
Box Office) |
|
The Long Way Home
(Rabbi Marvin Hier and
Richard Trank, producers; Moriah Films/The Simon
Wiesenthal Center) |
|
Waco: The Rules of Engagement (William
Gazecki and Dan Gifford, producers; SomFord Entertainment/Fifth
Estate) |
|
| Foreign Language
Film |
Beyond Silence, Germany |
|
Character,
The Netherlands |
|
Four Days in September, Brazil |
|
Secrets of the Heart, Spain |
|
The Thief, Russia |
| Gordon E. Sawyer
Award |
To Don Iwerks,
cofounder of Iwerks Entertainment, for accomplishments
in the field of motion picture science and technology |
| Scientific and
Technical Award |
To Gunnar P. Michelson,
for the engineering and development of an improved, electronic,
high-speed, precision light valve for use in motion picture
printing machines |
| Honorary Award |
To Stanley Donen,
in appreciation of a body of work marked by grace, elegance,
wit and visual innovation |
