| PCM's Melissa got
the opportunity to speak with Ritch Gaiti, author of Points: The
Relationship Survival Guide for People who Don't Like Relationship
Survival Guides. Also an established painter, Gaiti wrote Points
under his Borat-like alter ego I. Glebe. Be sure to check out some
of Glebe's movie reviews on our site, and for more information on
Glebe visit his official
webpage.
Melissa: Hello
Ritch Gaiti: Hi, may I speak with Melissa please?
M: Hi! This is Melissa, is this Ritch?
RG: This is Ritch, this is Glebe.
M: Nice to meet you!
RG: Likewise. Where are you located?
M: We're in Wilmington, Delaware.
RG: Oh, not so far, I'm in New Jersey.
M: I read about that. How are you today?
RG: I'm doing terrific, thank you!
M: That's good to hear. I read that you have an alter-ego named
I. Glebe, and I was wondering how you came up with that?
RG: Oh, really, truthfully? My best friend in high school, we always
had these alter-egos that we developed, and it was Front Lick and
Glebe. He was Front Lick and I was Glebe. We always kind of fantasized
and developed these egos with different situations around them.
We never picked up any girls, but we were satisfied. So it's just
that I've written a whole bunch of stuff by Glebe, and then something
about Glebe. So Glebe is sort of a balding Jewish guy who lives
inside of me.
M: So, would you say he's the cooler version of you?
RG: Cooler? I don't know if he's cooler. He's just an average guy.
Just a very, very average guy and he has the same flaws as any other
guy, maybe more so, but he has good stuff, and he wants to do the
right thing. He leaves a little bit wanting from time to time.
M: (laughs) I read your book "Points," and personally
I thought it was hysterical.
RG: Thank you.
M: There were parts where I was actually laughing out loud.
The book is a parody on relationship survival guides, and I was
wondering what made you want to write a parody on a relationship
book rather than on another topic?
RG: Well, you know it's funny. I was in the middle of writing a
book about Glebe, an actual fiction book, and I was sitting down
one day with my wife and another couple, and I did something nice
for my wife. Something very trivial. I looked at my buddy and I
said "Points." He immediately knew what I was saying,
this language between guys. He looked at me and he said "You
should have a book about points, rather than that other drivel you're
writing," and I said "That's a good idea." That night
I started writing it and I said "Well, I know a lot about this
stuff." I was just writing it from the everyday guy's point
of view, and I said this is not that hard. By the way, anybody could
have written this book. I just did it so they didn't have to. (both
laugh) So, it was really funny. I was writing something that everybody
could relate to. Guys understand this, and women from the other
side of the room can understand it as well form their perspective,
and I just wanted to write something very real, but more importantly,
very funny.
M: How did you develop the point theory? Just from the initial
comment from your friend?
RG: You know what? It just came to me. I just started writing.
I talked to a lot of guys and a lot of women, got lots of different
perspectives. As I was going through, I thought that things were
too structured and there were little points that kind of disappeared
in a day or two and there's points you get a lot for and they stick
around for a while. So I said "Maybe this will work."
Good points, considerate points where you do little things like
you compliment her saying "That was good falafel last night,
Dear" and then who knows. So those are nice to have, and people
say "What are the points that really work?" It's when
you show them you really care, like when you say "I love you,
Shirley." As long as their name is Shirley.
M: Right, of course! If it's not Shirley, you're in trouble.
RG: If it's not Shirley, you go right into the hole.
M: (laughs)
RG: Now the hole is a real place! Every guy has been there. Every
guy has been in the hole. Nobody ever squeaks by it. Everyone goes
through it. When a guy's in the hole no matter what he does he can't
get out.
M: That's true.
RG: There's only one way to get out, and that's apologizing.
M: Yup!
RG: Sometimes, he doesn't even know what he's apologizing for,
but it's all his fault. Apologize, own up to, try to guess it, take
out your list, figure out what you did, and apologize for it. Be
sincere and then maybe you're not in the whole. But it's interesting,
I drew on real life experience, and you know it's not me, I don't
know anything. Almost everybody's had some version of this in their
life, but it's really day-to-day stuff that you deal with and it's
everyday stuff.
M: While married, have you ever read any real relationship guide
books that aren't a parody?
RG: Have I read any? No.
M: None?
RG: Absolutely none. You know why I didn't do that? Well, number
one I'm not really that interested.
M: Right. (giggles)
RG: That's number one. I read other books, but not that. But number
two, I didn't want to even unconsciously take anybody else's thoughts.
I wanted to write my own book.
M: I thought it was very original.
RG: So, it came from within me, and I think it turned out pretty
well. I feel pretty good about it, but sometimes you read something
and unconsciously you're kind of duplicating it. I just didn't want
that.
M: A parody often focuses on stereotypes, so what do you have to
say to the readers who may criticize your book because they feel
like that it focuses too much on stereotypes, and so they feel like
they can't relate to that guy. The one who only ever watches sports
and reads in the bathroom?
RG: Personally, you're absolutely right. It does focus on stereotypes.
The whole thing is about stereotyping guys as being totally selfish
and totally stupid and women as having a lot of needs and all that.
Of course, it's not true of any individual, but some piece of it
is true, so you know you have to take apart the pieces that fit
you, and only you know that. The book is a whole menu, you don't
have to eat everything on the menu, you just have to pick apart
the pieces that fit you. If they fit, and they're funny? Great.
I'm not worried about stereotyping at all. Right off the bat I say
I'm stereotyping.
M: Right, you do! It's definitely all in fun and meant to be
humorous.
RG: Exactly.
M: And not meant to be taken all that seriously. I read that
you live with your wife, Virginia in New Jersey. What does your
wife think about the book, and your points theory?
RG: I'm still trying to get her to read it.
M: Oh, she hasn't read it yet?
RG: (laughing) No, she's read it. She actually gave me a lot of
advice, she goes "I wish you'd do some of these things."
And the truth is, the funny thing is as I'm writing this - I think
I'm a generally good guy, not breaking barriers, but I'm okay -
as I'm writing the book I'm saying "Maybe I should do a couple
of these things," you know? I found that during the writing,
my behavior actually changed. On little things and sometimes on
not so little things. So I kind of said to myself - and this was
not my intention but - I said to myself, "You know, some of
this stuff really works!" (both laughing) So it's really funny
and I was amazed. None of these things, by the way, were new to
me. Every guy knows they should do a little bit more of this, a
little bit more of that, but it's just not in our nature to do it.
I'm kind of outing all guys here, but that's the nature of the beast.
I found that I started changing, and she has started to respond
to me a little differently. We always had a good relationship, but
it's kind of notched it up to a different level. Whether that's
because of the book or not, I don't really know, but I do think
I've kind of gotten an inch closer to being the almost-good husband.
M: (laughs) Well that's good. Has writing always been something
that you've been interested in?
RG: Absolutely. I love to write. I love to write humor. I love
to poke fun at things. I think the world is far too serious, and
writing is just fun. Sometimes when I really love to write is when
I get really inside of a character like Glebe, and I can really
talk from his head you know? When I'm doing that I am Glebe, I am
writing as Glebe and so it really becomes interesting. Glebe amuses
me. I said once "I read what he's written with my hands."
M: That's funny.
RG: Writing has always interested me. I've always liked to write.
I've written a few manuscripts. This is my first one that's gotten
published. I've written other things in different genres but this
is the first one that's breaking through, and I have a whole series
of Glebe books that I'm going through right now.
M: I read that you also paint?
RG: Yeah! I'm a Southwestern artist.
M: I was wondering why you decided to paint with that theme
of the Southwest?
RG: You know what? That's a good question, and the answer is I
don't know. But the real answer is there's something about the west
that I love, and something about Native American culture. It's just
so beautiful and the way they think about the world, the way they
think about the Earth and just the colors they use. Basically it
just feels very serene, very beautiful, very peaceful much of the
time. So it makes me feel good. When I paint the west, I paint the
west of maybe 200 years ago before it was destroyed by grayer skies.
I love to paint horses, particularly. I do a lot of horse paintings.
Did you see my website?
M: I did see your website. I looked at your paintings, and I thought
they were lovely.
RG: Oh, thank you, thank you. So, you know, there's something about
it that just opens up a whole new world inside of me, and I get
very visceral about it and I feel like I'm there. I feel like I'm
living a memory that I couldn't have had.
M: Would you ever consider writing about the Southwest at all?
RG: Sure! You know, if I feel close to the subject matter sure.
Absolutely. Writing about the Southwest is good. You know, one of
my manuscripts which has not been publishes is about living in that
era.
M: Oh! That's interesting!
RG: About the southwest and also the all the things going on and
changes in history. But it really based on Native American culture.
M: So you write general fiction then, as well?
RG: Yeah, well this one was more general fiction. What I'm really
trying to do is develop the Glebe brand and write a lot more under
the name of Glebe and my humor stuff, so I wrote Points. As I said,
I have several books. On my drawer right now I have some of which
are pretty well complete. Glebe is, you know, a real character.
He's almost like a Borat.
M: Right! I was thinking that!
RG: There's something kind of a little bit quirky, but he deals
with things that we touch every day.
M: I was actually wondering if you were going to come talk to
me today as Glebe or as yourself.
RG: Well, if you didn't say "Ritch," I would have said
"Glebe."
M: Would you? (laughing)
RG: I usually answer these as Glebe. We're having more of a conversation
but sometimes when I'm interviewing on the radio or tv I'm Glebe
all the way, and I don't talk about anything other than Glebe. You
kind of took it in a different direction, which is fine with me.
Yesterday I did a TV interview for a half hour and I was Glebe all
the time. We didn't talk about anything but Glebe.
M: Wow! I would have been nervous, I think to talk to him. He's
a funny guy! I spent some time poking around your website, and I
was wondering how involved you are in the design of your Glebe site.
RG: I designed and built the whole thing myself. I'm having it
redone actually by someone else. It's hard to do it myself. My technical
skills are limited but I know enough. The painting website I built
myself. I like to get my hands on it a little bit technically, but
I just don't have time 'cause I'm doing too many things right now.
M: I also noticed that you had a MySpace page as yourself, but you
don't have one as Gelebe.
RG: I never really use MySpace, should I be on there as Glebe?
M: Yeah. A lot of people we speak with, MySpace is like the
center of how they relate to their fans.
RG: Yeah, I think I will do that. I'll do that actually when we
get off the phone. Get on as Glebe 'cause I think that makes more
sense.
M: I think that would be a good idea for you. Okay, so I found
out online that a Rich Gaiti was the co-executive producer of New
York At The Movies. Can you tell us a little about that experience.
RG: Well, it took over my life. (laughs) I was involved. I'll give
you an idea of my history in that world. I was in the corporate
world for a long time. I ran a pretty big technology organization
and then I left the corporate world in pursuit of my life dream
and basically get into writing and movie production. I wanted to
write and direct films, feature films. So I went to director's school,
and I did okay there and eventually formed my own production company,
and we had a lot of little projects but could never get the feature
made. But I was an executive producer on New York at the Movies
which was a series that never took off. It was supposed to be about
movies that took place in a particular city; in this case it was
New York. Then we'd interview a whole bunch of actors and directors
that were in these movies and show locations.
M: Is that something you'd consider doing again, or as you said
it's another life?
RG: It's another life. Ancient history. You know, I'd rather talk
about all the things I have on the plate than all the things I've
done before.
M: Well, that is actually my next question. What can we expect
from you in the future, and from Glebe of course?
RG: Well, Glebe has a number of things. Glebe has a new book that
I'm looking for a publisher for. I'm talking to a few publishers
right now. Glebe and The Shit List That Changed the World. It's
really a very, very funny book about how an ordinary guy becomes
a champion of the people, a voice of the people. And right now,
just to be half-serious for a moment, as individuals we have no
power at all.
M: That's true.
RG: Let's say you have a big dispute with a company you know when
you buy their product or you can't get through to them on the phone.
You feel powerless in that situation. Companies don't respond to
you as an individual any more with phone calls and audio responses,
and everything else or just advertising too much or talking too
much. So Glebe kind of canvassed the entire population of the world
and says "If everybody gets together all your 'one votes' can
add up to lots of votes."
M: It's a good point.
RG: And he really does this in a very funny way. So that's one
book. I'm writing another one right now. I've hardly chosen the
title on that one; it's called "The Idiot Conspiracy."
M: Okay, what'll that be about?
RG: It's about the dumbing down of America. (Both laughing) Also
written by Glebe and it's about how America has become very dumb
because big business has taken us over and reduced us to, you know,
little niches. It's also about how the individual has no power,
but the first book Glebe is a very cute, a very funny fictional
novel and the other one is also very funny but it's, of course,
it's non-fiction, more like Points.
M: Those sound very interesting. I can't wait for them to come
out!
RG: They'll be coming out to the website, Glebe's Shit List Website.
M: Right, I did read about that.
RG: We also have a Points board game coming out later this year.
That's in development right now. So I have a whole bunch of Glebe
stuff going around at the moment.
M: That's great. So, I have one last one question for you: Can
you tell us an interesting fact about yourself that our readers
may not already know?
RG: About Glebe?
M: About Glebe or yourself, either one.
RG: Oh, gee, I don't know which one to talk about; they're two
different people. Well me, I fly planes.
M: Oh, you fly planes!
RG: Yeah, I'm a pilot but that's just for fun, just one of my hobbies.
About Glebe let's see if I can tell you something interesting about
Glebe: Glebe was actually fired once from a big job in advertising
and then he got divorced the next week.
M: Oh! That's sad for him.
RG: But that brought on good things, it brought upon good change
in his life. Sometimes you get into the quick, and sometimes you
get into (this is a Glebe-ism), you need something dramatic to change
to get out of the safe groove of life.
M: That's very profound.
RG: There's channels and safe grooves and we feel very comfortable
there; you need something to change that sometimes. Sometimes it
feels like bad things but it can be a good one.
M: Okay, well, it's been very nice talking to you and we look
forward to seeing more from Glebe. So, thank you and have a great
afternoon!
RG: Okay, thanks Melissa! Bye.
M: Bye.
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